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Proyectando la muerte. Diseños del arquitecto José Mancera para cementerios en la provincia de Badajoz 投射死亡。建筑师jose Mancera为Badajoz省的墓地设计
BSAA Arte Pub Date : 2021-11-21 DOI: 10.24197/bsaaa.87.2021.257-279
Miguel Centellas Soler, Moisés Bazán de Huerta
{"title":"Proyectando la muerte. Diseños del arquitecto José Mancera para cementerios en la provincia de Badajoz","authors":"Miguel Centellas Soler, Moisés Bazán de Huerta","doi":"10.24197/bsaaa.87.2021.257-279","DOIUrl":"https://doi.org/10.24197/bsaaa.87.2021.257-279","url":null,"abstract":"El Instituto Nacional de Colonización generó una intensa actividad constructiva en el ámbito rural español. Estos nuevos pueblos han sido bastante estudiados, pero no así su arquitectura funeraria. El arquitecto José Mancera Martínez (1929-2003) trabajó en el Instituto y entre 1963 y 1970 proyectó en Badajoz diez cementerios para estos pueblos. Cinco recibieron enterramientos y la otra mitad no, encontrándose actualmente en ruinas. Trabajar sobre un programa similar le permitió investigar en la geometría y desarrollar plantas orgánicas, octogonales o hexagonales. Su aportación a la arquitectura funeraria española destaca por la diversidad de trazados y la simetría como elemento compositivo.","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41427239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Una obra inédita del arquitecto fray Alonso de San José: la iglesia conventual de Santa Teresa de Lazcano (Guipúzcoa) 建筑师弗雷·阿隆索·德·圣何塞的未出版作品：拉兹卡诺（吉普斯夸）的圣特雷莎修道院教堂
BSAA Arte Pub Date : 2021-11-21 DOI: 10.24197/bsaaa.87.2021.155-175
César Javier Benito Conde
{"title":"Una obra inédita del arquitecto fray Alonso de San José: la iglesia conventual de Santa Teresa de Lazcano (Guipúzcoa)","authors":"César Javier Benito Conde","doi":"10.24197/bsaaa.87.2021.155-175","DOIUrl":"https://doi.org/10.24197/bsaaa.87.2021.155-175","url":null,"abstract":"Este trabajo tiene por objeto dar a conocer la intervención del arquitecto carmelita fray Alonso de San José, desconocida hasta ahora, como tracista de la iglesia de Santa Teresa de Lazcano. La calidad de su ejecución y diseño, y su filiación con modelos emblemáticos, convierten este convento guipuzcoano en una importante obra en la trayectoria de fray Alonso y en la arquitectura conventual del País Vasco.","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44944324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"The Saint Enshrined: European Tabernacle-altarpieces, c. 1150-1400", de Fernando Gutiérrez Baños, Justin Kroesen y Elisabeth Andersen (eds.) “圣供奉:欧洲的帐幕-祭坛，约1150-1400年”，de Fernando gutirez Baños, Justin Kroesen y Elisabeth Andersen(编)。
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.437-440
Marc Sureda i Jubany
{"title":"\"The Saint Enshrined: European Tabernacle-altarpieces, c. 1150-1400\", de Fernando Gutiérrez Baños, Justin Kroesen y Elisabeth Andersen (eds.)","authors":"Marc Sureda i Jubany","doi":"10.24197/bsaaa.86.2020.437-440","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.437-440","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41357219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Iluminaciones naturales y revestimientos cromáticos. Historia de los acabados de la catedral de Santa María de la Huerta de Tarazona (siglos XIII-XXI)", de Carmen Gómez Urdáñez “自然照明和彩色涂料。是历史的圣玛丽大教堂Tarazona果园里(XIII-XXI世纪)、Carmen gomez Urdáñez”
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.445-448
Daniel Benito Goerlich
{"title":"\"Iluminaciones naturales y revestimientos cromáticos. Historia de los acabados de la catedral de Santa María de la Huerta de Tarazona (siglos XIII-XXI)\", de Carmen Gómez Urdáñez","authors":"Daniel Benito Goerlich","doi":"10.24197/bsaaa.86.2020.445-448","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.445-448","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42783233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"La transmisión del saber técnico de los arquitectos en la Corona de Aragón en el tardogótico", de Víctor Daniel López Lorente 维克多·丹尼尔·洛佩斯·洛伦特的《晚期阿拉贡王室建筑师技术知识的传播》
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.442-445
Fernando Gutiérrez Baños
{"title":"\"La transmisión del saber técnico de los arquitectos en la Corona de Aragón en el tardogótico\", de Víctor Daniel López Lorente","authors":"Fernando Gutiérrez Baños","doi":"10.24197/bsaaa.86.2020.442-445","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.442-445","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44030138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"La Catedral de Jaén a examen", de Pedro A. Galera Andreu y Felipe Serrano Estrella (coords.)
