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El Quijote en Azul, and: 'Aquí se imprimen libros': Cervantine Studies in Honor of Tom Lathrop (review) 蓝色的堂吉诃德，还有:“书在这里印刷”:纪念汤姆·莱思罗普的塞万提斯研究(评论)
The Bulletin of Hispanic Studies Pub Date : 2010-12-31 DOI: 10.3828/BHS.2010.43
J. Ardila
{"title":"El Quijote en Azul, and: 'Aquí se imprimen libros': Cervantine Studies in Honor of Tom Lathrop (review)","authors":"J. Ardila","doi":"10.3828/BHS.2010.43","DOIUrl":"https://doi.org/10.3828/BHS.2010.43","url":null,"abstract":"","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"328 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114358312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Insights into Slavery and Abolition in an Eighteenth-Century Portuguese Interlude: Novo, e devertido Entremez Intitulado O contentamento Dos Pretos Por terem a sua Alforria 18世纪葡萄牙语插曲中对奴隶制和废除的洞察:新的、令人愉悦的插曲，标题为黑人获得解放的满足
The Bulletin of Hispanic Studies Pub Date : 2010-12-16 DOI: 10.3828/BHS.2010.42
R. Gordon
{"title":"Insights into Slavery and Abolition in an Eighteenth-Century Portuguese Interlude: Novo, e devertido Entremez Intitulado O contentamento Dos Pretos Por terem a sua Alforria","authors":"R. Gordon","doi":"10.3828/BHS.2010.42","DOIUrl":"https://doi.org/10.3828/BHS.2010.42","url":null,"abstract":"This article examines a short Portuguese chapbook interlude, Novo, e devertido Entremez Intitulado O contentamento Dos pretos Por terem a sua Alforria. Despite the year in which O contentamento dos pretos was published – 1787 – it is likely that the anonymous author wrote the play and set its action more than a decade earlier, and attempted to guide the views of readers of that previous period regarding ongoing debates over slavery in Portugal. More specifically, the author argues that O Contentamento dos pretos makes the case for a substantially qualified version of abolition to circa-1770 readers. This play additionally gives us insight into the hearts and minds of the population at the time, and helps us to understand how eighteenth-century Portuguese chapbook theatre sometimes functioned as a vehicle through which to promote positions on contentious social issues.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130064181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Shadow of Maeterlinck's La Vie des abeilles and El espíritu de la colmena
The Bulletin of Hispanic Studies Pub Date : 2010-12-16 DOI: 10.3828/BHS.2010.40
R. Miles
{"title":"The Shadow of Maeterlinck's La Vie des abeilles and El espíritu de la colmena","authors":"R. Miles","doi":"10.3828/BHS.2010.40","DOIUrl":"https://doi.org/10.3828/BHS.2010.40","url":null,"abstract":"No critic of El espíritu de la colmena (1973, Víctor Erice) has systematically analysed the – albeit brief – citation of the work of the Belgian prose writer and poet, Maurice Maeterlinck, although some insist that the allusion to the entire text is key. This essay seeks to explore the way in which the film subtly incorporates elements of this famous book on apiculture as a structural narrative base. Further, it also analyses the socio-historic implications of this citation/incorporation or problematic 'shadow', the dialectic and ambiguities of sacrifice and transcendence in the double context of the film's post-Civil War setting, and its construction and release in the 1970s during the Franco regime.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"15 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114051581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Quevedo contra todos: la segunda parte de la Política de Dios y su contexto Quevedo contra todos:上帝政治的第二部分及其背景
The Bulletin of Hispanic Studies Pub Date : 2010-12-16 DOI: 10.3828/BHS.2010.37
Rodrigo Cacho Casal
{"title":"Quevedo contra todos: la segunda parte de la Política de Dios y su contexto","authors":"Rodrigo Cacho Casal","doi":"10.3828/BHS.2010.37","DOIUrl":"https://doi.org/10.3828/BHS.2010.37","url":null,"abstract":"La Política de Dios, publicada en 1626, fue una de las obras de mayor éxito de Quevedo. El texto fue reimpreso en varias ocasiones y fue recibido con mucha admiración y, a su vez, con cierto rechazo. Sus detractores lo acusaron de haber utilizado el Evangelio y la vida de Cristo para llevar a cabo una sátira oculta contra la monarquía española. Ello resulta muy probable, y los ataques a Felipe IV y el Conde-Duque de Olivares se hicieron aún más consistentes en la segunda parte de la Política, que se compuso probablemente tras 1636. El texto fue posteriormente revisado y ampliado, pero se publicó sólo en 1655, años después de la muerte de Quevedo (1645). Este artículo estudia las fases redaccionales de la obra y su cronología, su contexto histórico y la sátira encubierta dirigida contra el rey y su valido.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128613893","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Court, Market and the Fashioning of the Galateo español 宫廷、市场和加拉忒奥的形成español
