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The politics of poetry : piano hero (2011/2017) by Stefan Prins 《诗歌的政治:钢琴英雄》(2011/2017)作者:斯蒂芬·普林斯
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/9788833395372
Anne Holzmuller
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引用次数: 0
Timbre, gesture, communication and musical meaning in some recent works by Ondřej Adámek Ondřej Adámek近期作品的音色、手势、交流和音乐意义
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/97888333972141
C. Benzi
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引用次数: 0
Vectoriality and protension vs symmetries and endless processes in minimalist music : some reflections stemming from the analysis of the sketches of Steve Reich's It's Gonna Rain 极简主义音乐中的矢量性和延伸性vs对称性和无尽的过程:对Steve Reich的《It’s Gonna Rain》草图分析的一些思考
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/97888674173089
Giacomo Albert
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引用次数: 0
Staging technology : composing with and within digital everyday life 舞台技术:在数字日常生活中创作
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/9788833395377
Fabian Czolbe
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引用次数: 0
Transmedial aesthetics and mimetic models in the music of Panayiotis Kokoras 科科拉斯音乐中的跨媒介美学与模仿模式
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/9788833395376
Landon Morrison
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引用次数: 0
Mediations and voice-body technologies in the stage works of Du Yun 杜云舞台作品中的冥想与声体技术
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/97888333957913
Francesca Placanica
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引用次数: 0
Formal tension in Energetics and beyond 《能量学》及其后的形式张力
Nuove Musiche Pub Date : 1900-01-01 DOI: 10.12871/97888674173086
A. Cecchi
{"title":"Formal tension in Energetics and beyond","authors":"A. Cecchi","doi":"10.12871/97888674173086","DOIUrl":"https://doi.org/10.12871/97888674173086","url":null,"abstract":"The article examines different uses and meanings of such concepts as “force”, “energy” and “tension” within the music-theoretical framework of Energetics (1910-1935). It firstly compares the energetic vocabulary of three main authors – Heinrich Schenker, August Halm and Ernst Kurth – so as to test possible applications even beyond tonal harmony. In this respect, Kurth’s defi nition and discussion of “formal tension” is striking insofar as it mainly involves so-called “secondary” parameters (register, dynamics, instrumental density, timbre), thus overshadowing the role of melodic construction and harmonic processes – even though tonal harmony is always present in the musical works he analyses (particularly Bruckner’s symphonies). The article also retraces the use of energetic concepts both among Kurth’s followers (Hans Mersmann and Kurt Westphal) and in authors of different German-speaking music-theoretical traditions (Hugo Leichtentritt, Arnold Schoenberg, Erwin Ratz and Theodor W. Adorno) insofar as they are infl uenced by Energetics. These concepts emerge exclusively in relation to tonal music, with particular emphasis on late-romantic and early-modern symphonic works by Bruckner and Mahler.","PeriodicalId":340862,"journal":{"name":"Nuove Musiche","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114958767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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