Images (Poland)最新文献_第6页

Jak działać, gdy „nobody knows anything”? Prawidłowości pośród wyników frekwencyjnych filmów w dystrybucji kinowej

Images (Poland) Pub Date : 2023-01-05 DOI: 10.14746/i.2022.41.15

M. Adamczak, Sławomir Salomon

{"title":"Jak działać, gdy „nobody knows anything”? Prawidłowości pośród wyników frekwencyjnych filmów w dystrybucji kinowej","authors":"M. Adamczak, Sławomir Salomon","doi":"10.14746/i.2022.41.15","DOIUrl":"https://doi.org/10.14746/i.2022.41.15","url":null,"abstract":"\u0000 \u0000 \u0000The distribution sector, contrary to film production, was not subsidized in 21st-century Poland from public funds, with only very rare exceptions. The distribution sector demands high levels of investment with regard to advertising movies and the necessity of building awareness of the titles before releasing them. The investment could be profitable but, in the case of a box office flop, becomes a permanent loss. Operating in the distribution sector is inevitably a high-risk endeavour. Predicting box office results is the key element of risk assessment made by distributors. The specificity of the film market and future results of the movies seem to be determined by uncertainty and unpredictability, according to William Goldman’s famous dictum nobody knows anything. However, distributors were able to develop a few ways to assess future box office results, at least roughly. The tendency to establish franchises and whole universes, the role of the opening weekend, the types of weekly results trajectories and the impact of major festival awards for the box office result are described in the article. In the case of the latter, the brand and capacity of the distributor seems to be more relevant than the award itself, which leads to conclusions about the crucial and probably still underestimated role of the distribution sector in the cinema. \u0000 \u0000 \u0000","PeriodicalId":37086,"journal":{"name":"Images (Poland)","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81474237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Transfiguracja – Piękna złośnica Jacques’a Rivette’a w świetle mimo-sekularnej myśli o filmie i mediach światłowodowych

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.05

J. Bohdziewicz

引用次数: 0

W poszukiwaniu hierofanii – o filmie Góra Sulejmana Jelizawiety Stiszowej

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.10

J. Czaja

引用次数: 0

Główne nurty w badaniach nad filmem i religią

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.01

Adam Domalewski

引用次数: 1

Shimmer and whisper 闪烁低语

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.15

Witold Stok

引用次数: 0

Protest kobiet. Wizerunek katolicyzmu w wytwórczości współczesnych polskich reżyserek

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.08

K. Kornacki

{"title":"Protest kobiet. Wizerunek katolicyzmu w wytwórczości współczesnych polskich reżyserek","authors":"K. Kornacki","doi":"10.14746/i.2021.39.08","DOIUrl":"https://doi.org/10.14746/i.2021.39.08","url":null,"abstract":"In the second decade of the 20th century (especially in the years 2016-2020), a significant number of films by Polish female directors were released in which Catholicism and the Catholic Church were attacked. They were: W imię… [In the Name of…], Body/ciało [Body], Twarz (Mug) and Córka boga [The Other Lamb] – all directed by Małgorzata Szumowska; Dzikie róże [Wild Roses] by Anna Jadowska, Pokot [Spoor] by Agnieszka Holland and Kasia Adamik, Wieża. Jasny dzień [Tower. A Bright Day] by Jagoda Szelc, Powrót, [Back Home] by Magdalena Łazarkiewicz, Maryjki [Marygoround] by Daria Woszek, as well as a documentary Komunia [Communion] by Anna Zamecka. The polemic related to the above-mentioned movies commented on the religiosity of Catholics and the quality of the institutional church (priests, hierarchies, methods of ministering and teaching), religious control and repression of corporeality and sexuality (including female sexuality), and Catholicism as the foundation of the patriarchal system. These films also feature elements of the \"positive program\", a proposal for a new cultural paradigm (new spirituality), organized around Nature, with the suggestion of matriarchy. From the point of view of social communication, the content and poetics of above-mentioned the films were similar, according to the author, to the content of the protests of the Ogólnopolski Strajk Kobiet (Polish Women's Strike), which demonstrated in 2016 and 2020 against the tightening of abortion laws.","PeriodicalId":37086,"journal":{"name":"Images (Poland)","volume":"159 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77900435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Religious and quasi-religious attitudes in four Polish documentaries from 2008–2019 2008-2019年四部波兰纪录片中的宗教和准宗教态度

