发布求助
文献互助 智能选刊 最新文献

Moving Image Review and Art Journal最新文献

筛选
英文 中文
A spike in the midst of a slow revolution 缓慢革命中的尖峰
Moving Image Review and Art Journal Pub Date : 2020-09-01 DOI: 10.1386/miraj_00038_1
Aura Satz
{"title":"A spike in the midst of a slow revolution","authors":"Aura Satz","doi":"10.1386/miraj_00038_1","DOIUrl":"https://doi.org/10.1386/miraj_00038_1","url":null,"abstract":"Feelings of claustrophobia, numbing paralysis, endless loops of uncertainty, a crisis of care, the lack of any safety nets, governmental or otherwise. This coupled with a newfound stillness, staying local, making do with what is available, nearby and small scale. The pandemic has led\u0000 us all to question what the practice is and how it can be sustainable when it relies so much on infrastructure and collaboration. What is left when you are stripped bare of the conditions of making, the support systems, the materials, the immediacy of being a body that interacts with and in\u0000 the world and is now living in a state of suspended animation through a screen. It has tested our patience on all fronts. The restlessness of staying put in one place. The intolerable fixity of staring at a screen. The nightmarish tunnel-vision of an unimaginable future.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46826710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Unpredictable Times: In memoriam Carole Chant (or Finer) and John Russell 不可预测的时代:纪念卡罗尔·钱特和约翰·拉塞尔
Moving Image Review and Art Journal Pub Date : 2020-09-01 DOI: 10.1386/miraj_00046_1
B. Regina
{"title":"Unpredictable Times: In memoriam Carole Chant (or Finer) and John Russell","authors":"B. Regina","doi":"10.1386/miraj_00046_1","DOIUrl":"https://doi.org/10.1386/miraj_00046_1","url":null,"abstract":"‘Unpredictable Times’ could be a term to define the moment we are living in. It is also the name of a programme of audio-visual art curated by Unpredictable Series: Steve Beresford, Pierre Bouvier Patron and myself, conceived when the pandemic started and premiered online\u0000 on Saturday, 27 June 2020.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45061625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Planetary thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968‐2004) 行星思维：再次遇到南希·霍尔特和罗伯特·史密森的《莫诺湖》（1968年-2004年）
Moving Image Review and Art Journal Pub Date : 2020-09-01 DOI: 10.1386/miraj_00035_1
Maria Walsh
{"title":"Planetary thinking: Re-encountering Nancy Holt’s and Robert Smithson’s Mono Lake (1968‐2004)","authors":"Maria Walsh","doi":"10.1386/miraj_00035_1","DOIUrl":"https://doi.org/10.1386/miraj_00035_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45420750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The festival that never was 从未有过的节日
Moving Image Review and Art Journal Pub Date : 2020-01-27 DOI: 10.2307/j.ctvx5w9jz.62
M. Cruz
{"title":"The festival that never was","authors":"M. Cruz","doi":"10.2307/j.ctvx5w9jz.62","DOIUrl":"https://doi.org/10.2307/j.ctvx5w9jz.62","url":null,"abstract":"I am holding an object. It is tinted blue and shaped like a small book. On the cover, a young man holds both hands up to the sky as in a celestial salute. The image is a still from Kevin Jerome Everson’s 2017 film IFO. The object is the catalogue for the 2020 edition of the Courtisane Festival, where a retrospective of Everson’s work ought to have taken place in April 2020. I say ‘ought to’ because the Courtisane Festival ‐ like so many other events in 2020 ‐ was cancelled. The surviving catalogue is a strange object, both a record of something that was and was not.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43950172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disappearance in the films of Chantal Akerman 尚塔尔·阿克曼电影中的消失
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/miraj_00008_1
Janet Bergstrom
{"title":"Disappearance in the films of Chantal Akerman","authors":"Janet Bergstrom","doi":"10.1386/miraj_00008_1","DOIUrl":"https://doi.org/10.1386/miraj_00008_1","url":null,"abstract":"‘Disappearance’ in Chantal Akerman’s films means, in this essay, disappearance from a specific person. The attributes of the one who disappears are charged with special meaning for the one left behind, the one affected by the disappearance. It is not that someone used\u0000 to be present and now they are not, but that one person is no longer there for another person. A dyad is involved, but its presence is felt from the perspective of half of that dyad. Whence the aptness of Barthes’s prologue to The Lover’s Discourse, that today that discourse is\u0000 one of extreme loneliness.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48517474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alternative Film/Video Festival (13–17 December 2017) and the International Short Film Festival Oberhausen (3–8 May 2018): Film festivals as memory-work 另类电影/录像节(2017年12月13日至17日)和奥伯豪森国际短片节(2018年5月3日至8日):作为记忆工作的电影节
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/miraj_00017_4
Catherine Fowler
{"title":"Alternative Film/Video Festival (13–17 December 2017) and the International Short Film Festival Oberhausen (3–8 May 2018): Film festivals as memory-work","authors":"Catherine Fowler","doi":"10.1386/miraj_00017_4","DOIUrl":"https://doi.org/10.1386/miraj_00017_4","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47012903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sensory experience, sound and queerness in Chantal Akerman’s Maniac Shadows (2013) 香塔尔·阿克曼的《疯狂阴影》(2013)中的感官体验、声音和酷儿
