East Asian Journal of Popular Culture最新文献

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Attack on normativity: A queer reading of Shingeki no Kyojin (Attack on Titan) 对规范性的攻击:对Shingeki no Kyojin(攻击泰坦)的奇怪解读
East Asian Journal of Popular Culture Pub Date : 2021-10-01 DOI: 10.1386/eapc_00052_1
Marta Fanasca
{"title":"Attack on normativity: A queer reading of Shingeki no Kyojin (Attack on Titan)","authors":"Marta Fanasca","doi":"10.1386/eapc_00052_1","DOIUrl":"https://doi.org/10.1386/eapc_00052_1","url":null,"abstract":"Isayama Hajime’s Shingeki no Kyojin (Attack on Titan 2009–present, hereafter SnK) has gained huge resonance since its first release, a popularity by no means limited to Japan, and enhanced by the high-quality animation series by the same name (2013–present), directed by Araki Tetsurô (first season) and Koizuka Masashi, which has followed from the manga storyline. Without doubt, this success is due to a gripping narrative, focusing on fierce fights between the apparently invincible titans and the numerous characters that aim to save humanity, whose different aesthetic and behavioural characteristics unfailingly appeal to very mixed audiences. In this sense, there are three very notable features of SnK. First, the female characters subvert, redraw or re-interpret stereotypes about femininity both aesthetically and behaviourally, and they can be read as queer. Second, the text presents a lesbian subtext that enriches the narrative in queer terms. Ultimately, the ability of some main characters to shift between the two categories of ‘human’ and ‘titan’ contributes to destabilizing binary divisions in terms of normative or non-normative bodies, providing an additional layer to a queer reading of this text. Through an analysis of the manga and anime versions of SnK, this article investigates how gender stereotypes, heteronormativity and the dichotomy normalizing normative identities vis-à-vis non-normative identities are portrayed. This analysis sheds light on the (lack of) alternatives to binary models in terms of gender and sexuality in the shōnen manga genre, problematizing the contemporary relationship between dominant and oppositional identities. I argue that the non-normative characteristics of the main characters in SnK represent a significant case of non-normative and counter-hegemonic representation in a typically heteronormative genre, which potentially offers a means of identification for the female and queer audiences of shōnen manga.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44913144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 社论
East Asian Journal of Popular Culture Pub Date : 2021-04-01 DOI: 10.1386/eapc_00035_2
E. Vickers, A. Heylen, K. Taylor-Jones
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引用次数: 0
The Adventures of Ma Suzhen: An Heroic Woman Takes Revenge in Shanghai 《马素贞历险记:一个英雄女子在上海复仇》
East Asian Journal of Popular Culture Pub Date : 2021-01-01 DOI: 10.1007/978-3-030-89035-3_3
P. Bevan
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引用次数: 0
The Adventures of Ma Suzhen 《马素贞历险记
East Asian Journal of Popular Culture Pub Date : 2021-01-01 DOI: 10.1007/978-3-030-89035-3
P. Bevan
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引用次数: 0
A Hero of the Women’s Realm, Ma Suzhen, an Essay by Paul Bevan 《女性领域的英雄》,马素贞,保罗·贝文随笔
East Asian Journal of Popular Culture Pub Date : 2021-01-01 DOI: 10.1007/978-3-030-89035-3_4
P. Bevan
{"title":"A Hero of the Women’s Realm, Ma Suzhen, an Essay by Paul Bevan","authors":"P. Bevan","doi":"10.1007/978-3-030-89035-3_4","DOIUrl":"https://doi.org/10.1007/978-3-030-89035-3_4","url":null,"abstract":"","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89131175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Translator’s Introduction 翻译的介绍
East Asian Journal of Popular Culture Pub Date : 2021-01-01 DOI: 10.1007/978-3-030-89035-3_1
P. Bevan
{"title":"Translator’s Introduction","authors":"P. Bevan","doi":"10.1007/978-3-030-89035-3_1","DOIUrl":"https://doi.org/10.1007/978-3-030-89035-3_1","url":null,"abstract":"","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":"84 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77502269","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Adventures of Ma Suzhen: Cast of Characters 《马素贞历险记:人物阵容》
East Asian Journal of Popular Culture Pub Date : 2021-01-01 DOI: 10.1007/978-3-030-89035-3_2
P. Bevan
