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8 Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim Mendiola’s Speeder Kills 多余的记忆:从吉姆·门迪奥拉的《飞车杀戮》中的幻灯片到数字公告板
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-011
R. Gonzalez
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引用次数: 0
13 Concerning “the Photographic” 13关于“摄影”
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-016
R. Bellour
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引用次数: 0
Index 指数
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-019
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引用次数: 0
4 An Essay on Calendar 一篇关于日历的文章
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-007
Atom Egoyan
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引用次数: 0
12 Mental Images: The Dramatization of Psychological Disturbance 心理意象:心理障碍的戏剧化
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-015
Zoe Beloff
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引用次数: 0
5 Photography’s Absent Times 摄影的缺席时代
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-008
Jean Ma
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引用次数: 0
1 What’s the Point of an Index? or, Faking Photographs 索引的意义是什么?或者，伪造照片
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-004
Tom Gunning
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引用次数: 0
11 Aleph Beat: Wallace Berman between Photography and Film Aleph Beat:华莱士·伯曼在摄影与电影之间
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-014
L. Kaplan
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引用次数: 0
6 The Idea of Still 静止的概念
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-009
R. Baron
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引用次数: 0
Acknowledgments 致谢
Still Moving Pub Date : 2020-12-31 DOI: 10.1515/9780822391432-002
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引用次数: 0
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