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East Asian Journal of Popular Culture最新文献

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Japan, 1972: Visions of Masculinity in an Age of Mass Consumerism, Yoshikuni Igarashi (2021) 《日本，1972:大众消费时代的男子气概》，五十岚义国(2021)
East Asian Journal of Popular Culture Pub Date : 2022-09-01 DOI: 10.1386/eapc_00081_5
Thomas Baudinette
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引用次数: 0
Topography of cinematic heroism: The transregional remakes of A Better Tomorrow (1986) 电影英雄主义的地形:《英雄本色》(1986)的跨地域翻拍
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00064_1
Jinhua Li
{"title":"Topography of cinematic heroism: The transregional remakes of A Better Tomorrow (1986)","authors":"Jinhua Li","doi":"10.1386/eapc_00064_1","DOIUrl":"https://doi.org/10.1386/eapc_00064_1","url":null,"abstract":"This article investigates the cultural politics and identity discourses in the two East Asian reproductions of A Better Tomorrow (1986). Rethinking the power dynamics of a homogenizing transnationalism from a vantage point that is alternative rather than resistant, this article employs a critical approach that is interconnective instead of hierarchical to refocus on the local and the heterogeneous and argues that each remake renegotiates Woo’s cinematic heroism and retools it into the trope for nationhood and identity. The transnational circulation of John Woo’s classical hero narrative traces how heroism and its historical, cultural, political, gender and ideological connotations are renegotiated and reconfigured for unique representational purposes and sociopolitical agendas. As a politically charged, culturally specific and historically circumscribed concept, heroism is deceptively transcendental, in the sense that its definition and expression defy ideological abstraction and cognitive certitude. This elusiveness precludes a consensus on heroism in the remakes; instead, each film contributes to a shifting topography of cinematic heroism mapped by the intricate dynamics of identity, politics and nationhood. Thus, whereas the tragedy of fragmented brotherhood metaphorized, divided and fractured nationhood in Moo-jeok-ja, Tomorrow 2018 propagandized heroism by replacing violence-glorifying brotherhood with nationalist patriotism.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44096013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Voices from the Underworld: Chinese Hell Deity Worship in Contemporary Singapore and Malaysia, Fabian Graham (2020) 来自黑社会的声音：当代新加坡和马来西亚的中国地狱神崇拜，费边·格雷厄姆（2020）
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00071_5
S. Sommers
{"title":"Voices from the Underworld: Chinese Hell Deity Worship in Contemporary Singapore and Malaysia, Fabian Graham (2020)","authors":"S. Sommers","doi":"10.1386/eapc_00071_5","DOIUrl":"https://doi.org/10.1386/eapc_00071_5","url":null,"abstract":"Review of: Voices from the Underworld: Chinese Hell Deity Worship in Contemporary Singapore and Malaysia, Fabian Graham (2020)\u0000Manchester: Manchester University Press, 280 pp.,\u0000ISBN 978-1-52614-057-9, h/bk, £80.00","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49493990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hate Speech in Asia and Europe: Beyond Hate and Fear, Myungkoo Kang, Marie-Orange Rivé-Lasan, Wooja Kim and Philippa Hall (eds) (2020) 《亚洲和欧洲的仇恨言论：超越仇恨和恐惧》，康明国，玛丽·奥兰治·里韦-拉桑，金和菲利帕·霍尔（编辑）（2020）
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00069_5
Joseph Yi
{"title":"Hate Speech in Asia and Europe: Beyond Hate and Fear, Myungkoo Kang, Marie-Orange Rivé-Lasan, Wooja Kim and Philippa Hall (eds) (2020)","authors":"Joseph Yi","doi":"10.1386/eapc_00069_5","DOIUrl":"https://doi.org/10.1386/eapc_00069_5","url":null,"abstract":"Review of: Hate Speech in Asia and Europe: Beyond Hate and Fear, Myungkoo Kang, Marie-Orange Rivé-Lasan, Wooja Kim and Philippa Hall (eds) (2020)\u0000Oxford: Routledge, 206 pp.,\u0000ISBN 978-0-36720-900-1, h/bk, £120.00","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46182344","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Made in Taiwan: Studies in Popular Music, Eva Tsai, Tung-Hung Ho and Miaoju Jian (eds) (2020) 《台湾制造:流行音乐研究》，蔡伊娃、何东鸿、简妙菊编(2020)
