Peran Buruh Submitted 16-11-2023, Perempuan Perkebunan 16-11-2023 Accepted 29-11-2023, Kelapa Sawit 29-11-2023, Putri Eliza Copyright, Aslam Nur 2023, Reza Idria Indonesian, Tripa Makmur, Kabupaten Nagan, Raya. Tujuan
{"title":"THE ROLE OF FEMALE WORKERS IN OIL PALM PLANTATIONS (A CASE STUDY IN UJONG KRUENG VILLAGE, TRIPA MAKMUR SUB-DISTRICT, NAGAN RAYA REGENCY)","authors":"Peran Buruh Submitted 16-11-2023, Perempuan Perkebunan 16-11-2023 Accepted 29-11-2023, Kelapa Sawit 29-11-2023, Putri Eliza Copyright, Aslam Nur 2023, Reza Idria Indonesian, Tripa Makmur, Kabupaten Nagan, Raya. Tujuan","doi":"10.22373/ijihc.v4i2.3716","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3716","url":null,"abstract":"Oil palm is one of the plantation commodities that needs to increase its production as it is a major producer of vegetable oil. The expansion of oil palm plantations has been taking place in various regions, including Aceh, particularly in Ujong Krueng Village, Tripa Makmur sub-district, Nagan Raya regency. The purpose of this research is to explore the history of female labor in oil palm plantations and understand the lives of female workers in Ujong Krueng Village. The research methods employed include observation and interviews. The results indicate that female laborers are workers in oil palm plantations who earn wages from the landowners. The emergence of women as laborers in Ujong Krueng's oil palm plantations is due to the increasing number of plantations and their rapid growth, requiring a large labor force. This provides opportunities for women who want to contribute to their family's economy. The lives of female laborers in Ujong Krueng include: firstly, women have a dual role, working both in their homes and in public spacec; secondly, some women, especially those who are widowed or whose husband is are dealing with severe illness, take on the responsibility of being breadwinners; thirdly, the economic of the community is positively impacted by income generated from oil palm plantations, meeting the basic living needs; fourthly, women are now undertaking tasks that were traditionally performed by men, such as transporting harvested produce.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"1905 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139198666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Masriati Masriati, Misri A. Muchsin, Muhammad Yunus Ahmad
{"title":"THE ROLE OF 'PEMAMOAN' IN THE WEDDING CUSTOMS OF THE KLÜET TRIBE IN THE VILLAGE OF RUAK, NORTH KLÜET SUB-DISTRICT, SOUTH ACEH REGENCY","authors":"Masriati Masriati, Misri A. Muchsin, Muhammad Yunus Ahmad","doi":"10.22373/ijihc.v4i2.3715","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3715","url":null,"abstract":"This research aims to explain the role of pemamoan in the wedding customs of the Kluet tribe in the village of Ruak and the community's response to the role of pemamoan in the wedding customs of the Kluet tribe in the village of Ruak. The method used in this research is a qualitative, descriptive approach. Data collection techniques include observation, interviews, and documentation. The results of this research show that pemamoan is the uncle or male relative from the mother's side. Pemamoan plays a role in taking care of all the needs of the bride and groom, and the community of Ruak Village responds positively and accepts the role of pemamoan in the wedding customs of the Kluet tribe in the Village of Ruak, North Kluet Sub-district, South Aceh regency.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"94 30","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139196515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE EXISTENCE OF GAYO ART BEYOND ITS TRADITIONAL REALM: AN EXPLORATORY STUDY IN BANDA ACEH","authors":"Rahmat Syawali, Fauzi Ismail","doi":"10.22373/ijihc.v4i2.3735","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3735","url":null,"abstract":"Gayo art is one of the folk arts of Aceh originating from Tanoh Gayo, Central Aceh. Gayo art serves as popular entertainment and a means of Islamic missionary for the dissemination and development of Islam in the Banda Aceh region. This art is often featured in weddings, circumcision ceremonies, festivals, and other events. The focused types of art are performance arts, such as Gayo dances (Saman, Bines, Guel, and others), music, and poetry. The research findings indicate that the development of Gayo art in Banda Aceh has progressed after being regularly and systematically showcased several times. Gayo art is popular and appreciated in Banda Aceh because, during performances, it is not only unique and beautiful to witness, but it also involves various forms of artistic attractions such as didong and bersebuku. This captivating attraction draws the attention of the community to organize and attend Gayo art performances held on various art stages in Banda Aceh.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":" 17","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139197748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"FACTUAL CONTENT OF HISTORY IN THE FILM FETIH 1453","authors":"Muhammad Naufal Hidayat, Sanusi Ismail","doi":"10.22373/ijihc.v4i2.3731","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3731","url":null,"abstract":"This research aims to identify the historical facts present in the film Fetih 1453. It uses historical methods, including heuristic, verification, interpretation, and historiography. The research findings indicate that the film Fetih 1453, directed by Faruk Aksoy, is based on historical facts. The film is set during the Ottoman Empire era, specifically during the rule of Sultan Mehmed II, depicting the story of the Ottoman conquest of Constantinople. The fictional elements present in some characters do not alter the main storyline of the film, which revolves around the conquest of Constantinople. Other aspects examined in the research include the historical facts presented in the film Conquest 1453. Faruk Aksoy portrays historical facts through numerous scenes in the film. The film successfully provides historical information, such as the second ascent of Sultan Mehmed II, the creation of large cannons, the construction of fortresses in Rumelia, the transportation of ships over hills, and the conquest of Constantinople. This film can be used as a reference to understand the depiction of the Ottoman attack on Constantinople through a historical approach, allowing for a sequential examination of events.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":" 77","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139207286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Gerakan Syeikh, Ahmad Yasin, Dan Misi, Pembebasan Palestina, Dian Erawati, M. Thalal, Kata Kunci, Islam di, M. T. Kuntowijoyo, Kuntowijoyo