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.07

Krzysztof Kopczyński

引用次数: 0

Symbolika barw w „sakralnym” kinie Kantemira Bałagowa

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.11

Justyna Machaj

引用次数: 0

Abel Gance po trzykroć oskarża: metafizyka i apokaliptyczna wyobraźnia w służbie pacyfizmu

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.04

T. Kłys

{"title":"Abel Gance po trzykroć oskarża: metafizyka i apokaliptyczna wyobraźnia w służbie pacyfizmu","authors":"T. Kłys","doi":"10.14746/i.2021.39.04","DOIUrl":"https://doi.org/10.14746/i.2021.39.04","url":null,"abstract":"This text is inspired by monumental and editorially perfect BluRay/DVD box set J’accuse (Gaumont, Paris 2017). It includes BluRay and DVD editions of all three J’accuse films (1919, 1937, 1956), two other Gance’s films, specifying the context of „trilogy” (Les Gaz mortels, 1916 and La Fin du monde, 1931) and the large director’s monography by Laurent Véray. From this revelatory archive emerges the image of Abel Gance as an artist who for 40 years of his filmmaker’s career was incessantly reworking deep trauma caused by World War One. It resulted in three J’accuse films, two other finished films and some other never realized screenplays and projects which made up particular work-in-progress whose mission is a message of peace. The text analyzes all three versions of J’accuse, concentrating on their allegorical style, metaphysical concept of ressurrection of fallen soldiers and apocalyptic vision of resurrected dead men’s processions which by its horror should persuade the mankind to stop all wars. In the last J’accuse (1956) – in fact, strongly shortened and reedited film from 1937 – Gance used the technique of triptych in which the picture was projected by three parallelly set projectors on the large screen with proportions 4:1. This version, immersing perceptually and sensorically spectator in the wide-format picture full of war horrors, today seems to be much more effective medium for message of peace than undecided between pacifism and patriotism, impressionistic in its style film from 1919, or laden with full of pathos verbal rhetorics J’accuse 1937.","PeriodicalId":37086,"journal":{"name":"Images (Poland)","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74932922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Andrey Zvyagintsev’s Loveless as the remediation of Mikhail Bulgakov’s The heart of a dog. Towards the question of cultural memory 安德烈·兹雅金采夫的《无爱》弥补了米哈伊尔·布尔加科夫的《狗的心》。关于文化记忆的问题

Images (Poland) Pub Date : 2021-12-15 DOI: 10.14746/i.2021.39.09

Beata Waligórska-Olejniczak

{"title":"Andrey Zvyagintsev’s Loveless as the remediation of Mikhail Bulgakov’s The heart of a dog. Towards the question of cultural memory","authors":"Beata Waligórska-Olejniczak","doi":"10.14746/i.2021.39.09","DOIUrl":"https://doi.org/10.14746/i.2021.39.09","url":null,"abstract":"The article aims to examine the relationship between two texts: Loveless (Нелюбовь, 2017), the latest of Andrey Zvyagintsev’s feature films, and The Heart of a Dog (Собачье сердце, 1925), one of Mikhail Bulgakov’s most popular short stories. The studies are focused on finding the parallels showing the work of cultural memory, which is understood – following Aleida Assmann’s and Astrid Erll’s findings – as the process of continuous remediation, retranscription and negotiation of essential ideas in the space of culture. Consequently, the author is not interested in treating Zvyagintsev’s text as the illustration of Bulgakov’s plot, but rather in discussing certain topics which are deposited in Russian literature and constantly reused and reinterpreted, creating the framework for communication across ‘the abyss of time’. The analogies between the selected texts are sought in the area of their structure, some thematic overlapping, the authors’ approach to the issue of the authoritarian ideology and the role of technology as well as in exploring the function of space as one of the narrative mechanisms, in particular in the context of the category of home and anti-home.","PeriodicalId":37086,"journal":{"name":"Images (Poland)","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81791938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0