SPAFA Journal最新文献

{"title":"The Ramakian Play by His Majesty the King of Thonburi (Review) | บทละครเรื่องรามเกียรติ์พระราชนิพนธ์สมเด็จพระเจ้ากรุงธนบุรี (บทวิจารณ์)","authors":"Jan R. Dressler","doi":"10.26721/spafajournal.v3i0.622","DOIUrl":"https://doi.org/10.26721/spafajournal.v3i0.622","url":null,"abstract":"Book review of บทละครเร)ืองรามเกียรต3ิ พระราชนิพนธ์สมเด็จพระเจ้ากรุงธนบุรี [The Ramakian Dramatic Play – A Royal Composition of His Majesty the King of Thonburi] by Siworaphot et al., Fine Arts Department 2018","PeriodicalId":36552,"journal":{"name":"SPAFA Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45486336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A historiography of Angkor’s river network: shifting the research paradigm to Westerdahl’s Maritime Cultural Landscape | ការសិក្សាអំពីប្រវត្តិសាស្ត្រនៃបណ្តាញផ្លូវទឹកនៅតំបន់អង្គរ៖ ការផ្លាស់ប្តូរគម្រូនៃការស្រាវជ្រាវទៅការសិក្សាផ្នែកវប្បធម៌ទេសភាពតាមផ្លូវទឹករបស់ Westerdahl","authors":"Veronica Walker Vadillo","doi":"10.26721/spafajournal.v3i0.609","DOIUrl":"https://doi.org/10.26721/spafajournal.v3i0.609","url":null,"abstract":"This article is an overview of the work that has been conducted so far on river usage and nautical technology in the history of Angkor, and a discussion on how maritime approaches can contribute to the creation of new knowledge by opening new lines of research that can help us reconstruct a more nuanced view of Angkor’s fluvial history. Although Angkor’s connection to the river network was made in the early 20th century, the compartmentalized studies that have been carried out so far on the subject of Angkor’s relationship to its watery environment have resulted in interpretations that do not reflect the complexity of the subject. It will be argued here that archaeologists who do not integrate maritime approaches in studies of cultures like Angkor, where waterways play an important role in their environment, are likely to miss important aspects of fluvial cultures. By applying concepts such as the Maritime Cultural Landscape, it will be possible to push beyond the boundaries of terrestrial approaches and discover how the environmental conditions of cultures like Angkor – with river networks as the main means of communication – resulted in the development of specific cognitive and functional traits that gave form to fluvial cultural landscapes. An example of such an approach is offered as a conclusion in an analysis of masonry bridges in Angkor’s transport network.ជាទិដ្ឋភាពរួមនៃការងារស្រាវជ្រាវដែលបានធ្វើកន្លងមក ស្តីពីការប្រើប្រាស់ទន្លេ និងបច្ចេកវិទ្យាផ្លូវទឹក ក្នុងប្រវត្តិសាស្ត្ររាជធានីអង្គរ ហើយជាការជជែកថាតើមធ្យោបាយផ្លូវសមុទ្រអាចរួមចំណែកដល់ការបង្កើតចំណេះដឹងថ្មី តាមរយៈការបើកខ្សែស្រាវជ្រាវថ្មីដែលអាចជួយយើងឱ្យច្នៃឡើងវិញនូវគំហើញលាយឡំពីប្រវត្តិសាស្ត្រផ្លូវទន្លេរបស់រាជធានីអង្គរ។ ទោះបីទំនាក់ទំនងរាជធានីអង្គរជាមួយបណ្តាញទន្លេត្រូវបានសិក្សារួចហើយកាលពីដើមសតវត្សទី២០នោះ ការសិក្សាដោយបែងចែកតាមផ្នែកដែលបានធ្វើរួចកន្លងមក លើប្រធានបទ សម្ព័ន្ធភាពរាជធានីអង្គរ ចំពោះបរិស្ថានផ្លូវទឹកបានបង្កឱ្យមានការបកស្រាយដែលមិនឆ្លុះបញ្ចាំងពីភាពសាំញ៉ាំនៃ ប្រធានបទនេះទេ។ អ្វីដែលត្រូវ ដេញដោលនៅក្នុងអត្ថបទនេះគឺបុរាណវិទូ ដែលមិនបញ្ចូលមធ្យោបាយផ្លូវសមុទ្រ ចូលក្នុងការសិក្សាវប្បធម៌ដែលដូចរាជធានីអង្គរ ដែលផ្លូវទឹកដើរតួនាទីសំខាន់ ក្នុងបរិស្ថានតំបន់នោះ ទំនងជាភ្លេចចំណុចសំខាន់នៃវប្បធម៌ផ្លូវទន្លេហើយ។ តាមរយៈការអនុវត្តទស្សនាទានដូចជាទេសភាពវប្បធម៌ផ្លូវសមុទ្រ អ្វីដែលអាចទៅរួច គឺការរុញឱ្យផុតព្រំដែនមធ្យោបាយផ្លូវគោក ហើយរកមើលថាតើលក្ខណ្ឌបរិយាកាសនៃវប្បធម៌ដូចរាជធានីអង្គរ ដែលមានប្រព័ន្ធទន្លេ ជាមធ្យោបាយប្រាស្រ័យទាក់ទងចម្បង បង្កឱ្យមានការអភិវឌ្ឍសញ្ញាណចំណេះ និងមុខងារជាក់លាក់ដែលបង្កើតជា ទេសភាពវប្បធម៌ផ្លូវទន្លេយ៉ាងណា។ ឧទាហរណ៍មួយនៃមធ្យោបាយបែបនេះ នឹងផ្តល់ជាការសន្និដ្ឋាន ក្នុងការវិភាគស្ពានកំបោរនានា នៅក្នុងបណ្តាញដឹកជញ្ជូនរបស់រាជធានីអង្គរ។","PeriodicalId":36552,"journal":{"name":"SPAFA Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49306349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Singapore National Dance Company: Reminiscences of an artistic director","authors":"Francis Yeoh","doi":"10.26721/spafajournal.v3i0.610","DOIUrl":"https://doi.org/10.26721/spafajournal.v3i0.610","url":null,"abstract":"These reminiscences of Francis Yeoh, founding artistic director of The Singapore National Dance Company (1970-1985) is to create a tangible record of the Company’s history. Its inaugural overseas performance was launched at the Adelaide Festival in 1972 following an invitation from the South Australian Premier Donald Dunstan. The enormous success of the performances paved the way for the Company to become the island nation’s flagship company: embarking as cultural ambassadors in tours that included performances in the Soviet Union (1973 - Moscow, Kharkov and Kurst), Theran, Iran (1974), Seoul, South Korea (1975), Bangkok, Thailand (1976) and Kuala Lumpur, Malaysia (1977). Its history marks an important phase in the island nation’s history when it was seeking to establish its national identity and its eventual development as a global city.  ","PeriodicalId":36552,"journal":{"name":"SPAFA Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42146912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pamanang Kulinarya: Developing a Safeguarding Plan for Culinary Heritage Using the Statement of Significance – The Case of Lomi in Lipa City, Batangas, Philippines","authors":"Jame Monren T. Mercado, E. Zerrudo","doi":"10.26721/SPAFAJOURNAL.V2I0.584","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.584","url":null,"abstract":"Heritage constitutes the identity of a community. An important heritage of a community is food, often defined as culinary or gastronomic heritage. This mixedmethod research developed a safeguarding plan for culinary heritage, specifically for lomi in Lipa City, Batangas, using the Statement of Significance. Different theoretical paradigms were used, especially anthropological theories like acculturation and modernization, and conservation frameworks such as UNESCO, ICOMOS and GCI heritage charters and conventions. To trace the significance of lomi, the researchers collected physical evidence by visiting and observing lomi houses, or lomians (restaurants dedicated to serving the lomi dish), in Barangay Poblacion focusing on the preparation of this food using Cultural Heritage Mapping and SWOT Analysis; oral evidences by conducting focus group discussions; in-depth interviews with different stakeholders; surveys in the local community; and archival evidence from different journals and books. Lipa lomi is significant in its historical, culinary, aesthetic, economic, health, social and symbolic aspects. Historically, it was introduced by To Kim Eng, a native from Amoy (now Xiamen) who established the first lomian in the city, Panciteria de Lipa. As the community accepted this culinary tradition, different lomians were established not only in the city but also in the whole province and became a localized business industry. Even though it was Chinese in origin, it follows the characteristics of Batangas cuisine wherein it focuses on the natural flavour of fresh ingredients and the simplicity of the cooking methods. Also, it is economically important because it became a good source of income and because of its affordability as a commercialized dish. Socioculturally, the culinary tradition is also important for the local community and its relationship to their religious culture. Perspectives of different stakeholders on the characteristics and identities of Lipa Lomi are identical and acceptable but it changes based on trends, issues and constraints. For the stakeholders, viability is important for the culinary tradition as it is agreed that it is one of the culinary identities and an attraction of Lipa and its community. Stakeholders also have their own movement to safeguard and sustainably develop the culinary tradition. A proposed culinary safeguarding plan was established based on the results of the research.","PeriodicalId":36552,"journal":{"name":"SPAFA Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48285670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Vietnam Maritime Archaeology Project 2018","authors":"A. Mochtar, Pornnatcha Sankhaprasit, Jonnah Marie Dagaas, S. Tep","doi":"10.26721/SPAFAJOURNAL.V2I0.589","DOIUrl":"https://doi.org/10.26721/SPAFAJOURNAL.V2I0.589","url":null,"abstract":"This essay is a compilation of photographs from the Vietnam Maritime Archaeology Project (VMAP) 2018. From 26 January to 11 February 2018, four students/professionals from Southeast Asian countries joined VMAP funded by the Southeast Asian Ministers of Education Organization Regional Centre for Archaeology and Fine Arts (SEAMEO SPAFA). They were Agni Mochtar (Flinders University/Indonesia), Jonnah Marie Dagaas (University of the Philippines), Pornnatcha Sankhaprasit (Underwater Archaeology Division/Thailand), and Tep Sokha (Department of Archaeology and Prehistory/Cambodia). VMAP’s first project was in 2008 and this year the field school was a joint project with Flinders University. The fieldwork took place in two of the World Heritage Sites in Vietnam, Huế Imperial City and Hội An Ancient Town, and in the Marine Protected Area at Cù Lao Chàm. The four participants worked in international groups with other trainees to learn about maritime archaeology in Vietnam through a combination of terrestrial and maritime-based activities. These activities included marine geophysics training (side scan sonar survey), a diving project, a cannon-recording project, and a traditional boat-recording project.","PeriodicalId":36552,"journal":{"name":"SPAFA Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45973735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}