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Problems of Iconography: Joos van Craesbeeck’s The Temptation of St. Anthony 圣像学的问题:乔斯·范·克雷斯贝克的《圣安东尼的诱惑》
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_2_53
A. Dmitrieva, V. Statkevich
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引用次数: 0
Mark Zakharov’s Production of Royal Games (Lenkom, 1995): An Opera for Dramatic Theater 马克·扎哈罗夫的作品《皇家游戏》(Lenkom, 1995):戏剧剧院的歌剧
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_152
A. Ryaposov
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引用次数: 0
Musical Depictions of the Sea Maiden: Archetypal Imagery in Prokofiev’s Undine 海少女的音乐描绘:普罗科菲耶夫《昂丁》中的原型意象
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_54
Natalia Verba
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引用次数: 0
On the Estonian-American Branch of Jacques Handschin’s Family 雅克·汉钦家族的爱沙尼亚裔美国人分支
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_114
Jeanna Kniazeva
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引用次数: 0
The Problems of a Conservatoire Teacher in a ‘Time of Instability’: The Letters of Reinhold Glière to Nadezhda Gandolfi (1920-1922) “不稳定时期”音乐学院教师的问题:莱因霍尔德·格里<s:1>致娜杰日达·甘多尔菲的信(1920-1922)
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_1_189
Yana Guretskaya
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引用次数: 0
«Slepukhin Readings» International Scientific Conferences «Slepukhin阅读»国际科学会议
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_213
P. Bazanov, Natalia V. Slepukhina
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引用次数: 0
Rodion Shchedrin as Librettist through the Lens of his Operas Dead Souls and The Left-Hander 从歌剧《死魂》和《左撇子》看罗迪昂·谢德林作为自由作家
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2022_3_121
S. Bulanov
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引用次数: 0
The Reproduction of Ancient Russian Frescoes and Exhibition of Ancient Russian Art in the Weimar Germany during the 1920s 20世纪20年代德国魏玛时期古俄罗斯壁画的再现与古俄罗斯艺术展览
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_47
S. Ivanova
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引用次数: 0
Concert Programmes at the Free Music School, 1862-1911 自由音乐学校的音乐会节目，1862-1911
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_4_193
M. Konstantinova
{"title":"Concert Programmes at the Free Music School, 1862-1911","authors":"M. Konstantinova","doi":"10.52527/22218130_2021_4_193","DOIUrl":"https://doi.org/10.52527/22218130_2021_4_193","url":null,"abstract":"","PeriodicalId":370462,"journal":{"name":"Временник Зубовского института","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131774314","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leningrad’s Influence in the Fine Art of Post-War Sverdlovsk 列宁格勒对战后斯维尔德洛夫斯克美术的影响
Временник Зубовского института Pub Date : 1900-01-01 DOI: 10.52527/22218130_2021_3_69
A. Ainutdinov
{"title":"Leningrad’s Influence in the Fine Art of Post-War Sverdlovsk","authors":"A. Ainutdinov","doi":"10.52527/22218130_2021_3_69","DOIUrl":"https://doi.org/10.52527/22218130_2021_3_69","url":null,"abstract":"","PeriodicalId":370462,"journal":{"name":"Временник Зубовского института","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128040653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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