Interdisciplinary Cultural and Humanities Review最新文献

{"title":"Multi-vector cultural connection in the conditions of modern globalisation","authors":"R. Doszhan","doi":"10.59214/2786-7110-2023-2-1-27-32","DOIUrl":"https://doi.org/10.59214/2786-7110-2023-2-1-27-32","url":null,"abstract":"Culture is the main value of the existence of not only individual peoples and small ethnic groups but also states. There is such a concept as the cultural unity of the world. That is, it is necessary to realise that the cultural values accumulated by peoples over the centuries do not belong to one particular institution or country, but are common to all mankind. It is for this reason that to establish a multi-vector cultural connection in the world as a whole, it is worth starting with the unification of all people of this culture. Multi-vector cultural communication was forced to rely primarily on previously prepared paradigms. It was conducted all over the world through the “West-East” antinomy. The study examines the world experience of establishing multi-vector cultural ties. The term globalisation is explained and focuses on the views of the nation in the era of globalisation when goods and money are exchanged endlessly in the conditions of globalisation. The qualitative changes that have occurred in the cultural life of the people since the proclamation of independence by the Republic of Kazakhstan are considered. The emergence of a qualitatively new global geopolitical and geo-economic situation forces modern Kazakhstan to reconsider its position in the world. The purpose of the study is to consider the multi-vector cultural connection as a means of integrating the Republic of Kazakhstan into the world community. The paper uses the method of analysis of legal documents and a historical approach. It is concluded that a multi-vector cultural connection is an objective necessity, which has brought a lot of benefits on the path of gradual integration of the Republic of Kazakhstan into the world community since independence. One of its results is that Kazakhstan is a prosperous regional state, an initiator of regional integration processes, and an active participant in global and regional structures. Thus, the spectrum of multi-vector cultural ties is vast, and the area under study is very diverse and plays a special role in the upbringing of generations","PeriodicalId":359462,"journal":{"name":"Interdisciplinary Cultural and Humanities Review","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125641277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian baroque iconostasis and liturgical structuring of the monastery space","authors":"S. Olianina","doi":"10.59214/2786-7110-2023-2-1-33-41","DOIUrl":"https://doi.org/10.59214/2786-7110-2023-2-1-33-41","url":null,"abstract":"Baroque iconostases of Ukraine with thematic iconographies have repeatedly come to the attention of researchers. This refers to iconostases that did not contain the composition Deesis and other images necessary for the year-round cycle of divine services. Instead of the traditional complex of icons, such iconostases contained images that fully covered the theme of the consecration of the altar. The preserved monuments are described in sufficient detail, but the motives and meanings of implementing such programmes have not yet been convincingly explained. The study offers a new look at the reasons for the appearance and symbolic meaning of thematic iconographic programmes of Ukrainian iconostases of the Baroque era. The meaning of introducing edited iconographic programmes is reconstructed using the hierotopic method. Its application identified that the development of thematic iconographies was based on a spatial iconographic concept in which the programmes of several iconostases interacted. The study showed that thematic iconographies were common in the iconostases of side chapels, while the main iconostasis contained all the necessary complex of images, including the Deesis composition. It is established that the introduction of thematic iconography for the main iconostasis was possible only for the monastery church, which in this case was understood as a chapel relative to the central iconostasis of the cathedral church of the monastery. In this carefully designed image system, the icon complexes of the iconostases of side altars and other monastic churches interacted with the iconographic programme of the iconostasis of the main altar in real space. The implementation of such a project expanded the liturgical space of the main church, covering the monastery complex. Therewith, symbolic meanings associated with the image of the temple in the Christian tradition were transferred to the monastery. The proposed reconstruction explains the lack of practice of creating thematic iconographies for the iconostases of the main altars in parish churches","PeriodicalId":359462,"journal":{"name":"Interdisciplinary Cultural and Humanities Review","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132336474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Socio-cultural accompaniment of tourists by means of animation in cruise tourism","authors":"T. Haievska","doi":"10.59214/2786-7110-2023-2-1-13-19","DOIUrl":"https://doi.org/10.59214/2786-7110-2023-2-1-13-19","url":null,"abstract":"The study examines cruise tourism, which has become a dynamic area of the tourism industry in recent years. The object of the study is tourist animation practices in cruise tourism, the subject is the motivational structure and value system of tourist practices implemented in cruise tourism. In the course of the study, general scientific methods were used: comparison, generalization, behavioral method. The purpose of the study is to analyze the impact of tourist services during a cruise trip, since tourist satisfaction from the rest depends on the animation support (creating an emotional mood in travelers, conditions for achieving physical and moral recovery, etc.) The article considers the socio-cultural practices of tourist services using animation. Comfort and complexity of tourist services have become a symbol of cruise tourism. The technical characteristics of ships allow them to be used for various forms of cruise passenger service. Particular attention is paid to the animation team, which provides social and cultural services to cruise participants, relying on the material and technical capabilities of modern cruise ships and coastal infrastructure. Analyzing the mood and satisfaction of