{"title":"Trauma, Depression und transgenerative Suizidalität – Psychoanalytische Anmerkungen zum Film Die Wand (A, D 2012)","authors":"M. Leuzinger-Bohleber","doi":"10.1007/978-3-662-62681-8_7","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_7","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126640984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Der Blick hinter den Schleier – Was ist eigentlich „obskur“ an Luis Buñuels obskurem Objekt der Begierde? (Cet obscur objet du désir,F, ES 1977)","authors":"M. Riepe","doi":"10.1007/978-3-662-62681-8_4","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_4","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128792767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Das Ende einer großen Liebe? – Blue Valentine (US 2010)","authors":"R. Zwiebel","doi":"10.1007/978-3-662-62681-8_28","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_28","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134360432","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Verfolgende Leere – Obsession und (Ohn-)macht in Kathryn Bigelows Blue Steel (US 1990)","authors":"Reinhold Görling","doi":"10.1007/978-3-662-62681-8_22","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_22","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127384592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Der schwarze Vogel Frau – Die Inszenierung der Weiblichkeit in Alfred Hitchcocks Die Vögel (The Birds, US 1963)","authors":"G. Schneider","doi":"10.1007/978-3-662-62681-8_6","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_6","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128734987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Auf der Suche nach der verlorenen Mutter – Das Piano (NZ, AU, F 1993)","authors":"W. Mertens","doi":"10.1007/978-3-662-62681-8_20","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_20","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133697967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"S.O.S – Spike Jonzes Her als ein Film über Beziehungsvorstellungen und Trauerprozesse (US 2003)","authors":"Timo Storck","doi":"10.1007/978-3-662-62681-8_23","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_23","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"421 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122794848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Robuste Weiblichkeit in Three Billboards Outside Ebbing, Missouri (US, GB 2017)","authors":"S. Vassilev","doi":"10.1007/978-3-662-62681-8_8","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_8","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"25 3-4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131771026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Du bist der einzige Mensch, der mich mir selbst zurückgeben kann“: Passionen der Selbstentwürfe und Selbstverwerfung – Der Liebeswunsch (D 2006)","authors":"B. Gerisch","doi":"10.1007/978-3-662-62681-8_15","DOIUrl":"https://doi.org/10.1007/978-3-662-62681-8_15","url":null,"abstract":"","PeriodicalId":345406,"journal":{"name":"Von La Strada bis The Hours - Leidende und souveräne Frauen im Spielfilm","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127789715","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}