{"title":"The Adventures of Ma Suzhen: Cast of Characters","authors":"P. Bevan","doi":"10.1007/978-3-030-89035-3_2","DOIUrl":"https://doi.org/10.1007/978-3-030-89035-3_2","url":null,"abstract":"","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86490712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Korean Wave celebrity and the birth of the K-drama conglomerate 韩流名人和韩剧集团的诞生
East Asian Journal of Popular Culture Pub Date : 2020-08-01 DOI: 10.1386/eapc_00027_1
Hyun Gyung Kim
{"title":"The Korean Wave celebrity and the birth of the K-drama conglomerate","authors":"Hyun Gyung Kim","doi":"10.1386/eapc_00027_1","DOIUrl":"https://doi.org/10.1386/eapc_00027_1","url":null,"abstract":"Existing research on Korean Wave celebrities has focused on their transnational character at the expense of a thorough consideration of the phenomena’s emergence as part of the wider transformation of the Korean broadcasting and entertainment industry. This article draws on the\u0000 analysis of existing literature and in-depth interviews to demonstrate that Korean Wave celebrity emerges as a result of the flexibilization in the Korean television drama industry’s production process, which in turn is the product of globalization and financialization of the Korean\u0000 broadcasting industry from the late 1980s and 1990s, respectively. The combined effects of these processes led to the creation of the K-drama conglomerate. Korean Wave celebrity is central to this system, with the celebrity image functioning as fixed capital and rendering invisible the very\u0000 real labour performed within the K-drama conglomerate. That being so, the K-drama conglomerate and the Korean Wave celebrity are excellent examples of capitalism’s latest manoeuvre: the creation of intangible commodities capable of expanding the channels of profit by attracting attention\u0000 and rendering related labour invisible.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44202710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 社论
East Asian Journal of Popular Culture Pub Date : 2020-08-01 DOI: 10.1386/eapc_00022_2
K. Taylor-Jones, A. Heylen, E. Vickers
{"title":"Editorial","authors":"K. Taylor-Jones, A. Heylen, E. Vickers","doi":"10.1386/eapc_00022_2","DOIUrl":"https://doi.org/10.1386/eapc_00022_2","url":null,"abstract":"","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49195736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Intercultural sensitivity in Orientalist cinema 东方主义电影的跨文化敏感性
East Asian Journal of Popular Culture Pub Date : 2020-08-01 DOI: 10.1386/eapc_00024_1
Philippe Mather
{"title":"Intercultural sensitivity in Orientalist cinema","authors":"Philippe Mather","doi":"10.1386/eapc_00024_1","DOIUrl":"https://doi.org/10.1386/eapc_00024_1","url":null,"abstract":"Edward Said’s dogmas of Orientalism are a succinct summary of western perceptions of the East, which reveal an essentially racist discourse that also speaks to the westerner’s self-perception. While there is a tendency in fiction film to polarize attitudes as either friendly\u0000 or hostile, for reasons of narrative economy and to enhance dramatic conflict, this article argues that it is possible to measure the behaviour of fictional characters on a continuum describing intercultural sensitivity to assess how these characters appear to respond to the idea of cultural\u0000 differences, broadly ranging from the most ethnocentric views to more ethnorelative ones. Since the intercultural development continuum (IDC) is structured as five developmental stages, it provides a finer psychological template than Orientalist binaries, offering a more nuanced view of character\u0000 motivations and attitudes. The IDC scale is ideally suited to narrative analysis as it usefully describes successive stages that characters may exhibit throughout the course of a story depicting intercultural exchanges. The IDC allows the analyst to gauge the degree of conformance of any given\u0000 film to Said’s aforementioned dogmas, particularly those films that either express an ambivalent attitude or appear superficially more enlightened or accommodating of difference. This model will be illustrated with a number of case studies selected from a filmography focusing on western\u0000 representations of Singapore in film and television, from 1940 to 2015, including titles such as the Bette Davis plantation melodrama The Letter, the science fiction thriller Hitman: Agent 47 and the Australian period TV series Serangoon Road.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43320208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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