Journal of Research in Gender Studies最新文献_第7页

Social Media Photo Manipulation, Beauty Ideal Internalization, and Problematic Body Image 社交媒体照片处理，美的理想内化，和有问题的身体形象

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs12120223

引用次数: 0

The Intricate Interplay between Victimization and Agency: Reflections on the Experiences of Women Who Face Partner Violence in Mexico 受害与代理之间错综复杂的相互作用:对墨西哥面临伴侣暴力的妇女经历的反思

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs8120183

C. Herrera, María Carolina Agoff

引用次数: 8

Gender Differences in Behavior and Attitudes toward COVID-19: Perceived Risk of Infection, Negative Cognitive Emotions, and Sleep Disturbances 对COVID-19行为和态度的性别差异:感知感染风险、负面认知情绪和睡眠障碍

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220207

F. Newburn

引用次数: 4

Online Dating Behavior, Casual Relationships, and Sexual Encounters on Geosocial Networking Mobile Apps 在线约会行为、随意关系和地理社交网络移动应用程序上的性接触

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs10120207

引用次数: 1

FEMALE SEXUALITY AND LIBERATION OF THE BODY IN CONTEMPORARY MOROCCAN LITERATURE: THE CASE OF THE ALMOND BY NEDJMA 当代摩洛哥文学中女性的性欲和身体的解放:内杰马的杏仁的案例

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs9120194

引用次数: 0

Emotional and Psychological Distress Related to COVID-19 Isolation, Quarantine, and Physical Distancing: Evidence of Gender-based Differences 与COVID-19隔离、检疫和身体距离相关的情绪和心理困扰:基于性别差异的证据

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220202

引用次数: 8

The Automatability of Male and Female Jobs: Technological Unemployment, Skill Shift, and Precarious Work 男性和女性工作的自动化:技术性失业、技能转移和不稳定工作

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs9120197

引用次数: 12

The Gender Politics of Postfeminist Semantics 后女性主义语义学中的性别政治

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs71201710

R. Mihaila, M. Mateescu

{"title":"The Gender Politics of Postfeminist Semantics","authors":"R. Mihaila, M. Mateescu","doi":"10.22381/jrgs71201710","DOIUrl":"https://doi.org/10.22381/jrgs71201710","url":null,"abstract":"1.IntroductionPostfeminism exploits a concept of feminism as inflexible, far-reaching, anti-sex and affair, challenging and extremist, providing the contentment of (re)claiming a distinctiveness manageable by gender politics, postmodernism, or established critique. Postfeminism frequently operates as a way of recording and apparently determining the continuity of option quandaries for women. The tremendous ideological effect that is constituted by an accrual of postfeminist cultural matter is the underpinning of conventional norms as the critical preeminent options (Bratu, 2016; Magrini, 2016; Schwieler and Magrini, 2015) in women's lives. Postfeminism confers substantial relevance to the configuration of a meaningful personal routine and the capacity to decide on the appropriate articles of trade to accomplish it, fetishizing female ascendancy and craving while reliably placing them within definite boundaries. (Negra, 2009)2.The Intricate, Shifting Gender Dynamics of the Present Postfeminist CultureThe influential politics within feminism has come out from the liberaldemocratic practice with a stress on marginal restructuring. The main goal is equality of chance, in which personal development is highlighted over essential alterations in the structural regulation of society. State interference concentrates on attaining a harmony between individual self-determination and community interests (Barnett, 2015; Krivochen, 2016; Rauch, 2016), assisting in moderating between opposing concerns. Liberal feminism is bound to accomplishing superior gender equality via legislative and policy amendment, its mission being to formulate and engage in carrying out schemes for alteration and bringing about equality for women via regulation within the political mechanisms and social strategies of liberal democracy. (Coppock et al., 2014)Postfeminism repudiates the egalitarian doctrines of feminism, becoming established as an ideological system in an epoch in which democratic fairness has coagulated into entitlism, substantially developing in the framework of influential antidemocratic propensities. The choices, chances, and incentives undergone by women in postfeminist media ensue to a gilt-edged group in possession of substantial informational, social, and financial resources. Postfeminism represses flexibility, furthering hindrance and the compliance to normative patterns of distinctiveness (Buchely, 2016; O'Neill, 2015; Zaharia and Zaharia, 2015) even while publicizing self-improving consumerism. Postfeminism flourishes on restlessness about aging, revamping the latter among a diversity of generational clusters and encompassing the possibility of age evasion. Postfeminism directs representational attention on household, time, labor, and consumer culture, and is likely to generate accounts and pictures that signify female apprehension and imagine female emancipation in these spheres. Retreatism is an essential social routine of postfeminist culture, being both vag","PeriodicalId":342957,"journal":{"name":"Journal of Research in Gender Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122217554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs10220204

