{"title":"TAREK AL-GHOUSSEIN DOES NOT EXIST","authors":"","doi":"10.2307/j.ctvf3w2p5.14","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.14","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130188954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BORDERCROSSINGS:","authors":"","doi":"10.2307/j.ctvf3w2p5.11","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.11","url":null,"abstract":"This project begins with an analysis of racial passing narratives, and considers the ways that the genre provides a useful deconstructive tool to better understand essence-based productions of race and racial authenticity within Chicana/o assimilation narratives. Through their critical exploration of the performative aspects of race, passing novels expose the fissures within these essentialist logics and in so doing they lodge their protest against the conditions under which passing could occur.","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127938467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ACKNOWLEDGMENTS","authors":"","doi":"10.2307/j.ctvf3w2p5.4","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.4","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124820592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ARTISTS WITHOUT BORDERS:","authors":"","doi":"10.2307/j.ctvf3w2p5.9","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.9","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"106 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128168077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE GUN AND THE GAZE:","authors":"","doi":"10.2307/j.ctvf3w2p5.10","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.10","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125780515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SHOJA AZARI:","authors":"","doi":"10.2307/j.ctvf3w2p5.16","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.16","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125949744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE SUBLIME AND THE BEAUTIFUL IN THE TIME OF TERROR","authors":"","doi":"10.2307/j.ctvf3w2p5.18","DOIUrl":"https://doi.org/10.2307/j.ctvf3w2p5.18","url":null,"abstract":"","PeriodicalId":355827,"journal":{"name":"Contemporary Art, World Cinema, and Visual Culture","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128141240","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}