tourists is especially important in the specific context of social exchange. The state of the tourism sector and, consequently, the economic situation of the country in the period of post-war reconstruction will depend on how satisfied they are with cruise travel. The study attempts to systematize the value components of cruise travel and analyze the positive and negative aspects of the cruise service system. From an applied point of view, this study covers the potential of the cruise ship and the capabilities of the animation team to accompany tourists during the trip. It is necessary to implement strategies that will improve passengers' impressions and emotions, especially those related to various leisure programs to attract tourists to travel on a cruise ship. The results can also be used to improve activities and marketing plans for the development of cruise tourism in Ukraine.","PeriodicalId":359462,"journal":{"name":"Interdisciplinary Cultural and Humanities Review","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114202951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Allusion to the Trojan myth in the legendary toposphere of Kyiv","authors":"R. Demchuk","doi":"10.59214/2786-7110-2023-2-1-20-26","DOIUrl":"https://doi.org/10.59214/2786-7110-2023-2-1-20-26","url":null,"abstract":"The research is devoted to the study of allusions to the Trojan myth in the legendary toposphere of Kyiv, whose foundations go back centuries and are immersed in the mythological layer of human historical development. Kyiv has become not only the center of structuring the proto-state of Ukraine, but also a symbol of the formation of the socio-cultural identity of its inhabitants. For centuries, Kyiv has occupied a special place among the iconic cities of the European continent, which makes it important to study its cultural topoi. The purpose of the study is to identify, analyze, and synthesize mythological patterns of Trojan themes in the socio-cultural landscape of Kyiv and their impact on the processes of forming collective self-awareness and proto-national identity. The study analyzes the reception of the Trojan myth on the basis of Kyiv toponymy and mythopoetics, chronicle sources and literary works, which allows us to construct its mythological palimpsest, which without the Trojan theme would be deprived of an expressive layer. The study traces the transformation of mythological representations of the Kievan Rus era, which were later in demand in Ukraine during the Baroque period. Ultimately, a retrospective study of the field of proto-national myth in the variations of mythologies as its constituent elements allows us to reach a deeper level of collective mentality, which is the basis for the development of national identity through the realization and adaptation of deep symbolic structures. The Trojan theme has not yet been presented in urban studies of Kyiv, although it has a certain number of manifestations in the cultural environment of the city. The study is based on the use of general scientific methods of analysis and synthesis of cultural information. The interpretive method was used to model theoretical constructs. Among the special methods, myth restoration was chosen as a priority. The hypothesis put forward in the study and its testing are reliable and presented for the first time.","PeriodicalId":359462,"journal":{"name":"Interdisciplinary Cultural and Humanities Review","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126499325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Institutionalised educational systems as a component of the intangible cultural legacy of Ukraine","authors":"S. Volkov","doi":"10.59214/2786-7110-2023-2-1-6-12","DOIUrl":"https://doi.org/10.59214/2786-7110-2023-2-1-6-12","url":null,"abstract":"In recent years, there has been an intensification of broad discussion of the problem of preserving intangible cultural legacy in the scientific, cultural, and social environment. Therewith, art education as an institutionalised educational system and a set of performing, pedagogical, compositional, art history, and other practices have not yet been considered in the scientific literature as a substantial component of the intangible cultural legacy, which determines the relevance of this study. The author attempts to direct scientific thought to the consideration of educational artistic practices as part of the intangible cultural legacy in the aspect of preservation in modern institutionalised educational systems. The study uses a set of methods: historical-cultural, systematic and interdisciplinary approaches, comparative analysis, generalisation and systematisation, aimed at highlighting the place of art education in the system of intangible cultural legacy. The issues of preserving the practices of intangible cultural legacy accumulated in the experience of teaching groups of the Kyiv Lysenko State Music Lyceum, Lviv Krushelnytska State Music Lyceum, Odesa School of Stolyarsky, and Kharkiv State Music Lyceum are considered During the 20th century, the teaching staff of these educational institutions created a number of personalised pedagogical schools that presented their own methods of training musical personnel in combination with higher art educational institutions. This allowed art education in Ukraine to be institutionalised into a separate specific branch, which applied the meritocratic principle in the organisation of the educational process, which gives grounds to consider these educational practices as an intangible cultural legacy of the state. The study focuses on the experience of preserving educational practices of the intangible cultural legacy of Hungary and China as examples for Ukraine. The system of training musical and, more broadly, artistic personnel has all the signs of exclusivity and is worthy of scientific justification to preserve the experience of several generations of musicians who combine performing and pedagogical practice. The inclusion of the best practices of the collectives of the Kyiv, Lviv, Odesa, and Kharkiv music lyceums in the national list of elements of the intangible cultural legacy of UNESCO will be one of the measures for their preservation and meets the goals of the convention for the protection of the intangible cultural legacy of UNESCO","PeriodicalId":359462,"journal":{"name":"Interdisciplinary Cultural and Humanities Review","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128060345","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}