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.448-454
María José Redondo Cantera
{"title":"\"La Catedral de Jaén a examen\", de Pedro A. Galera Andreu y Felipe Serrano Estrella (coords.)","authors":"María José Redondo Cantera","doi":"10.24197/bsaaa.86.2020.448-454","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.448-454","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42619033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Trazas, muestras y modelos de tradición gótica en la península ibérica entre los siglos XIII y XVI", de Javier Ibáñez Fernández (coord. y ed.) 哈维尔·伊巴涅斯·费尔南德斯（协调人和编辑）的《13世纪至16世纪伊比利亚半岛哥特式传统的痕迹、样本和模型》
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.440-442
José Luis Cano de Gardoqui García
{"title":"\"Trazas, muestras y modelos de tradición gótica en la península ibérica entre los siglos XIII y XVI\", de Javier Ibáñez Fernández (coord. y ed.)","authors":"José Luis Cano de Gardoqui García","doi":"10.24197/bsaaa.86.2020.440-442","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.440-442","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47433362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"Imbricaciones. Paradigmas, modelos y materialidad de las artes en la Europa habsbúrgica", de Matteo Mancini y Álvaro Pascual Chenel (eds.) 马泰奥·曼奇尼和阿尔瓦罗·帕斯夸尔·切内尔（编辑）的《重叠。哈布斯堡欧洲艺术的范式、模式和重要性》
BSAA Arte Pub Date : 2020-12-11 DOI: 10.24197/bsaaa.86.2020.454-456
María José Martínez Ruiz
{"title":"\"Imbricaciones. Paradigmas, modelos y materialidad de las artes en la Europa habsbúrgica\", de Matteo Mancini y Álvaro Pascual Chenel (eds.)","authors":"María José Martínez Ruiz","doi":"10.24197/bsaaa.86.2020.454-456","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.454-456","url":null,"abstract":"","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41688983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
El proceso constructivo de la Capilla del Lignum Crucis del Real Monasterio de Santo Toribio de Liébana (Cantabria) 圣托里比奥·德liebana(坎塔布里亚)皇家修道院木质素十字架教堂的建造过程
BSAA Arte Pub Date : 2020-11-26 DOI: 10.24197/bsaaa.86.2020.225-251
Celestina Losada Varea
{"title":"El proceso constructivo de la Capilla del Lignum Crucis del Real Monasterio de Santo Toribio de Liébana (Cantabria)","authors":"Celestina Losada Varea","doi":"10.24197/bsaaa.86.2020.225-251","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.225-251","url":null,"abstract":"La documentación que aportamos permite acotar en dos fases el proceso constructivo de la Cámara Santa (o Capilla del Lignum Crucis) del Real Monasterio de Santo Toribio en Liébana (Cantabria). Tras un intento frustrado por parte de los Duques del Infantado (1632), las obras se iniciaron en 1675 bajo el patrocinio del X Almirante de Castilla. Su construcción definitiva a cargo del arquitecto vizcaíno Juan Bautista de Arbaiza (1718-1721), transformó la obra ya iniciada en un espacio barroco magnificado por la presencia de uno de los escasos cimborrios octogonales pétreos existentes en la España del siglo XVIII.","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44395059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
¿Reinhold Vasters? Tres pinjantes de perrillo procedentes de la subasta del Joyero de la Virgen del Pilar (1870) ¿Reinhold Vasters ?《皮拉尔圣母的珠宝商拍卖》(1870年)中的三个pinjantes perrillo
BSAA Arte Pub Date : 2020-11-25 DOI: 10.24197/bsaaa.86.2020.141-164
Carolina Naya Franco
{"title":"¿Reinhold Vasters? Tres pinjantes de perrillo procedentes de la subasta del Joyero de la Virgen del Pilar (1870)","authors":"Carolina Naya Franco","doi":"10.24197/bsaaa.86.2020.141-164","DOIUrl":"https://doi.org/10.24197/bsaaa.86.2020.141-164","url":null,"abstract":"Este trabajo aborda la polémica iniciada en 1990 desde el British Museum acerca de la legitimidad de tres pinjantes de perrillo de oro, esmaltados y aderezados con piedras preciosas, procedentes del Tesoro del Pilar de Zaragoza que, subastados públicamente en 1870, hoy se encuentran dispersos. Los tres pinjantes se han considerado por la historiografía falsificaciones realizadas hacia 1860; no obstante, la documentación de la Santa Capilla del Pilar demuestra que dos de ellos son genuinas obras del Renacimiento (ca. 1580-1600). Al menos dos falsificadores europeos copiaron piezas originales, lo que plantea la revisión de la historia de la orfebrería a partir de las obras que, con certeza, son legítimas.","PeriodicalId":36681,"journal":{"name":"BSAA Arte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42394338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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