Middle Ages without borders: a conversation on medievalism最新文献

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3) Escapism through animal nature: leaving human politics in the Book of Merlyn 3)动物本性的逃避:《梅林之书》中的人类政治
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28122
Justine Breton
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引用次数: 0
3) Replicating Michelangelo: anti-modern and postmodern monuments in Los Angeles and Paris 3)复制米开朗基罗:洛杉矶和巴黎的反现代和后现代纪念碑
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28322
James Fishburne
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引用次数: 0
2) The Landshut wedding 1475: to experience the Middle Ages 1475年兰茨胡特婚礼:体验中世纪
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28475
Dušan Zupka
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引用次数: 0
1) « Nouveau Moyen Âge », « Retour au/du Moyen Âge » et consorts : réflexions sur des formules persistantes (début XIXe-XXIe siècle) 1)《新中世纪》、《回到中世纪》等:对持久公式的反思(19世纪初至21世纪初)
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28002
Laurent Broche
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引用次数: 0
Crociate, storiografia e politica: sentieri che si biforcano e destini incrociati 十字军东征、历史和政治——分叉的道路和交叉的命运
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.18714
A. Barbero
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引用次数: 0
3) Medioevo digitale, medioevo più vicino: il caso della nuova Digital Library ad accesso libero della Veneranda Biblioteca Ambrosiana (3)数字中世纪,最近的中世纪:安布罗西亚图书馆的新免费数字图书馆
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28442
F. Cusimano
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引用次数: 0
3) « Chroniques barbares » : utilisations et réception du Moyen Âge scandinave dans les magazines de musique métal 3)“野蛮编年史”:中世纪斯堪的纳维亚金属音乐杂志的使用和接受
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28540
Simon Théodore
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引用次数: 0
3) Medieval monuments and modern nations in the Mediterranean 3)地中海的中世纪纪念碑和现代国家
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.27980
Heather E. Grossman
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引用次数: 0
Editor's note / Nota dell’editore / Note de l’éditeur 编辑的笔记/编辑的笔记/编辑的笔记
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.19275
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引用次数: 0
1) The Middle Ages as identity marker in heavy metal: the Spanish case 1)中世纪作为重金属的身份标记:以西班牙为例
Middle Ages without borders: a conversation on medievalism Pub Date : 1900-01-01 DOI: 10.4000/books.efr.28525
Amaranta Saguar
{"title":"1) The Middle Ages as identity marker in heavy metal: the Spanish case","authors":"Amaranta Saguar","doi":"10.4000/books.efr.28525","DOIUrl":"https://doi.org/10.4000/books.efr.28525","url":null,"abstract":"Medievalism is not alien to heavy metal music. It is actually a prominent feature of two of its most successful subgenres, power metal and pagan metal, and it recurs in the aesthetics and the lyrics of black metal and, characteristically, classical heavy metal bands. Warriors, knights, sorcerers, minstrels, and the whole cast of contemporary popular medievalising fiction, TV-series and cinema alternate with Norse, Anglo-Saxon and, sometimes, plain continental Germanic mythology, ballads, epic poetry, Crusaders, Vikings, and many other supposedly more historical topics. I will not be commenting here on the reasons behind this fascination of heavy metal for the Middle Ages. A taste for epicism tightly bound to celebratory masculinity, a longing for a simpler, nobler or freer, and more fulfilling lifestyle, or simply a morbid interest in the darkest aspects of the Dark Ages myth are frequently cited as the most likely sources, although it is even more likely that heavy metal medievalism has ended up evolving into a mere rhetorical device, at least in some subgenres. However, none of these reasons explains the apparent urge to reappropriate the Middle Ages that can be felt in heavy metal nowadays. At least since the last decade of the twentieth century, bands have started to move away from the generic, pop-culture medievalism of the old days, and to vindicate historical authenticity, which, how Simon Trafford implied at a conference in London some weeks ago, does not necessarily have anything to do with actual historical accuracy. Moreover, particularly among peripheral, that is, non-AngloAmerican metal bands, this historicising tendency also manifests as a naturalising one, evidenced by the rejection of foreign medieval topics in favour of national, regional","PeriodicalId":340095,"journal":{"name":"Middle Ages without borders: a conversation on medievalism","volume":"85 5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123283689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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