{"title":"Ivo Blom, Reframing Luchino Visconti: Film and Art","authors":"Maximilian Le Cain","doi":"10.1177/1748372719834446","DOIUrl":"https://doi.org/10.1177/1748372719834446","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117000834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction World Literature and Global Performance","authors":"Karen Biers, Sharon Marcus","doi":"10.7227/NCTF.41.2.1","DOIUrl":"https://doi.org/10.7227/NCTF.41.2.1","url":null,"abstract":"The six theatre scholars who have contributed to this special issue of Nineteenth Century Theatre and Film seek to account for the global scale of nineteenthcentury performance by establishing transnational frameworks for theatre studies, a field still often defined in terms of national traditions. For much of the long nineteenth century, performance was global and global culture depended as much on performance as on literature in print. The essays collected here demonstrate that ceaseless mobility across national borders helped to define the experience of writing for, performing in and going to the theatre throughout the nineteenth century. These essays also add a significant dimension to the burgeoning scholarly literature on global theatre by emphasising intersections between performance, print and other media and by documenting and analysing the practices of transnational adaptation and remediation across international lines that were ubiquitous in a pre-copyright age. They demonstrate that nineteenth-century theatre may have been as crucial as poetry or the novel to creating the borderless global world whose value is so often hotly debated today.","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134061695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Go West, Young Women! the Rise of Early Hollywood","authors":"Kerrie Welsh","doi":"10.5860/choice.50-4892","DOIUrl":"https://doi.org/10.5860/choice.50-4892","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2013-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131288806","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Russian Culture and Theatrical Performance in America, 1891-1933","authors":"L. Senelick","doi":"10.5860/choice.49-3780","DOIUrl":"https://doi.org/10.5860/choice.49-3780","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2011-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128368463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Decline of Sentiment: American Film in the 1920s","authors":"Cynthia Felando","doi":"10.5860/choice.46-0169","DOIUrl":"https://doi.org/10.5860/choice.46-0169","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"99 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2010-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121972905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Americanizing the Movies and \"Movie-Mad\" Audiences, 1910-1914","authors":"P. Moore","doi":"10.5860/choice.44-3774","DOIUrl":"https://doi.org/10.5860/choice.44-3774","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115640932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theatre, Politics, and Markets in Fin-De Siècle Paris: Staging Modernity/Staging Politics and Gender: French Women's Drama, 1880-1923","authors":"B. Singleton","doi":"10.5860/choice.43-1446","DOIUrl":"https://doi.org/10.5860/choice.43-1446","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128681142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Big Show: British Cinema Culture in the Great War, 1914-1918","authors":"Leslie Midkiff DeBauche","doi":"10.5860/choice.44-3198","DOIUrl":"https://doi.org/10.5860/choice.44-3198","url":null,"abstract":"","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"230 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2008-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131746021","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Encyclopedia of Early Cinema","authors":"J. Kaufman","doi":"10.5860/choice.42-5595","DOIUrl":"https://doi.org/10.5860/choice.42-5595","url":null,"abstract":"791 pages. Encyclopedia of Early Cinema. Richard Abel. 2005. 0415234409, 9780415234405. Taylor & Francis, 2005. In this major A-Z work, 'early cinema' refers to the first 20 or 25 years of the cinema's emergence at the end of the nineteenth and beginning of the twentieth centuries, from the early 1890s to the middle 1910s. Coverage of the pre-cinema period is also given in order to describe not only the apparatus, and its inventors, on the basis of which cinema would develop, but also those mass-cultural forms and practices within which cinema was to emerge. The Encyclopedia presents information on the basic trajectory of early cinema history, with coverage of film production, filmmakers, film genres, and individual films, but in addition a major task of the work is to present information from the revisionist history of early cinema, with its focus on the changing nature of film exhibition and the changing patterns of reception. The Encyclopedia reveals that early cinema was inextricably bound up with other forms and practices of mass culture, that it emerged as a combination of existing and innovative elements, and that it was an unusually hybrid medium that only gradually coalesced into something more or less distinct. Consultant editors: Stephen Bottomore, UK; Donald Crafton, University o file download kat.pdf","PeriodicalId":344895,"journal":{"name":"Nineteenth-Century Theatre and Film","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2006-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128541287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}