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Poetry and Literature in the Music and Life of Boris Tishchenko 鲍里斯·季先科音乐与生活中的诗歌与文学
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_72
Y. Serov
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引用次数: 0
The Local Singing Ensemble: Questions on the Stratification of Function and Style 地方唱团:关于功能与风格分层的问题
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_131
Galina Тavlai
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引用次数: 0
China in European Opera Librettos of the 18th and Early 19th Centuries 18世纪和19世纪早期欧洲歌剧剧本中的中国
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_43
Y. Medvedeva
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引用次数: 0
Images of the Cappadocian Fathers in the Religious Culture of Taurica during the 13th and 14th Centuries 13世纪和14世纪陶里卡宗教文化中的卡帕多西亚教父形象
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_29
A. Ergina
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引用次数: 0
Alexander Arkhangelsky as Interpreter of his own Compositions: A Study of Phonograph Records 亚历山大·阿尔汉格尔斯基作为他自己作品的诠释者:留声机唱片的研究
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_98
P. Antonov
{"title":"Alexander Arkhangelsky as Interpreter of his own Compositions: A Study of Phonograph Records","authors":"P. Antonov","doi":"10.52527/22218130_2022_2_98","DOIUrl":"https://doi.org/10.52527/22218130_2022_2_98","url":null,"abstract":"","PeriodicalId":370462,"journal":{"name":"Временник Зубовского института","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125292702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
César Franck. ‘The Archangel of Sainte-Clotilde’ or a Repenting Romanticist? 塞萨尔弗兰克。“圣克洛蒂尔德的大天使”还是忏悔的浪漫主义者?
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_48
Margarita Bouckrinskaya, Sofia Ivanushkina
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引用次数: 0
Veronese and Michelangelo: Two Perspectives on The Conversion of Saul 维罗内塞与米开朗基罗:扫罗皈依的两个视角
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_65
A. Korolev
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引用次数: 0
Arthur Saint-Léon and Ludwig Minkus ’s Ballet Lilya (1869): The Last Ballet of the Choreographer’s ‘Russian Period’ 阿瑟·圣-莱姆森和路德维希·明库斯的芭蕾舞剧《莉莉娅》(1869):编舞家“俄罗斯时期”的最后一部芭蕾舞剧
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_148
O. Fedorchenko
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引用次数: 0
Hand Gesture and the Sounding Word in Byzantine Liturgical Art: 2. The Auditory Space of Worship and the Sung Gesture 拜占庭礼仪艺术中的手势与发音:2。敬拜的听觉空间与唱法
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_27
Irina Chudinova
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引用次数: 0
‘Importing’ European Repertoire: The Saint Petersburg Russian Opera Troupe during the First Quarter of the 19th Century “引进”欧洲曲目:19世纪前25年的圣彼得堡俄罗斯歌剧团
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_2_51
M. Konstantinova
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引用次数: 0
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