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00068_5
Greta Hagedorn
{"title":"Made in Taiwan: Studies in Popular Music, Eva Tsai, Tung-Hung Ho and Miaoju Jian (eds) (2020)","authors":"Greta Hagedorn","doi":"10.1386/eapc_00068_5","DOIUrl":"https://doi.org/10.1386/eapc_00068_5","url":null,"abstract":"Review of: Made in Taiwan: Studies in Popular Music, Eva Tsai, Tung-Hung Ho and Miaoju Jian (eds) (2020)\u0000New York: Routledge, 289 pp.,\u0000ISBN 978-0-81536-015-5, h/bk, $160.00","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42570531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The screen kiss in 1937: Re-reading Street Angel and Crossroads 1937年的银幕之吻：重读《街头天使》和《十字路口》
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00063_1
Jessica Ka Yee Chan
{"title":"The screen kiss in 1937: Re-reading Street Angel and Crossroads","authors":"Jessica Ka Yee Chan","doi":"10.1386/eapc_00063_1","DOIUrl":"https://doi.org/10.1386/eapc_00063_1","url":null,"abstract":"This article traces the evolution of the screen kiss and the discourse surrounding it in Republican Shanghai leftwing cinema in the 1930s. The period from the 1910s to the 1930s in semi-colonial Shanghai witnessed an influx of Hollywood motion pictures that featured the screen kiss. By the 1930s, the circulation of images of Hollywood screen kiss in semi-colonial Shanghai triggered erotic imagination, comparison with Hollywood norms and most importantly the desire to appropriate, if not to reproduce, Hollywood screen kisses despite censorship. Two Shanghai leftist films, Street Angel (Malu tianshi, Yuan 1937) and Crossroads (Shizi jietou, Shen 1937), released shortly before the second Sino-Japanese War in 1937, appropriated and subverted Hollywood representational conventions of the screen kiss, fulfilling both the entertainment and pedagogical functions of cinema by constructing a sexually desiring and potentially class-conscious subject with aspirations for free love and social betterment at a critical moment of national crisis.1","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49434503","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Debating ‘Chineseness’ and ‘national identity’ in the Sinophone Malaysian films The Journey (2014) and Ola Bola (2016) 马来西亚华语电影《旅程》(2014)和《Ola Bola》(2016)中的“中国性”和“国家认同”之争
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00062_1
Hui-Yan Chew
{"title":"Debating ‘Chineseness’ and ‘national identity’ in the Sinophone Malaysian films The Journey (2014) and Ola Bola (2016)","authors":"Hui-Yan Chew","doi":"10.1386/eapc_00062_1","DOIUrl":"https://doi.org/10.1386/eapc_00062_1","url":null,"abstract":"Adopting the theoretical framework employed in Sinophone studies, this article focuses on Sinophone Malaysian filmmaker Chiu Keng Guan, whose films mark the revival of commercial Sinitic language filmmaking in Malaysia. Through textual analysis of Chiu’s two films The Journey (2014) and Ola Bola (2016), this article examines how the narratives and languages used in these Sinophone Malaysian films portray the place-based culture and experience of the Sinophone communities and other ethnic groups in Malaysia. It also looks at how ‘Chineseness’ is employed by Chiu as a strategy to construct a collective identity and memory for Sinophone community members in order to connect them with their cultural roots as well as generate interest in the film, as demonstrated in the film The Journey. The example of the movie Ola Bola is used to assess how the filmmaker Chiu, who is Malaysian Chinese, questions the idea of ‘national identity’ by twisting the film plot, which was itself inspired by a real event.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66695373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Global Entanglements of a Man Who Never Traveled: A Seventeenth-Century Chinese Christian and His Conflicted Worlds, Dominic Sachsenmaier (2020) 一个从未旅行过的人的全球纠缠：一个17世纪的中国基督徒和他冲突的世界，多米尼克·萨克森迈尔（2020）
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00070_5
C. Joby
