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Blossoms and Blood最新文献

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Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) 第四章。亚当·桑德勒的艺术电影:商品文化和醉醺醺的爱情的飘渺无常(2002)
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-006
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引用次数: 0
Chapter 3 If Th at Was in a Movie, I Wouldn’t Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) 第三章如果这是在电影里，我不会相信:《木兰花》中的情节矛盾、超级男子气概和自传体冲动
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-005
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引用次数: 0
Afterword On The Master 《大师后记》
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-008
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引用次数: 0
Select Bibliography 选择参考书目
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-010
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引用次数: 0
Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) 第二章。我梦见我在好莱坞电影里:《不羁之夜》中的明星、20世纪70年代的超真实声音和对电影的模仿
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-004
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引用次数: 0
Acknowledgments 致谢。
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-001
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引用次数: 0
Index 指数
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-011
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引用次数: 0
Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and Narrative Ambiguity in Hard Eight (1996) 第1章。《我记得你的脸:独立电影、新黑色电影和《硬八》中的叙事歧义》(1996)
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-003
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引用次数: 0
Chapter 5 I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in Th ere Will Be Blood (2007) 第五章我内心有竞争:《血色将至》的政治寓言、艺术合作与完美叙事
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-007
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引用次数: 0
Frontmatter
Blossoms and Blood Pub Date : 2013-12-31 DOI: 10.7560/752894-fm
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引用次数: 0
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