Law & Literature最新文献_第10页

David McIlroy, the End of Law: How Law’s Claims Relate to Law’s Aims, (Cheltenham: Edward Elgar, 2019) ISBN: 9781788113991, pp. 180 大卫·麦克罗伊，《法律的终结:法律的主张如何与法律的目的相关》(切尔滕纳姆:爱德华·埃尔加出版社，2019)，ISBN: 9781788113991，第180页

Law & Literature Pub Date : 2020-08-09 DOI: 10.1080/1535685x.2020.1796254

James Gould

引用次数: 0

Zombies as an Allegory for Terrorism: Understanding the Social Impact of Post-9/11 Security Theatre and the Existential Threat of Terrorism through the Work of Mira Grant 僵尸作为恐怖主义的寓言:通过米拉·格兰特的作品理解后9/11安全剧院的社会影响和恐怖主义的存在威胁

Law & Literature Pub Date : 2020-07-26 DOI: 10.1080/1535685x.2020.1776001

T. Paige

{"title":"Zombies as an Allegory for Terrorism: Understanding the Social Impact of Post-9/11 Security Theatre and the Existential Threat of Terrorism through the Work of Mira Grant","authors":"T. Paige","doi":"10.1080/1535685x.2020.1776001","DOIUrl":"https://doi.org/10.1080/1535685x.2020.1776001","url":null,"abstract":"Abstract This paper seeks to understand the impact upon society of “security theatre”: being the proliferation of security legislation and processes, particularly in the context of airport security screening. Security theatre is a response to the ongoing threat of terrorist attack without warning since September 11, 2001. While as lawyers we have a clear understanding of the laws have been put in place in response to these issues, we often have very little real grasp of how these laws impact society at large. Responses to social change are often first documented in popular literature. This paper seeks to explore the social impact of security theatre through examining bestselling popular literature that was intended as an allegory of these issues. Thus, the approach taken is to use such literature as a sociological text to provide insight into social responses. To that end Mira Grant’s apocalyptic Newsflesh trilogy and interviews with Grant about these topics within the books will be analysed and explored with a view to understanding the social impact of security theatre. My hope that we gain greater insight into the social perception of these issues, and the ability to view them from a different perspective.","PeriodicalId":368948,"journal":{"name":"Law & Literature","volume":"386 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114901310","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

BOOK REVIEW: Jean-Luc Nancy, Dies Irae, Edited by Angela Condello, Carlo Grassi and Andreas Philippopoulos-Mihalopoulos, University of Westminster Press, 2019, ISBN 978-1-912656-30-1 (paperback), £12.77, 107pp 书评:jean - luc南希,安魂曲》,由安吉拉•Condello编辑卡洛•格拉希和安德烈亚斯Philippopoulos-Mihalopoulos威斯敏斯特大学出版社,2019年,ISBN 978-1-912656-30-1(平装),£12.77,107页

Law & Literature Pub Date : 2020-07-23 DOI: 10.1080/1535685x.2020.1796260

Anastasia Tataryn

引用次数: 0

The Logic of Exemplarity 例证的逻辑

Law & Literature Pub Date : 2020-07-08 DOI: 10.1080/1535685X.2020.1779513

J. Mácha

引用次数: 4

Justice and Law at the (1980) Chinese Movies 1980年中国电影中的正义与法律

Law & Literature Pub Date : 2020-06-02 DOI: 10.1080/1535685x.2020.1766780

Alison W. Conner

引用次数: 0

The Silence of the Soulless Corporation: Corporate Agency in James Fenimore Cooper’s The Bravo 无灵魂公司的沉默:詹姆斯·费尼莫尔·库珀《布拉沃》中的公司代理

Law & Literature Pub Date : 2020-05-18 DOI: 10.1080/1535685X.2020.1754022

Stefanie Mueller

引用次数: 1

Why Non-Human Rights? 为什么是非人权?

Law & Literature Pub Date : 2020-05-03 DOI: 10.1080/1535685x.2020.1763598

Malte-C. Gruber

引用次数: 1

Representing Agency: An Introduction 代理机构:介绍

Law & Literature Pub Date : 2020-05-03 DOI: 10.1080/1535685x.2020.1763588

K. Trüstedt

引用次数: 2

Actor, Orator, Person: The Representation of Passion and the Passion of Representation in Hobbes’ Leviathan 演员、演说家、人:霍布斯《利维坦》中激情的再现与再现的激情

Law & Literature Pub Date : 2020-05-03 DOI: 10.1080/1535685x.2020.1763590

Rüdiger Campe

引用次数: 1

Writing for Others in South Africa’s Truth and Reconciliation Commission 为南非真相与和解委员会的其他人写作

Law & Literature Pub Date : 2020-05-03 DOI: 10.1080/1535685x.2020.1763602

Anne Fleckstein

{"title":"Writing for Others in South Africa’s Truth and Reconciliation Commission","authors":"Anne Fleckstein","doi":"10.1080/1535685x.2020.1763602","DOIUrl":"https://doi.org/10.1080/1535685x.2020.1763602","url":null,"abstract":"Abstract Truth Commissions are a global transitional justice instrument for dealing with past atrocities. The South African Truth and Reconciliation Commission, active from 1996 to 2002, is regarded to be an influential role model in this field for the way it put an emphasis on the publicity of the process. However, it also established a temporary, complex administration which processed many more cases of human rights violations than were publicly heard or seen. This led to the perception of two separate operative spheres: While the public proceedings were dominated by oral speech, the non-public procedures tended to be in written form. In order to establish institutional authority within the TRC, procedures that implemented triadic structures (like advocacy, representation, parrhesia, or translation) were of particular significance. One central operative feature emerged from the first encounter that a witness of human rights violations would have with the TRC when giving a statement: the situation of a statement taker writing down the oral statement given by a witness. The article claims that this transmission of oral knowledge is a specific variation of “advocacy” and could be termed “writing-for.” It amalgamates the triadic nature of advocacy (Campe) with the specific media technology of writing something down. The triad consists of the witness, the statement taker, and the statement form. The statement taking scene relied on a well-known aspect of the South African juridical administration, which is the Commissioner of Oaths. By adopting specific features of the Commissioner of Oaths and of affidavits, the testimony and the TRC gained authority. “Writing for others” served as a political form of care-taking, and authorized both the temporary institution and the testimony of the witness.","PeriodicalId":368948,"journal":{"name":"Law & Literature","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116599650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0