{"title":"Spaces of Labour: Three Sisters, ’Til Madness Do Us Part, Bitter Money","authors":"Elena Pollacchi","doi":"10.5117/9789463721837_ch03","DOIUrl":"https://doi.org/10.5117/9789463721837_ch03","url":null,"abstract":"Wang’s focus on workers constitutes a unique entry point for studying\u0000 labour conditions throughout China’s economic development. This chapter\u0000 offers an in-depth discussion of Wang’s filmmaking in relation to spaces\u0000 of labour and labour issues. Through the close analyses of Three Sisters,\u0000 ’Til Madness Do Us Part, and Bitter Money, the discussion expands on\u0000 the topic of labour which Wang first explored with Tiexi qu: West of the\u0000 Tracks. These works also re-connect to the flow of laid-off and migrant\u0000 workers of the Tiexi industrial district and evoke the overarching power\u0000 of the economy in defining people’s lives and destinies. This chapter also\u0000 offers a comparative reading of Wang’s Three Sisters and John Ford’s The\u0000 Grapes of Wrath (1940).","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130535467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Concluding Remarks: Spaces of Exhibition and Spaces of Human Practice","authors":"Elena Pollacchi","doi":"10.5117/9789463721837_ch06","DOIUrl":"https://doi.org/10.5117/9789463721837_ch06","url":null,"abstract":"This chapter approaches Wang’s work from the perspective of exhibition\u0000 spaces. It looks at how his career has evolved and partly transformed\u0000 certain festival exhibition practices. It also discusses the virtuous circuit\u0000 of Wang’s regular presence across film festivals and art exhibition spaces.\u0000 Film festivals have served the essential function of providing a prestigious\u0000 platform from which his work could first travel at a time in which their\u0000 domestic visibility is not possible and theatrical release of art-house films\u0000 or documentary films is limited in Europe like elsewhere. This concluding\u0000 chapter also introduces the different modes of meaning-making of works\u0000 exhibited at film festivals and art galleries.","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128611528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wang Bing’s Cinematic Journey: A Counter-Narrative of the China Dream","authors":"Elena Pollacchi","doi":"10.5117/9789463721837_ch01","DOIUrl":"https://doi.org/10.5117/9789463721837_ch01","url":null,"abstract":"This chapter helps locate the geographical trajectory of Wang’s cinematic\u0000 activities. It also introduces the broad concept of ‘space’ and its centrality\u0000 in the discussion. By looking at the shooting locations over a map of China,\u0000 the investigation of Wang Bing’s cinematic travelogue is set against the\u0000 ongoing state narrative of the China Dream. This is a slogan that frames\u0000 China’s rise. The author argues that Wang’s films can be understood as a\u0000 counter-narrative that shows the less shiny side of China’s growth. They\u0000 can also be loosely grouped according to different definitions of space:\u0000 spaces of labour, spaces of history and memory, collective spaces, exhibition\u0000 spaces, and spaces of human practice. Moreover, without losing their\u0000 Chinese distinctiveness, the issues at stake in Wang’s films speak to a much\u0000 larger global experience of marginal spaces and uneven development.","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122269077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"History in the Making: The Debut Epic Tiexi qu: West of the Tracks","authors":"Elena Pollacchi","doi":"10.5117/9789463721837_ch02","DOIUrl":"https://doi.org/10.5117/9789463721837_ch02","url":null,"abstract":"This chapter discusses Wang Bing’s debut Tiexi qu: West of the Tracks (2002)\u0000 and engages with history and labour issues. The film shows Wang’s way\u0000 of observing ‘history in the making’ and extrapolating narratives from an\u0000 extensive process of shooting. The film is discussed as an unconventional\u0000 cinematic reportage. Its structure, extensive duration, and approach make\u0000 this film a groundbreaking work that intertwines various film modes and\u0000 connects different film traditions, from the early documentaries of the\u0000 Lumière Brothers to Terrence Malick’s Days of Heaven (1972).","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130066667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spaces of History and Memory: The Works on the Anti-Rightist Campaign","authors":"Elena Pollacchi","doi":"10.5117/9789463721837_ch04","DOIUrl":"https://doi.org/10.5117/9789463721837_ch04","url":null,"abstract":"This chapter approaches history as a central concern in Wang Bing’s\u0000 filmmaking. It deals with spaces of history and memory, in particular in\u0000 relation to the Anti-Rightist Campaign of 1957–59. It highlights Wang’s\u0000 interest in unveiling the gaps and the contradictions imbued in state\u0000 narratives at different epochs. A close reading of Wang’s only full-length\u0000 feature film so far The Ditch (2010) and a comparative reading of it with\u0000 Pier Paolo Pasolini’s Salò (1975) are given in the first section of the chapter.\u0000 The second section focuses on Wang’s mature work Dead Souls (2018) as\u0000 a visual archive of witnesses on the campaign and as a way to testify to\u0000 historical injustice, also recalling Claude Lanzmann’s Shoah (1985).","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"2022 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114145964","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.2307/j.ctv1t4m24f.15","DOIUrl":"https://doi.org/10.2307/j.ctv1t4m24f.15","url":null,"abstract":"","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128335930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Wang Bing’s Cinematic Journey:","authors":"","doi":"10.2307/j.ctv1t4m24f.7","DOIUrl":"https://doi.org/10.2307/j.ctv1t4m24f.7","url":null,"abstract":"","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"188 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127668396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spaces of Labour:","authors":"","doi":"10.2307/j.ctv1t4m24f.9","DOIUrl":"https://doi.org/10.2307/j.ctv1t4m24f.9","url":null,"abstract":"","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123741130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"History in the Making:","authors":"M. Collins","doi":"10.2307/j.ctv1t4m24f.8","DOIUrl":"https://doi.org/10.2307/j.ctv1t4m24f.8","url":null,"abstract":"","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115467175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spaces of History and Memory:","authors":"","doi":"10.2307/j.ctv1t4m24f.10","DOIUrl":"https://doi.org/10.2307/j.ctv1t4m24f.10","url":null,"abstract":"","PeriodicalId":369461,"journal":{"name":"Wang Bing's Filmmaking of the China Dream","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114657333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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