Studies in Ancient Art and Civilization最新文献

The Foundation Scene on Roman Colonial Coins from the Near East in the 3rd Century CE 公元3世纪来自近东的罗马殖民硬币的基础场景

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.08

Szymon Jellonek

{"title":"The Foundation Scene on Roman Colonial Coins from the Near East in the 3rd Century CE","authors":"Szymon Jellonek","doi":"10.12797/saac.26.2022.26.08","DOIUrl":"https://doi.org/10.12797/saac.26.2022.26.08","url":null,"abstract":"One of the most common iconographic motifs of Roman colonial coinage is the ‘foundation scene’. Colonies modelled on Rome were established according to the aratrum ritual, in imitation of the manner in which, according to myths, Romulus founded Rome. Veteran colonies, established between the 1st century BCE and the 2nd century CE, gladly exploited that motif to commemorate the colonial foundation and to manifest their bond with Rome. However, colonies set up under Septimius Severus and later were considered as purely titular foundations. Nevertheless, they also occasionally presented the foundation scene on civic coins. If they were not colonists, the question arises as to the message that such coins conveyed. In this paper, the author makes an attempt to examine the foundation scene on Roman colonial coins from the Near East in the 3rd century CE. The concepts of veteran and titular colonies are contrasted. It is a noteworthy that while the colonies in northern Syria and Mesopotamia (except Rhesaena) never introduced the foundation scene on their coinages, the southern colonies (except Philippopolis) proudly manifested their connections with Rome. Eventually, the foundation scene disappeared from colonial coins of the Near East in the mid-3rd century.","PeriodicalId":36852,"journal":{"name":"Studies in Ancient Art and Civilization","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48509564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Construction of Ancient Houses in Marina El-Alamein. Analysis of the Demand for Building Stone 滨海阿拉曼古宅的建造。建筑石材需求分析

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.04

Szymon Popławski

引用次数: 0

La prime testimonianze della metallurgia nei colli albani (Roma, Italia Centrale)

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.02

F. Altamura, M. Angle, Noemi Tomei

引用次数: 0

An investigation into the Pottery Flasks at the Sanandaj Archaeological Museum 对萨南达杰考古博物馆陶器烧瓶的调查

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.06

M. E. Zarei, A. Behnia

引用次数: 0

The Young Lady in Pink. New Light on the Life and Afterlife of an Ancient Portrait 穿粉红色衣服的年轻女士。一幅古代肖像生前与死后的新发现

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.07

J. Daal, Branko F. van Oppen de Ruiter

{"title":"The Young Lady in Pink. New Light on the Life and Afterlife of an Ancient Portrait","authors":"J. Daal, Branko F. van Oppen de Ruiter","doi":"10.12797/saac.26.2022.26.07","DOIUrl":"https://doi.org/10.12797/saac.26.2022.26.07","url":null,"abstract":"A Roman-Egyptian mummy portrait of a young woman in a pink tunic is part of the Allard Pierson collection in Amsterdam. The portrait is well-known and a key piece of the collection, but has received little scholarly attention so far. The life and the afterlife of the portrait are therefore poorly understood. The authors approach the portrait from different perspectives: its provenance and acquisition, the artist’s materials and techniques, the dating conventions surrounding mummy portraits and their cultural context. The authors advocate for this in-depth multidisciplinary approach primarily because it spotlights specific areas in mummy portraits (in this case, the pearl earrings) where iconography, materials and techniques and ancient socio-economic developments converge. Provenance research proved important not only for securing the object’s bona fide acquisition, but also for tracing its second-life biography. These converging perspectives effectively cast light on research areas where more work remains desirable. In lieu of secure documentation of the archaeological findspot (which is the case with most mummy portraits) this approach is a powerful tool to nonetheless compose histories that help to understand the meaning of mummy portraits in the past and in the present and provide a durable framework for future research.","PeriodicalId":36852,"journal":{"name":"Studies in Ancient Art and Civilization","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44250955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Roman Prostitution Through Plautus’ Theatre 普劳图斯剧院中的罗马卖淫

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.03

María Teresa de Luque Morales

引用次数: 0

Phase 5 (Naqada IIIb–IIIc1) in Tell El-Farkha. The Peak of Development or the Beginning of Decline? Tell El Farkha的第5阶段（Naqada IIIb–IIIc1）。发展的顶峰还是衰落的开端？

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.01

K. Ciałowicz

{"title":"Phase 5 (Naqada IIIb–IIIc1) in Tell El-Farkha. The Peak of Development or the Beginning of Decline?","authors":"K. Ciałowicz","doi":"10.12797/saac.26.2022.26.01","DOIUrl":"https://doi.org/10.12797/saac.26.2022.26.01","url":null,"abstract":"The research at Tell el-Farkha provides new opportunities to reconstruct the processes of Egyptian state formation. Seven main chronological phases are distinguished. One of the most important periods in the city’s history is phase 4 (Naqada IIIA–Naqada IIIB; ca. 3350–3200 BC). An administrative-cultic centre, a monumental warehouse, and the oldest Egyptian mastaba were created during this time. The inhabitants of Tell el- Farkha owed their prosperity to the trade with the Southern Levant. During phase 5 (Naqada IIIB to Naqada IIIC1; ca. 3200–3000 BC) several phenomena are evident that portended the gradual decline of the city, eventually leading to its abandonment. No evidence of major storage facilities has so far been discovered at Tell el-Farkha from phase 5, and imported pottery is also absent in this period. It seems that at the beginning of the Protodynastic period the Egyptians gradually abandoned the trade routes running through the eastern Delta and used new ones leading via Wadi Tumilat or across the Red Sea. The engravings in Wadi Ameyra (Sinai) with the names of Iry-Hor, Ka, and Narmer suggest that exploration of the natural resources of the Sinai and the maritime routes to Egypt were highly important. In this situation only a few imported products would have reached cities like Tell el-Farkha, which may explain the lack of both central warehouses and imported ceramics. Natural disasters also contributed significantly to the decline of Tell el-Farkha. The abandonment of the Western Kom, at the end of phase 5, clearly followed a major catastrophe caused by natural forces. The collapsed walls may be the result of this cataclysm. Evidence of a natural catastrophe that struck the settlement at the turn of our phases 5 and 6 can be found at the Eastern Kom as well.","PeriodicalId":36852,"journal":{"name":"Studies in Ancient Art and Civilization","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47790363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Evidence from a Nabataean Inscription Regarding Water and Cult in Nabataea, with Some Remarks on the Nabataean Royal Family 纳巴泰人关于纳巴泰亚水和宗教的铭文证据，以及对纳巴泰安王室的一些评论

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.05

Zeyad al‐Salameen, Karl Schmitt-Korte

引用次数: 0

Représenter l’égyptologue, rendre hommage au Boulonnais. Le portrait d’Auguste Mariette par Florent Buret 代表埃及学家，向Boulonnais致敬。弗洛伦特·布雷特的奥古斯特·玛丽埃特肖像

Studies in Ancient Art and Civilization Pub Date : 2022-12-18 DOI: 10.12797/saac.26.2022.26.09

Michel Gutierrez

引用次数: 0

Brain-Mind-Body-Sign-World: Crossing the Borders 脑-心-体-象世界：跨越国界

Studies in Ancient Art and Civilization Pub Date : 2021-12-19 DOI: 10.12797/saac.25.2021.25.06

Joanna Jurewicz

引用次数: 0