{"title":"THE MOVEMENT OF SHEIKH AHMAD YASIN AND THE MISSION OF PALESTINIAN LIBERATION","authors":"Gerakan Syeikh, Ahmad Yasin, Dan Misi, Pembebasan Palestina, Dian Erawati, M. Thalal, Kata Kunci, Islam di, M. T. Kuntowijoyo, Kuntowijoyo","doi":"10.22373/ijihc.v4i2.3732","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3732","url":null,"abstract":"This research aims to explore the activities of Sheikh Ahmad Yasin in the Islamic resistance movement (Hamas) in Palestine. The results reveal that Sheikh Ahmad Yasin, who founded Hamas in 1987, held a prominent position among the leaders of organization and was regarded as one of the significant figures of Palestinian martyrs. While serving as the leader of Hamas, Sheikh Ahmad Yasin played a pivotal role in the establishment of several institutions, including zakat collection agencies, peace institutions to resolve disputes among residents, Islamic schools, social institutions, and more. Hamas plays a role in Palestinian society for socialization, interaction, mobilization, and the liberation of Palestinian society from all conflicts and Israeli occupation. Sheikh Ahmad Yasin's movement has a profound and beneficial impact on Palestinian society, providing healthcare, education, and religious guidance to the population in the Gaza Strip, an area controlled by Palestine. It can be concluded that Sheikh Ahmad Yasin's movement and the mission of Palestinian liberation serve a crucial role in society for socialization, interaction, and realizing the struggle for independence through the Hamas movement.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"181 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139203549","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TRADITIONAL WEAPON 'MEKHEMU' AS THE IDENTITY OF THE ALAS TRIBE","authors":"Ira Wati, Bustami Abubakar","doi":"10.22373/ijihc.v4i2.3734","DOIUrl":"https://doi.org/10.22373/ijihc.v4i2.3734","url":null,"abstract":"This research discusses the traditional weapon mekhemu as the identity of the Alas tribe in Southeast Aceh Regency. The research method employed includes observation, interviews, and documentation. The results show that the history of mekhemu weapon usage was brought by the Alas Tribe, specifically the Kepale Dese lineage, to the Alas Land, initially in the form of a conventional sharp weapon. The meaning embedded in the handle of the mekhemu weapon symbolizes the declaration of faith, the meaning within the sheath of the mekhemu weapon represents the thirteen pillars of prayer, and the star on the sheath signifies the Four Kings. Mekhemu, as a traditional weapon of the Alas ethnic group, is inseparable from the community's way of life, including in customary marriage practices and circumcision ceremonies within the Alas tribe. Preservation efforts are undertaken by the local government through the implementation, socialization, and widespresad introduction of the mekhemu weapon to the community. Mekhemu is a traditional weapon of the Alas tribe, symbolizing the bravery and honor of a king.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"63 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139206597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"PRESERVING THE TRADITION OF KASAB CRAFT IN NAGAN RAYA DISTRICT","authors":"Sri Ayuda, Husaini Husda, Asmanidar","doi":"10.22373/ijihc.v4i1.1974","DOIUrl":"https://doi.org/10.22373/ijihc.v4i1.1974","url":null,"abstract":"Kasab or kasab cloth, is a traditional textile embroidered with various types of local motifs in Keude Blang Village, Seunagan Timur District, Nagan Raya Regency, Aceh. However, the cultural richness of this society has never been scientifically researched. Therefore, the purpose of this study was to find out the types of motifs and the preservation of objects by the community and local government in that area. This is qualitative research, data collection involved observation, interviewing, and documentation. The results showed that kasab is one of the traditions for embroidering motifs on traditional textile surfaces. The use of gold thread in the components of traditional ceremonies not only provides aesthetic value, but also complements the meaning conveyed through symbols as a medium of public communication. The kasab motifs that are always embroidered in the Keude Blang Ara Village community include the bungong uret, bungong meulu, bungong pucuk pakis, and pucuk rembong (bamboo flower) motifs. Kasab preservation in Keude Blang Ara Village continues to be carried out by the local community and supported by the government. Preserving local culture (kasab) involves creating dynamic expressions and adapting to changing developmental situations to preserve cultural, artistic, and traditional qualities. However, with the support of the government, kasab has become something interesting, so that nowadays the demand for producing kasab is increasing.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121145125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TULAK PALONG TRADITION IN LAYEUN COMMUNITY, ACEH BESAR","authors":"Andra Natasya, Sanusi Ismail, Bustami Abubakar","doi":"10.22373/ijihc.v4i1.1602","DOIUrl":"https://doi.org/10.22373/ijihc.v4i1.1602","url":null,"abstract":"This study aims to examine the symbolic meaning of the tulak palong tradition among the people of Layeun-Aceh Besar. Palong is a type of traditional boat used by fishermen on the coast of Aceh Besar. This study uses a qualitative approach in which data is collected through observation, interviews, and documentation. The informants in this study were panglima laot, fishermen, and the local community. The results of the study show that the tulak palong tradition has been practiced in this area since 1970. The tulak (refusal) process is only carried out the first time when the palong is about to sail, and then the palong will continue to be at sea until it needs to be renovated, usually in 2 to 5 years. In the implementation of tulak palong, there are social values, including mutual cooperation and caring for others. In addition to social values, in the process of practicing tulak palong, there are also symbolic meanings such as beauty in decorating the palong, brotherhood among the community.","PeriodicalId":359780,"journal":{"name":"Indonesian Journal of Islamic History and Culture","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115441780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}