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/miraj_00006_1
Albertine Fox
{"title":"Sensory experience, sound and queerness in Chantal Akerman’s Maniac Shadows (2013)","authors":"Albertine Fox","doi":"10.1386/miraj_00006_1","DOIUrl":"https://doi.org/10.1386/miraj_00006_1","url":null,"abstract":"This article offers the first scholarly study of Chantal Akerman’s installation Maniac Shadows (2013). It argues that the deviating sensory strategies at work in this installation form part of a process of ‘queering’ that allows for the expression of queer forms of\u0000 embodiment and pleasure. These queer tactics include sonic excess and spatial disintegration, skewed framing, haptic auditory perception and an emphasis on indeterminacy and ambiguity, primarily through the figure of the shadow. Drawing on Sara Ahmed’s phenomenological approach to queerness,\u0000 the article explores the sensuous queer effects arising from instances of audio-visual disorientation in Akerman’s installation. It suggests that the centrality of shadows, combined with the amorphous soundscape and the presence of opaque images and oblique angles, produce jarring moments\u0000 of strangeness that undermine notions of a stable unified subject and disrupt heteronormative space. Offering an alternative perspective on the autobiographical accounts of the installation that have emerged so far, the article suggests that Akerman’s experimentation with spatial ambiguity\u0000 is tied to a queerly inflected unravelling that pervades Maniac Shadows, as the artist fashions a less constricting and more subversive relational space for herself and her audience to grow into.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48172544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revisiting Jeanne Dielman: Autour de Jeanne Dielman (2004), Woman Sitting After Killing (2001) and Akerman’s ‘cinéma de ressassement’ 重温珍妮·迪尔曼：《珍妮·迪尔曼的自传》（2004年）、《杀人后的女人》（2001年）和阿克曼的《回忆》
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/MIRAJ_00005_1
R. Murray
{"title":"Revisiting Jeanne Dielman: Autour de Jeanne Dielman (2004), Woman Sitting After Killing (2001) and Akerman’s ‘cinéma de ressassement’","authors":"R. Murray","doi":"10.1386/MIRAJ_00005_1","DOIUrl":"https://doi.org/10.1386/MIRAJ_00005_1","url":null,"abstract":"This article revisits Jeanne Dielman, 23 quai du commerce, 1080 Bruxelles (1975), seeking to map its nomadic trajectories through different media. I elaborate on Akerman’s notion of a ‘cinéma de ressassement’, a cinema of mulling over or chipping away. Rather\u0000 than focusing on the film itself, I concentrate on two lesserknown works that explicitly return to Jeanne Dielman, functioning both as works in their own right and as paratexts, revealing the film’s processes in different but corresponding ways: the installation Woman Sitting After Killing,\u0000 made for the 2001 Venice Biennale, and Autour de Jeanne Dielman, a making-of documentary shot on Portapak by Sami Frey in 1975, edited by Akerman and Agnès Ravez in 2004, and released as a special feature on the Criterion Collection DVD edition of the film. The article contends that\u0000 these two ‘returns’ to Jeanne Dielman rework the complex temporalities of the film in addition to revisiting its political concerns. Autour de Jeanne Dielman places Jeanne Dielman squarely within a feminist framework through its central positioning of Delphine Seyrig’s feminist\u0000 discourse. I map the ways in which ressassement exposes the processes of a feminist filmmaking concerned with disrupting ‘chrononormative’ (Elizabeth Freeman) narratives. Building on B. Ruby Rich’s characterization of Akerman’s work as a ‘cinema of correspondence’,\u0000 ultimately the article asks what counts as productive labour, suggesting that Akerman’s returns to Jeanne Dielman highlight its commitment to feminist and queer failure as a productive working method.","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47863557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Other Side at Documenta 11 (2002) 2002年第11届文献展《来自彼岸》
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/miraj_00014_1
Alison Rowley
{"title":"From the Other Side at Documenta 11 (2002)","authors":"Alison Rowley","doi":"10.1386/miraj_00014_1","DOIUrl":"https://doi.org/10.1386/miraj_00014_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41691881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ephemeral, elusive, impossible: Chantal Akerman and the concept of ‘home’ 短暂、难以捉摸、不可能:Chantal Akerman和“家”的概念
Moving Image Review and Art Journal Pub Date : 2019-09-01 DOI: 10.1386/miraj_00009_1
Sandy Flitterman-Lewis
{"title":"Ephemeral, elusive, impossible: Chantal Akerman and the concept of ‘home’","authors":"Sandy Flitterman-Lewis","doi":"10.1386/miraj_00009_1","DOIUrl":"https://doi.org/10.1386/miraj_00009_1","url":null,"abstract":"","PeriodicalId":36761,"journal":{"name":"Moving Image Review and Art Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42703813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信