The Bulletin of Hispanic Studies Pub Date : 2010-12-16 DOI: 10.3828/BHS.2010.38
Felipe E. Ruán
{"title":"Court, Market and the Fashioning of the Galateo español","authors":"Felipe E. Ruán","doi":"10.3828/BHS.2010.38","DOIUrl":"https://doi.org/10.3828/BHS.2010.38","url":null,"abstract":"In late sixteenth-century Spain Lucas Gracián Dantisco adapted Giovanni Della Casa's Galateo (1558) for a Spanish audience. The editorial success the Galateo español (c. 1582) enjoyed can be attributed to Gracián Dantisco's keen sensitivity to the social, cultural and consumer demands of his age. Those needs and demands are best evidenced by analysing three interrelated topics: the influence of the court, the significance of a consumer audience and the rise in popularity of prose fiction. In transforming the Galateo into the Galateo español Gracián Dantisco put into practice the basic strategy of pragmatic accommodation to the wishes and tastes of others that Della Casa's treatise aimed to teach. The accommodation to consumer audience needs ensures and explains the success of the Galateo español in sixteenth- and seventeenth-century Spain.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121723852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Space as a Metafictional Marker: Borges' 'Tema del traidor y del héroe' and Bertolucci's Strategia del ragno 空间作为元小说标记:博尔赫斯的“叛徒和英雄主题”和贝托鲁奇的ragno策略
The Bulletin of Hispanic Studies Pub Date : 2010-12-16 DOI: 10.3828/BHS.2010.41
Ilka Kressner
{"title":"Space as a Metafictional Marker: Borges' 'Tema del traidor y del héroe' and Bertolucci's Strategia del ragno","authors":"Ilka Kressner","doi":"10.3828/BHS.2010.41","DOIUrl":"https://doi.org/10.3828/BHS.2010.41","url":null,"abstract":"In this study, I analyse space as a key marker of the metafictional characteristic of Jorge Luis Borges' story 'Tema del traidor y del héroe' (in Ficciones) and Bernardo Bertolucci's film Strategia del ragno. I contend that the presentation of space – this understudied 'other' with regard to time in criticism of Borges – is a major aspect of the self-referential questioning at stake in his work. The descriptions of changeable places, or the blurring of binary oppositions such as the distinction of a stage versus an audience, highlight this questioning of habitual practices of writing and reading space in the literary medium. Similarly, Bertolucci, in his movie inspired by Borges' short story, presents a plurality of puzzling stages, distortions of spatial differentiations and metafilmic commentaries on the medium's techniques and effects of staging and, therefore, draws attention to the challenges of cinematographic (re)presentation.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123720309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In/sight of Knowledge: Seeing Women in José Saramago's Memorial do Convento and Hélia Correia's Lillias Fraser 在知识的视野中:在约瑟·萨拉马戈的《修道院纪念馆》和赫萨里亚·科雷亚的《莉莉亚斯·弗雷泽》中看到女性
The Bulletin of Hispanic Studies Pub Date : 2010-10-17 DOI: 10.3828/BHS.2010.34
Kathryn Bishop-Sanchez
{"title":"In/sight of Knowledge: Seeing Women in José Saramago's Memorial do Convento and Hélia Correia's Lillias Fraser","authors":"Kathryn Bishop-Sanchez","doi":"10.3828/BHS.2010.34","DOIUrl":"https://doi.org/10.3828/BHS.2010.34","url":null,"abstract":"This article explores the literary representation of the 'seeing woman' in two contemporary Portuguese novels, Memorial do Convento (1982) by José Saramago and Lillias Fraser (2002) by Hélia Correia, drawing on feminist readings of gendered politics of sight and female visionaries by authors such as Luce Irigaray and Simone de Beauvoir, and Julia Kristeva's theoretical reading of female subjectivity in 'Women's Time'. Working from the premise that in a patriarchal society typically women do not see but are seen, this study analyses the 'dislocation' of the visionary women in these novels as women who see within a male-dominated society and challenge received social boundaries and values. Through close readings of the texts, the article argues that both Blimunda in Memorial do Convento and Lillias Fraser in Hélia Correia's novel defy the dominant patriarchal mode of seeing and create for themselves an autonomous subject-position. Thus, both novels present an imaginative re-vision of history, foregrounding the experience of extraordinary visionary women.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115855295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Europa en el imaginario poético de la España contemporánea (1966-2006): del utopismo ansioso al desencanto crítico 当代西班牙诗歌想象中的欧洲(1966-2006):从焦虑的乌托邦主义到批判性的幻灭
