Metacritic Journal for Comparative Studies and Theory最新文献_第8页

The Heroines. Re-mythicization of the First World War in the Romanian Literature 英雄。罗马尼亚文学对第一次世界大战的再神话化

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.06

Cosmin Borza

引用次数: 0

The Romanian Novels of the ‘Obsessive Decade’ as Subversive Literature. A Macroanalysis (1971-1979) 作为颠覆性文学的“迷恋十年”罗马尼亚小说。宏观分析(1971-1979)

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.11

D. Bud

引用次数: 0

New Wine in Old Bottles: Contemporary Chinese Online Allegorical Ghost Stories as Political Commentary 旧瓶装新酒：当代中国网络寓言鬼故事政治评论

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.02

Mengxing Fu

{"title":"New Wine in Old Bottles: Contemporary Chinese Online Allegorical Ghost Stories as Political Commentary","authors":"Mengxing Fu","doi":"10.24193/MJCST.2019.7.02","DOIUrl":"https://doi.org/10.24193/MJCST.2019.7.02","url":null,"abstract":"The phenomenal popularity of the Internet literature in China and the potential for freedom of speech in China’s cyberspace have long fascinated scholars of contemporary China. This article examines the interaction between Chinese Internet literature and the ever-increasing online censorship by focusing on one type of Internet literature in China: the allegorical ghost stories. While observers of censorship in China have expressed worries about the tightening censorship in China’s cyberspace and self-censorship’s damaging effect on literature, this article follows the conceptualization of censorship as co-existing with literary production and seeks to explore how censorship shapes literature. Specifically, it analyses how the contemporary online allegorical ghost stories re-appropriate an old Chinese fictional genre zhiguai (i.e. records of the strange) – a genre that has maintained a paradoxical dissenting and conforming relationship with the state orthodoxy – and use a coded, “Aesopian language” to satirize contemporary Chinese politics and revisit historical atrocities. I argue that these negotiations with censorship (or selfcensorship) resurrect the premodern zhiguai, turning it into a historical documentation of the contemporary and constitute a form of resistance that smuggles into the public discourse a usually hidden transcript.","PeriodicalId":36476,"journal":{"name":"Metacritic Journal for Comparative Studies and Theory","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49178176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Migrating MUJERES and Gender Bending: Charles Chaplin’s ATELIER and the Education of Spanish Women Painters in Nineteenth-Century Paris 迁移的妇女和性别弯曲:查尔斯·卓别林的工作室和19世纪巴黎西班牙女画家的教育

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.03

Michelle Pauken Cromer

{"title":"Migrating MUJERES and Gender Bending: Charles Chaplin’s ATELIER and the Education of Spanish Women Painters in Nineteenth-Century Paris","authors":"Michelle Pauken Cromer","doi":"10.24193/MJCST.2019.7.03","DOIUrl":"https://doi.org/10.24193/MJCST.2019.7.03","url":null,"abstract":"Recommended Citation: Pauken Cromer, Michelle. “Migrating Mujeres and Gender Bending: Charles Chaplin’s Atelier and the Education of Spanish Women Painters in Nineteenth-Century Paris.” Metacritic Journal for Comparative Studies and Theory 5.1 (2019): https://doi.org/10.24193/mjcst.2019.7.03 Abstract: In mid-nineteenth century Paris, when an art education was out of reach for most women artists, several male painters began opening private schools specifically catering to women. In Catholic Spain, opportunities were more restricted; therefore, leaving the country and attending these French ateliers were key to women’s training as no government-sponsored academies accepted women at the time. By means of archival and historical research, this analysis applies theories of Judith Butler to explore the careers of two Spanish women painters: Alejandrina Gessler y Lacroix (1831-1907) and Antonia Bañuelos Thorndike (1856-1921) as they studied under academic painter, Charles Chaplin (1825-1891). Operating outside gendered norms and traveling outside of Spain changed the direction of Spanish women’s art production and exhibition practices allowing them to subvert the conservative limitations in their home country and develop professional careers both within and outside of Spain.","PeriodicalId":36476,"journal":{"name":"Metacritic Journal for Comparative Studies and Theory","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2019-07-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49029252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Life and Times of Ceaușescu Jokes Ceaușescu笑话的生活和时代

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.09

Gabriela Glăvan

引用次数: 3

Matabeleland and the Rulers’ Political Sins: Defining Subversive Art in Zimbabwe 马塔贝莱兰与统治者的政治罪恶:定义津巴布韦的颠覆性艺术

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.04

Khanyile Mlotshwa

引用次数: 1

Contemporary Art in Liberal Regimes. Interventionist Art and Institutional Power 自由制度下的当代艺术。干预主义艺术与制度权力

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.10

Larisa Prodan

引用次数: 0

When Censorship Is Over – Ana Blandiana’s Return to Writing after the 1989 Revolution 当审查制度结束——安娜·布兰迪亚娜在1989年革命后重返写作

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-10 DOI: 10.24193/MJCST.2019.7.05

Cristina Gogâță

引用次数: 0

Trauma and Memory in Maya Angelou’s Autobiographical Fiction 玛雅·安杰洛自传体小说中的创伤与记忆

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-01 DOI: 10.24193/MJCST.2019.7.08

N. Roşcan

引用次数: 1

Arguing for Art, Debating Censorship 为艺术争论，为审查争论

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Metacritic Journal for Comparative Studies and Theory Pub Date : 2019-07-01 DOI: 10.24193/MJCST.2019.7.01

Liviu Malița

引用次数: 1