C. Duncan

引用次数: 7

The Road to Mandalay: Orientalism, "Burma Girls" and Western Music 曼德勒之路:东方主义、“缅甸女孩”与西方音乐

Journal of Research in Gender Studies Pub Date : 1900-01-01 DOI: 10.22381/jrgs6120165

Andrew Selth

{"title":"The Road to Mandalay: Orientalism, \"Burma Girls\" and Western Music","authors":"Andrew Selth","doi":"10.22381/jrgs6120165","DOIUrl":"https://doi.org/10.22381/jrgs6120165","url":null,"abstract":"Over the past 70 years, considerable attention has been paid to the ways in which Burma was portrayed during the colonial era (1826-1948). However, to date no-one has looked in a systematic way at how Western music played a role in influencing and reflecting popular perceptions. This is curious, as during the nineteenth and early twentieth centuries music was a powerful cultural vector, strongly affecting public attitudes to foreign places and events. Images of the \"Orient,\" and of Oriental women in particular, were conveyed thr ough songs a nd popular ent ertainments. T o a sur pr ising ext ent, this included portrayals of Burma, and \"Burma girls.\" From the publication of Rudyard Kipling's enor mously popular ballad \"Mandalay\" in 1890, until Burma regained its independence from Britain in 1948, more than 180 songs and tunes were published with Burmese themes, helping to create a codified image of Burma's women as demure, attractive and available. In doing so, however, these compositions probably revealed as much about contemporary Western society as they did about the \"Far East.\"The Research ProblemFor decades, scholars and commentators have tried to answer the questions: how was colonial Burma perceived in and by the Western world, how did people in countries like the United Kingdom (UK) and United States (US) form their views, and how were they manifested?Historians led the way, not only by infor ming Western audiences about developments in Burma but also by describing how European contacts over the centuries gave rise to a wide range of myths and misconceptions.1 Other social scient ists ma de useful contributions. In 1985, for example, Josef Silverstein discussed the portrayal of Burma in a number of novels by European and American authors.2 Clive Christie and Stephen Keck later surveyed the travel literature produced during the colonial period, and weighed its impact on Western perceptions of Burma.3 Deborah Boyer searched through Victorian-era periodicals for references to Burma and its role in the British Empire.4 In 2009, this author examined the way in which Burma had been represented in Hollywood movies and how this might have influenced views of the countr y. 5 Others ha ve comment ed on the paintings of Bur ma a nd Burmese people produced by British artists during the colonial period. 6 Engravings, photographs and picture postcards also influenced the way in which Burma was seen in the UK, US and elsewhere.7To date, however, no-one has looked in a systematic way at how Western views of colonial Burma were influenced by popular music. Indeed, music has been absent from almost all overviews of the country.8 This is surprising, as during the nineteenth and early twentieth centuries songs and tunes were powerful cultural vectors, highly influential in shaping not only attitudes to domestic developments but also perceptions of foreign places and events.9 As well as live performances, both in public and in private, broadsides and commercia","PeriodicalId":342957,"journal":{"name":"Journal of Research in Gender Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133526024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3