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European Journal of American Culture最新文献

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European Journal of American Culture Pub Date : 2020-06-01 DOI: 10.1386/ejac_00019_2
J. Wills
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引用次数: 0
James Ellroy: Demon Dog of Crime Fiction, Steven Powell (2016) 詹姆斯·埃尔罗伊:犯罪小说中的恶魔狗，史蒂文·鲍威尔(2016)
European Journal of American Culture Pub Date : 2020-06-01 DOI: 10.1386/ejac_00024_5
T. D’haen
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引用次数: 0
Tweenhood: Femininity and Celebrity in Tween Popular Culture, Melanie Kennedy (2019) 《少年时代:青少年流行文化中的女性气质与名人》，梅兰妮·肯尼迪著(2019)
European Journal of American Culture Pub Date : 2020-06-01 DOI: 10.1386/ejac_00025_5
S. Hill
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引用次数: 0
European Perspectives on John Updike, Laurence W. Mazzeno and Sue Norton (eds) (2018) 从欧洲视角看约翰·厄普代克、劳伦斯·w·马泽诺和苏·诺顿(编)(2018)
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00018_5
F. Svoboda
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引用次数: 0
The Quiet Contemporary American Novel, Rachel Sykes (2018) 《安静的当代美国小说》，瑞秋·赛克斯(Rachel Sykes, 2018)
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00017_5
C. Morley
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引用次数: 0
The cartographic imagination: Art, literature and mapping in post-war America 制图想象:战后美国的艺术、文学和制图
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00007_2
M. Manolescu, Will Norman
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引用次数: 1
Dennis Oppenheim and the cartographic expansion of American sculpture 丹尼斯·奥本海姆与美国雕塑的地图扩展
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00010_1
Christopher Ketcham
{"title":"Dennis Oppenheim and the cartographic expansion of American sculpture","authors":"Christopher Ketcham","doi":"10.1386/ejac_00010_1","DOIUrl":"https://doi.org/10.1386/ejac_00010_1","url":null,"abstract":"Cartography was a model for Dennis Oppenheim’s territorial conception of sculpture and the road map was a site on which he sought to expand sculpture’s boundaries. This article focuses on five works conceived in the late 1960s in which Oppenheim built upon the proprietary\u0000 claim to space implicit in cartography. Whether plotted on a map or constructed alongside the highway, Oppenheim viewed these sculptures as instruments of spatial orientation and territorial possession, as well as mechanisms to reroute the infrastructures and informational networks of everyday\u0000 life. In Oppenheim’s sculpture, the liberatory aesthetics of minimalism’s phenomenology is marked with a territorial violence that plays out in cartographic and real space. He sought a way to force the body to register within abstract systems and, in turn, to imprint those abstract\u0000 systems on the body. The road map was both a model and a site for this exchange.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"39 1","pages":"45-62"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42944704","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New cartographics: Photography and the artistic mapping of the American West, 1969‐79 新制图学：美国西部的摄影和艺术制图，1969‐79
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00012_1
James R. Swensen
{"title":"New cartographics: Photography and the artistic mapping of the American West, 1969‐79","authors":"James R. Swensen","doi":"10.1386/ejac_00012_1","DOIUrl":"https://doi.org/10.1386/ejac_00012_1","url":null,"abstract":"This article examines the work of a diverse group of photographers who in the late 1960s and 1970s employed mapping techniques and devices as a means of artistic creation. Products of photography’s unprecedented growth, photographers John Pfahl, Michael Bishop, Kenneth Josephson\u0000 and the participants of the Rephotographic Survey Project employed cartographic and topographic strategies as part of their exploration of the history of their medium and the American West. These artist-photographers, moreover, responded to the nineteenth-century surveys of the West as well\u0000 as its relation to other, better-known contemporary movements like ‘New Topographics’. In all, this article provides the first exploration of this distinctive group of American photographers which may be collectively termed: ‘new cartographics’.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"39 1","pages":"83-104"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43284244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Making space for the human: Rights, the Anthropocene and recognition 为人类创造空间：权利、人类世和承认
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00008_1
D. Herd, Stephen Collis
{"title":"Making space for the human: Rights, the Anthropocene and recognition","authors":"D. Herd, Stephen Collis","doi":"10.1386/ejac_00008_1","DOIUrl":"https://doi.org/10.1386/ejac_00008_1","url":null,"abstract":"This article addresses the tension between two expressions of post-war spatiality. It was the aim of the Universal Declaration of Human Rights, the article observes, to achieve a formulation of the human from which no person might fall out. At the same time, as the category of the human\u0000 as attribute of persons struggled to extend itself, so the effects of the so-called Anthropocene became greatly accelerated. The article argues that these forms of spatiality must be thought in relation to one another. It contends that to understand the degree to which the Universal Declaration\u0000 was spatial in its understanding, it is necessary to read that document alongside such post-war writers as Charles Olson and Hannah Arendt. It considers how far, in various post-war geopolitical imaginaries, one finds resources for thinking about human movement in our own moment, and how such\u0000 thinking can address the Anthropocene and its still accelerating effects.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"39 1","pages":"13-27"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41796255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ecofeminist ‘lines of convergence’: Remapping the American West in Rebecca Solnit’s Savage Dreams 生态女权主义的“趋同之线”:在丽贝卡·索尔尼特的《野蛮之梦》中重新描绘美国西部
European Journal of American Culture Pub Date : 2020-03-01 DOI: 10.1386/ejac_00013_1
Daisy Henwood
{"title":"Ecofeminist ‘lines of convergence’: Remapping the American West in Rebecca Solnit’s Savage Dreams","authors":"Daisy Henwood","doi":"10.1386/ejac_00013_1","DOIUrl":"https://doi.org/10.1386/ejac_00013_1","url":null,"abstract":"This article examines the ways Rebecca Solnit’s Savage Dreams (1994) (re)maps two key locations in the American West. The text centres on Yosemite National Park and the Nevada Test Site, locations emblematic of histories of colonialism, patriarchy, capitalism and the military\u0000 in the United States. Considering how Solnit constructs a counter-map of these places, this article argues that by tracing ‘lines of convergence’ on a landscape deemed empty by the dominant culture, Solnit both documents and is part of resistance to power structures upheld by traditional\u0000 cartography. Using an ecofeminist framework based on drawing connections in the face of the dominant culture’s emphasis on fragmentation and separation, I discuss how Solnit exposes the silence and violence of the map. I then consider the ways she constructs a ‘testimonial network’\u0000 that counters both. Finally, I suggest that Solnit’s textual counter-map prompts us to re-read the traditional map on connective, ecofeminist terms.","PeriodicalId":35235,"journal":{"name":"European Journal of American Culture","volume":"39 1","pages":"105-118"},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42105244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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