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Restoration and Eighteenth-Century Theatre Research最新文献

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Guilio Cesare in Egitto 吉利乌斯-凯撒在埃及
Restoration and Eighteenth-Century Theatre Research Pub Date : 2023-12-01 DOI: 10.5325/rectr.35.0080
Jessica Shapiro
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引用次数: 0
Making Stars: Biography and Celebrity in Eighteenth-Century Britain 打造明星十八世纪英国的传记与名人
Restoration and Eighteenth-Century Theatre Research Pub Date : 2023-12-01 DOI: 10.5325/rectr.35.0126
Georgina Lock
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引用次数: 0
George Anne Bellamy as Self-Fashioned Sentimental Heroine 乔治·安妮·贝拉米饰演的自我塑造的感伤女主角
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0036
Jessica Banner
{"title":"George Anne Bellamy as Self-Fashioned Sentimental Heroine","authors":"Jessica Banner","doi":"10.5325/rectr.34.0036","DOIUrl":"https://doi.org/10.5325/rectr.34.0036","url":null,"abstract":"\u0000 Unlike popular actresses of the period who aligned themselves with virtuous femininity through close association with the socially condoned roles of wife and mother, George Anne Bellamy refused to rely on images of palatable domestic femininity to validate her place in the public sphere. Examining the unique portrayal of Bellamy in the periodical press as neither entirely virtuous nor completely immoral, this article proposes that she used her memoir as a publicity tool to refashion her public image and emphasize the legitimacy of her place in the public sphere on her own terms. Looking particularly at the relationship between her Apology and Samuel Richardson’s Pamela (1740), it explores the ways in which Bellamy characterized herself as a sentimental heroine. Drawing on the image of the sentimental heroine allowed her to align herself with other, more well-established and generally accepted avenues of female social participation for working women in the public sphere.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122552279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Shakespeare in the Theatre: Sir William Davenant and the Duke’s Company 莎士比亚在剧院:威廉·达文南特爵士和公爵剧团
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0120
Timothy E. Keenan
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引用次数: 0
Six Essays on Vauxhall Gardens 沃克斯豪尔花园六篇随笔
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0147
P. Richards
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引用次数: 0
British Enlightenment Theatre: Dramatizing Difference 英国启蒙运动戏剧:戏剧化差异
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0114
D. Worrall
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引用次数: 0
A Clubbable Man: Essays on Eighteenth-Century Literature and Culture in Honor of Greg Clingham 一个爱交际的人:18世纪文学与文化论文集，以纪念格雷格·克林汉姆
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0161
Jan Gorak
{"title":"A Clubbable Man: Essays on Eighteenth-Century Literature and Culture in Honor of Greg Clingham","authors":"Jan Gorak","doi":"10.5325/rectr.34.0161","DOIUrl":"https://doi.org/10.5325/rectr.34.0161","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131617206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Swoon: A Poetics of Passing Out 昏厥:昏厥的诗学
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0137
J. Golightly
{"title":"Swoon: A Poetics of Passing Out","authors":"J. Golightly","doi":"10.5325/rectr.34.0137","DOIUrl":"https://doi.org/10.5325/rectr.34.0137","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123923722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Satire, Smut, and the Child Actor in Garrick’s Lilliput 加里克《小人国》中的讽刺、色情和童星
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0001
Aparna Gollapudi
{"title":"Satire, Smut, and the Child Actor in Garrick’s Lilliput","authors":"Aparna Gollapudi","doi":"10.5325/rectr.34.0001","DOIUrl":"https://doi.org/10.5325/rectr.34.0001","url":null,"abstract":"\u0000 This article focuses on the ideological as well as the performative underpinnings of David Garrick’s twin comic goals in the afterpiece Lilliput (1756)—ridiculing modern folly and raising a laugh with the play’s central dirty joke. It first considers the deployment of children as a tool for satirizing adult folly and then proceeds to an examination of Garrick’s lewd humor at the expense of the child actress’s body. In studying the mechanisms of the salutary as well as the salacious laughter the afterpiece aims to evoke, we get important insights into eighteenth-century notions of childhood and can begin to reconstruct the presence of child actors in the period’s stage history.","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"197 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115273721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Georgians: The Deeds and Misdeeds of Eighteenth-Century Britain 《格鲁吉亚人:18世纪英国的功绩与过失
Restoration and Eighteenth-Century Theatre Research Pub Date : 2022-12-01 DOI: 10.5325/rectr.34.0144
C. More
{"title":"The Georgians: The Deeds and Misdeeds of Eighteenth-Century Britain","authors":"C. More","doi":"10.5325/rectr.34.0144","DOIUrl":"https://doi.org/10.5325/rectr.34.0144","url":null,"abstract":"","PeriodicalId":366404,"journal":{"name":"Restoration and Eighteenth-Century Theatre Research","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130111558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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