{"title":"The Postfeminist Turn in the Artist Novel by Women:","authors":"","doi":"10.2307/j.ctv1nh3kvg.5","DOIUrl":"https://doi.org/10.2307/j.ctv1nh3kvg.5","url":null,"abstract":"","PeriodicalId":342081,"journal":{"name":"Between Market and Myth","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127047388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3. The Art Historian as Neoliberal Subject in Lourdes Ortiz’s Las manos de Velázquez and Paloma Díaz-Mas’s El sueño de Venecia","authors":"","doi":"10.36019/9781684482252-004","DOIUrl":"https://doi.org/10.36019/9781684482252-004","url":null,"abstract":"","PeriodicalId":342081,"journal":{"name":"Between Market and Myth","volume":"180 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133403490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}