The Bulletin of Hispanic Studies Pub Date : 2010-10-17 DOI: 10.3828/BHS.2010.32
Luis Martín-Estudillo
{"title":"Europa en el imaginario poético de la España contemporánea (1966-2006): del utopismo ansioso al desencanto crítico","authors":"Luis Martín-Estudillo","doi":"10.3828/BHS.2010.32","DOIUrl":"https://doi.org/10.3828/BHS.2010.32","url":null,"abstract":"El presente artículo estudia el sentido social y estético de la reiteración de motivos referidos a la cultura e historia europeas y la relación de España con las mismas en la poesía española que surge a partir de la pasada década de los sesenta. En un principio, la más sofisticada cultura europea representaba un horizonte hacia el cual miraban los jóvenes poetas sesentayochistas (ejemplificados aquí por Pere Gimferrer y Antonio Colinas), hastiados tanto por la mediocridad imperante bajo la dictadura como por el fallido discurso emancipatorio de las poéticas de corte social que se oponían al régimen. Una segunda fase estuvo marcada por la percepción y proyección textual de reintegración en las principales corrientes europeas, como es el caso del primer libro de Gerard Vergés. El tercer momento llega hasta nuestros días, y se caracteriza por una visión crecientemente crítica de Europa y sus producciones tanto culturales como políticas, algo apreciable en la poesía de Mercedes Cebrián.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128137932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Las dobles bodas reales de 1615: el triunfo del Lope-personaje sobre el Lope-cortesano 1615年的双重皇室婚礼:宫廷人物对宫廷人物的胜利
The Bulletin of Hispanic Studies Pub Date : 2010-10-17 DOI: 10.3828/BHS.2010.30
Marcella Trambaioli
{"title":"Las dobles bodas reales de 1615: el triunfo del Lope-personaje sobre el Lope-cortesano","authors":"Marcella Trambaioli","doi":"10.3828/BHS.2010.30","DOIUrl":"https://doi.org/10.3828/BHS.2010.30","url":null,"abstract":"Este trabajo es la segunda parte de un estudio sobre la construcción del doble literario de Lope de Vega, a la búsqueda constante y vana del mecenazgo real, como estrategia de autopropaganda en aquellas obras, teatrales y no dramáticas, en que el poeta intenta lucir como relacionero de las dobles bodas reales de 1599 y de 1615. Si el Lope de la primera época, a través de las máscaras que le representan, exhibe con orgullo su existencia literaturizada - hasta en su faceta burlesca - poniéndola al servicio de sus ambiciones palaciegas, el Lope maduro multiplica sus dobles, mostrándose hasta dispuesto a renegar de su mito lírico. Finalmente, el anciano dramaturgo, con un vuelco genial, hace que Belardo, disfrazado de Burguillos, se rescate, parodiando su propia escritura cortesana. Así, el triunfo final de Burguillos corresponde a la victoria definitiva del Lope-personaje sobre el Lope-cortesano.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121602269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Illustrated La Regenta: An Inexplicable Neglect and a Debate that Never Happened 《摄政画报:无法解释的忽视和从未发生过的辩论
The Bulletin of Hispanic Studies Pub Date : 2010-10-17 DOI: 10.3828/BHS.2010.31
G. Wood
{"title":"The Illustrated La Regenta: An Inexplicable Neglect and a Debate that Never Happened","authors":"G. Wood","doi":"10.3828/BHS.2010.31","DOIUrl":"https://doi.org/10.3828/BHS.2010.31","url":null,"abstract":"This article examines the illustrations by Joan Llimona and Francisco Gómez Soler that featured in the original edition of La Regenta (1884-85) by Lepoldo Alas. The inclusion of those images in the recently published edition of the novel in the Ediciones Nobel Obras completas has given fresh impetus to an assessment of their contribution to the reading experience they help to create.The first section of this article describes the reception of Llimona's work until now, as well as the difficulties of determining how much input Alas had in recommending scenes for illustration and/or editing the final images. In that first section comparisons are also made with other Restoration novelists - notably Emilia Pardo Bazán - and their attitudes to illustrated editions. The second section conducts a detailed analysis of how the illustrations might be read alongside the text. That analysis serves to show what an attentive reader of the text Llimona, in particular, was and how much the illustrations reinforce and heighten moments of pathos, irony or humour in the novel.","PeriodicalId":368702,"journal":{"name":"The Bulletin of Hispanic Studies","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126328269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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