{"title":"Global Entanglements of a Man Who Never Traveled: A Seventeenth-Century Chinese Christian and His Conflicted Worlds, Dominic Sachsenmaier (2020)","authors":"C. Joby","doi":"10.1386/eapc_00070_5","DOIUrl":"https://doi.org/10.1386/eapc_00070_5","url":null,"abstract":"Review of: Global Entanglements of a Man Who Never Traveled: A Seventeenth-Century Chinese Christian and His Conflicted Worlds, Dominic Sachsenmaier (2020)\u0000New York: Columbia University Press, 268 pp.,\u0000ISBN 978-0-23118-753-4, p/bk, $26.00","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43167942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 编辑
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00059_2
Ann Heylen, E. Vickers, K. Taylor-Jones
{"title":"Editorial","authors":"Ann Heylen, E. Vickers, K. Taylor-Jones","doi":"10.1386/eapc_00059_2","DOIUrl":"https://doi.org/10.1386/eapc_00059_2","url":null,"abstract":"In this issue we are pleased to publish our second print symposium. Organized and edited by Ian Kerridge, Paul Komesaroff, Mal Parker and Elizabeth Peter, it draws together a range of expert perspectives on ethical issues at the end of life. These are illuminated by meditations on death and dying in the poetry of Les Murray and Kevin Hart. One of the aims of our regular symposia is to promote ongoing dialogue across the disciplines on specific themes, and we hope that readers are inspired to respond to the papers presented in this issue. We would also like to express our gratitude for the contributions made by two board members who have stepped down, for personal and professional reasons, in the past months. We thank Nikki Sullivan, an internationally known cultural studies expert, both for her contribution of the past few years and for generously suggesting an enthusiastic replacement—Samantha Murray. We are very pleased to welcome Samantha on to the board. We also thank Michael Selgelid for his contribution, particularly in co-editing the previous (special) issue of the JBI, and wish him well in his future endeavours. The special issue proved timely in its subject matter, going to press as the world grappled with the spread of the H1N1 virus. Finally, we welcome on board a new panel of legal experts from around the globe, who will be collaborating with Cameron Stewart on the regular section, Recent Developments: Timothy Caulfield, John Coggon, Sarah Elliston, Barry Furrow, Richard Huxtable, Trudo Lemmens, Ron Patterson, Shaun Pattinson, Jerome Singh, Tade Spranger and Laura Williamson. We are proud to present the first of these internationalized columns in this issue. Bioethical Inquiry (2009) 6:261 DOI 10.1007/s11673-009-9181-2","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48022932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aspirational cosmopolitanism in classical music anime: Adapting Romantic legacies in Forest of Piano 古典音乐动画中的理想世界主义:《钢琴森林》中的浪漫主义遗产改编
East Asian Journal of Popular Culture Pub Date : 2022-04-01 DOI: 10.1386/eapc_00060_1
Ruth Barratt-Peacock
{"title":"Aspirational cosmopolitanism in classical music anime: Adapting Romantic legacies in Forest of Piano","authors":"Ruth Barratt-Peacock","doi":"10.1386/eapc_00060_1","DOIUrl":"https://doi.org/10.1386/eapc_00060_1","url":null,"abstract":"This article argues that anime about musicians specializing in western classical music offers a vehicle for questioning normative narratives that tend to exclude East Asian musicians from classical music culture beyond tertiary education. This article explores how the series Forest of Piano, the 2018 anime adaptation of Makoto Isshiki’s manga, utilizes competing Romantic models of genius to negotiate the protagonists’ positions as East Asian musicians on the global stage. In the series, the idea that the spirit of a piece is bound to the composer’s relationship to a specific place competes with the idea of a Romantic genius that channels the transcendent universal music of the world-soul from Nature.","PeriodicalId":36135,"journal":{"name":"East Asian Journal of Popular Culture","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43878856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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