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One of the First: Nikolai Iezuitov’s Activities at the State Academy of Art History 第一批之一:尼古拉·伊祖托夫在国家艺术史学院的活动
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_9
V. Poznin
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引用次数: 0
Russian Iconography of the 17th-19th Centuries: ‘The Resurrection from the Grave and the Harrowing of Hell’ and ‘The Passion of Christ’ 17 -19世纪的俄罗斯肖像:“从坟墓中复活和地狱的痛苦”和“基督受难”
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_135
S. Ivanova
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引用次数: 1
The Problem of ‘Colourism’ in 20th-Century Western-European Art Research: Theodor Hetzer and Ernst Strauss 20世纪西欧艺术研究中的“色彩主义”问题:Theodor Hetzer和Ernst Strauss
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_60
Ivan Sablin
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引用次数: 0
Images of the Cappadocian Fathers in the Religious Culture of Taurica during the 13th and 14th Centuries 13世纪和14世纪陶里卡宗教文化中的卡帕多西亚教父形象
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_29
A. Ergina
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引用次数: 0
César Franck. ‘The Archangel of Sainte-Clotilde’ or a Repenting Romanticist? 塞萨尔弗兰克。“圣克洛蒂尔德的大天使”还是忏悔的浪漫主义者?
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_48
Margarita Bouckrinskaya, Sofia Ivanushkina
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引用次数: 0
Hand Gesture and the Sounding Word in Byzantine Liturgical Art: 2. The Auditory Space of Worship and the Sung Gesture 拜占庭礼仪艺术中的手势与发音:2。敬拜的听觉空间与唱法
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_27
Irina Chudinova
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引用次数: 0
Veronese and Michelangelo: Two Perspectives on The Conversion of Saul 维罗内塞与米开朗基罗:扫罗皈依的两个视角
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_65
A. Korolev
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引用次数: 0
Mark Zakharov’s Production of The Barbarian and the Heretic (Lenkom, 1997): An Exploration of National Mentality on Stage 马克·扎哈罗夫的作品《野蛮人和异教徒》(Lenkom出版社，1997):对舞台上民族心态的探索
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_110
A. Ryaposov
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引用次数: 0
Alexander Arkhangelsky as Interpreter of his own Compositions: A Study of Phonograph Records 亚历山大·阿尔汉格尔斯基作为他自己作品的诠释者:留声机唱片的研究
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_98
P. Antonov
{"title":"Alexander Arkhangelsky as Interpreter of his own Compositions: A Study of Phonograph Records","authors":"P. Antonov","doi":"10.52527/22218130_2022_2_98","DOIUrl":"https://doi.org/10.52527/22218130_2022_2_98","url":null,"abstract":"","PeriodicalId":370462,"journal":{"name":"Временник Зубовского института","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125292702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Arthur Saint-Léon and Ludwig Minkus ’s Ballet Lilya (1869): The Last Ballet of the Choreographer’s ‘Russian Period’ 阿瑟·圣-莱姆森和路德维希·明库斯的芭蕾舞剧《莉莉娅》(1869):编舞家“俄罗斯时期”的最后一部芭蕾舞剧
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_148
O. Fedorchenko
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引用次数: 0
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