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Misulsa Yeongu : Journal of Art History最新文献

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The Political Character and Implications of Zhu Yun’s Breaking the Balustrade and King Sukjong’s Accompanying Poem 朱云《断栏杆》与肃宗王随笔诗的政治性质与意蕴
Misulsa Yeongu : Journal of Art History Pub Date : 2022-12-31 DOI: 10.52799/jah.2022.12.43.91
Youngwook Kim
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引用次数: 0
A Study on Moon Shin’s Time Abroad in Japan: The Potential of its Influence on His Early Works from the 1940s to the 1950s 文信在日本的旅居期研究:对他20世纪40年代至50年代早期作品的潜在影响
Misulsa Yeongu : Journal of Art History Pub Date : 2022-12-31 DOI: 10.52799/jah.2022.12.43.7
Jiyoung Kim
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引用次数: 0
김리나, 『한국의 불교조각』 (사회평론아카데미, 2020); 『미술의 교류: 아시아의 조각과 공예』 (경인문화사, 2020) 金丽娜，《韩国佛教雕刻》(社会评论学院，2020);《美术的交流:亚洲的雕刻与工艺》(京仁文化史，2020)
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.201
亨旭 許
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引用次数: 0
A New Perspective on the Creation of Portrait of Yi Jehyeon 李济贤肖像创作的新视角
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.177
Minkyung Ji
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引用次数: 0
A Study of the Sinjohyeongpa (Neo-formative Art Group) in the 1950’s Korean Total Art Group: Focusing on Beun Youngwon 20世纪50年代韩国整体艺术团体中的新造型派研究——以范永元为中心
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.105
E. Kang
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引用次数: 0
A Study on Eojwa (The Royal Throne) in Late Joseon Dynasty 朝鲜末年皇位研究
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.7
S. Jae
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引用次数: 0
A Study on Modern Korean Gosa Inmulhwa Folding Screens: The Gosa Inmuldo by Han Yudong 现代韩国Gosa Inmulhwa屏风研究——韩玉东的《Gosa Inmuldo》
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.79
Jung C. Chang
{"title":"A Study on Modern Korean Gosa Inmulhwa Folding Screens: The Gosa Inmuldo by Han Yudong","authors":"Jung C. Chang","doi":"10.52799/jah.2022.06.42.79","DOIUrl":"https://doi.org/10.52799/jah.2022.06.42.79","url":null,"abstract":"","PeriodicalId":338650,"journal":{"name":"Misulsa Yeongu : Journal of Art History","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131422480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Establishment and Development of the Iconography of Ancient Chinese Bhaisajyaguru Buddha Statues 中国古代菩萨造像学的建立与发展
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.135
Hyeonguk Huh(Heo)
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引用次数: 0
Kim Taeseok’s Calligraphy and Seal Engraving (Jeongak) and His Influence in the 1930s: The Case of the Namyoo Inbo 金太石的书法篆刻(正刻)及其在20世纪30年代的影响——以《南留仁宝》为例
Misulsa Yeongu : Journal of Art History Pub Date : 2022-06-30 DOI: 10.52799/jah.2022.06.42.41
Jibok Yoo
{"title":"Kim Taeseok’s Calligraphy and Seal Engraving (Jeongak) and His Influence in the 1930s: The Case of the Namyoo Inbo","authors":"Jibok Yoo","doi":"10.52799/jah.2022.06.42.41","DOIUrl":"https://doi.org/10.52799/jah.2022.06.42.41","url":null,"abstract":"","PeriodicalId":338650,"journal":{"name":"Misulsa Yeongu : Journal of Art History","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122076722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Social Implications of the Factory Motif in Camille Pissarro’s Landscape Paintings of the 1870s 毕沙罗19世纪70年代风景画中工厂主题的社会含义
Misulsa Yeongu : Journal of Art History Pub Date : 2021-12-31 DOI: 10.52799/jah.2021.12.41.277
Kwi-Jin Kim
{"title":"The Social Implications of the Factory Motif in Camille Pissarro’s Landscape Paintings of the 1870s","authors":"Kwi-Jin Kim","doi":"10.52799/jah.2021.12.41.277","DOIUrl":"https://doi.org/10.52799/jah.2021.12.41.277","url":null,"abstract":"","PeriodicalId":338650,"journal":{"name":"Misulsa Yeongu : Journal of Art History","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114278263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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