Journal of Design, Planning and Aesthetics Research最新文献_第2页

Genius Logi: Towards the Phenomenology of Gated Community 天才逻辑学:走向封闭社区的现象学

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-11-07 DOI: 10.55755/deparch.2022.11

Ö. Yıldız, Havva Alkan Bala

{"title":"Genius Logi: Towards the Phenomenology of Gated Community","authors":"Ö. Yıldız, Havva Alkan Bala","doi":"10.55755/deparch.2022.11","DOIUrl":"https://doi.org/10.55755/deparch.2022.11","url":null,"abstract":"Gated communities have emerged around the world for a variety of reasons including increased fear of crime, security, prestige, and a desire to be different. In Turkey, gated communities have emerged because of neoliberal policies that promotes high-income segment seeking prestige. Gated communities are constructed not only in metropolitan cities such as Ankara, Istanbul, and Izmir, but also in Anatolia. One of these cities is Aydın. Gated communities in Aydın have a unique infrastructure. They are based on the cooperative process that was widely established after 1950. this study aims to investigate whether there is a meaningful connection between the characteristics of Aydın and the gated communities. In order to determine the phenomenon of place in the city of Aydın, a hermeneutic method was used to interpret information about the location and its spirit and transferred to the table through Norberg Schulz (1976)'s work \"Genius Loci: Towards a Phenomenology of Architecture\". According to the table, the phenomenon of place is divided into phenomena as image, identity and meaning. The table was designed to analyze the place identity of the city of Aydın and the phenomenon of place.","PeriodicalId":359222,"journal":{"name":"Journal of Design, Planning and Aesthetics Research","volume":"73 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123336395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cognitive Phenomena of Style and Creativity 文体与创造力的认知现象

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-11-07 DOI: 10.55755/deparch.2022.9

Chiu-Shui Chan

引用次数: 0

Embodied Time: Applied and Incidental Architectural Narratives 体现的时间：应用和偶然的建筑叙事

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-11-07 DOI: 10.55755/deparch.2022.10

O. Davies, Laura Hanks

{"title":"Embodied Time: Applied and Incidental Architectural Narratives","authors":"O. Davies, Laura Hanks","doi":"10.55755/deparch.2022.10","DOIUrl":"https://doi.org/10.55755/deparch.2022.10","url":null,"abstract":"In this analysis of storytelling through building, encompassing a search for practical applications for how future buildings can embrace the passing of time, narrativity has been categorised into: the ‘applied’ or ‘artificial’, meaning the construction of a directed story, identity or philosophy; and the ‘incidental’ or ‘organic’, the accidental erosion and patination caused by weathering and human use. In ‘Building Time’, David Leatherbarrow considers three groupings for his analysis of buildings inhabiting the temporal dimension. The ‘Time of the Project’, the alterations, adaptations and adjustments made to a building, can be considered a prototype for ‘applied’ narrativity, while his ‘Time of the World’ can be linked to the gathering of ‘incidental’ narrativity. Leatherbarrow’s third aspect, the ‘Time of the Body’, can be compared to the phenomenological aspects linking these categories together, directing human passage and activity through design cues and through the traces of those who have come before (Leatherbarrow, 2021). At times these categories overlap and intertwine with each other, mirroring the idea that in the communication of narrative the “the corporeal is not more fundamental than the intellectual, but… are entangled” (Austin, 2012: 108). In summary, the aim is for an architecture that may “articulate the experiences of our very existence” (Pallasmaa, 2009 :19). Therefore, as time passes and our experiences become history, we can still tell our stories through the medium of building. This methodology to create buildings with a high degree of ‘story-ness’ was later tested in the design of a new library and literary museum. Based in Nottingham’s Lace Market, the existing tale of County House, a derelict and crudely adapted Georgian townhouse, was clarified, curated and secured, while the adjacent plots provided opportunities to experiment with applied and incidental narratives told through new buildings.","PeriodicalId":359222,"journal":{"name":"Journal of Design, Planning and Aesthetics Research","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126558474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Formaldehyde Emission in Different Positions of Wood-Based Boards Used in Interior Architecture 室内建筑用人造板不同部位甲醛释放量研究

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-11-07 DOI: 10.55755/deparch.2022.13

Kemal Yıldırım, Hamza Çınar, Haldun Ender Erdem

引用次数: 0

Participatory Design 参与设计

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-11-07 DOI: 10.55755/deparch.2022.8

Henry Sanoff

{"title":"Participatory Design","authors":"Henry Sanoff","doi":"10.55755/deparch.2022.8","DOIUrl":"https://doi.org/10.55755/deparch.2022.8","url":null,"abstract":"Participatory design is the involvement of people in the creation and management of their built and natural environments. Its strengths are that it cuts across traditional professional boundaries and cultures. The activity of participatory design is based on the principle that the built and natural environments work better if citizens are active and involved in its creation and management instead of being treated as passive consumers. The main purposes of participation are to involve citizens in planning and design decision-making processes and, as a result increase their trust and confidence in organizations, making it more likely that they will work within established systems when seeking solutions to problems; to provide citizens with a voice in planning, design and decision-making in order to improve plans, decisions, service delivery, and overall quality of the environment; and to promote a sense of community by bringing people together who share common goals. A wide range of techniques is available to designers. Some of these techniques have become a standard method used in participatory processes, such as interactive group decision-making techniques that take place in workshops. At the same time, designers have effectively used field techniques such as questionnaires, interviewing, focus groups and group mapping to acquire information. In general, many of the techniques facilitate citizen’s awareness to environmental situations, and help activate their creative thinking. The techniques can be classified as awareness methods, group interaction methods, and indirect methods.","PeriodicalId":359222,"journal":{"name":"Journal of Design, Planning and Aesthetics Research","volume":"143 2-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132635528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Ethical and Existential Meaning of Beauty 美的伦理和存在意义

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-05-06 DOI: 10.55755/deparch.2022.1

J. Pallasmaa

引用次数: 0

Critique of Loos s Anti-Ornament Through Lucretius and Adorno 通过卢克莱修和阿多诺批判卢斯的《反乌托邦宣言

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-05-06 DOI: 10.55755/deparch.2022.4

Levent Senturk

引用次数: 0

Debates and Discourses on Ornament in Contemporary Architecture 关于当代建筑装饰的辩论和论述

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-05-06 DOI: 10.55755/deparch.2022.3

Deniz Balik

引用次数: 0

Adolf Loos and Ornament 阿道夫-卢斯与装饰品

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-05-06 DOI: 10.55755/deparch.2022.6

Selenay Buyukkok

引用次数: 1

The Digital Nature of Gothic - Lars Spuybroek John Ruskin 哥特式的数字化本质 - Lars Spuybroek John Ruskin

Journal of Design, Planning and Aesthetics Research Pub Date : 2022-05-06 DOI: 10.55755/deparch.2022.5

Mustafa Dalli, Asena Soyluk

引用次数: 0