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{"title":"Conclusion: Artistic Fiction and the Thought of Eternal Return","authors":"","doi":"10.5040/9781350176126.0008","DOIUrl":"https://doi.org/10.5040/9781350176126.0008","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128412400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kafka’s Castle: A Case Study—Conceptual Inexistence and Obscure Value","authors":"","doi":"10.5040/9781350176126.ch-006","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-006","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117145121","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Power and the (In)Visible: Foucault and Deleuze","authors":"","doi":"10.5040/9781350176126.ch-001","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-001","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126162841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Dreams: The Eclipse of the Day and its Incessant Return","authors":"","doi":"10.5040/9781350176126.ch-003","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-003","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124068911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literature’s Radical Reversal: From Absence of Origin to Deterritorialized Future","authors":"","doi":"10.5040/9781350176126.ch-005","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-005","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126327048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: How the True World Finally Became a Bad Film","authors":"","doi":"10.5040/9781350176126.0007","DOIUrl":"https://doi.org/10.5040/9781350176126.0007","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134182749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Conceptual Composition of the Work of Art: Chaos and the Outside","authors":"","doi":"10.5040/9781350176126.ch-004","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-004","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128258000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Radical Reversals of Cinematic Art: The Dissociative Force of Blanchot’s Outside in Deleuze’s Time-Image","authors":"","doi":"10.5040/9781350176126.ch-008","DOIUrl":"https://doi.org/10.5040/9781350176126.ch-008","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130195159","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Glossary","authors":"","doi":"10.5040/9781350176126.0009","DOIUrl":"https://doi.org/10.5040/9781350176126.0009","url":null,"abstract":"","PeriodicalId":339190,"journal":{"name":"Cinematic Art and Reversals of Power","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124318746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}