Urban Rehearsals and Novel Plots in the Early American City最新文献

Kelroy’s Shifting City 凯洛伊的移动之城

Urban Rehearsals and Novel Plots in the Early American City Pub Date : 2021-10-21 DOI: 10.1093/oso/9780192846211.003.0009

Betsy Klimasmith

{"title":"Kelroy’s Shifting City","authors":"Betsy Klimasmith","doi":"10.1093/oso/9780192846211.003.0009","DOIUrl":"https://doi.org/10.1093/oso/9780192846211.003.0009","url":null,"abstract":"Chapter 6, “Kelroy’s Shifting City,” centers on Rebecca Rush’s 1812 Philadelphia novel Kelroy, which charts Philadelphia’s transition from a cosmopolitan urbanity where family, blood, and inheritance are reliable indicators of class and status, to a more fluid and performative urbanity. In Kelroy, Rebecca Rush constructs—and distorts—a Philadelphia of the past that offers a useful window on fantasies and anxieties about US urban life and urban spaces on the cusp of great political and cultural change. Set in 1790s Philadelphia, which by 1812 was fading into memory, Kelroy actively frames and fictionalizes a vision of a past Philadelphia that looks toward a different future than earlier authors imagined. Kelroy teaches cosmopolitan codes of gentility but violently undermines them as well. The novel thus reveals and emphasizes the limits of self-making, especially for the women, immigrants, and working-class people who might benefit most from performative modes of status and power. Kelroy gestures toward a developing US urbanity that includes characters of diverse classes, races, and ethnicities, but paradoxically reasserts the power of white men, foreshadowing dynamics that would structure the literature and culture of the Jacksonian period.","PeriodicalId":337764,"journal":{"name":"Urban Rehearsals and Novel Plots in the Early American City","volume":"230 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121179517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Entr’acte 幕间休息

Urban Rehearsals and Novel Plots in the Early American City Pub Date : 2021-10-21 DOI: 10.14321/j.ctv8j756.11

Betsy Klimasmith

引用次数: 0

Drama Uncloseted in Boston 波士顿的戏剧揭秘

Urban Rehearsals and Novel Plots in the Early American City Pub Date : 2021-10-21 DOI: 10.1093/oso/9780192846211.003.0003

Betsy Klimasmith

{"title":"Drama Uncloseted in Boston","authors":"Betsy Klimasmith","doi":"10.1093/oso/9780192846211.003.0003","DOIUrl":"https://doi.org/10.1093/oso/9780192846211.003.0003","url":null,"abstract":"Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where public theater remained illegal. These texts offer a fascinating case study of the formally diverse and multivocal print culture in which cosmopolitan culture clashed with new ideas about American urbanity. The epistolary novel emerged as a form concerned not with the past or present, I argue, but with the future—a future that writes out of existence the varied voices, especially female and Black voices, present in the plays, poetry, and papers.","PeriodicalId":337764,"journal":{"name":"Urban Rehearsals and Novel Plots in the Early American City","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122240495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Obliged to Wander 被迫流浪

Urban Rehearsals and Novel Plots in the Early American City Pub Date : 2021-10-21 DOI: 10.1093/oso/9780192846211.003.0008

Betsy Klimasmith

{"title":"Obliged to Wander","authors":"Betsy Klimasmith","doi":"10.1093/oso/9780192846211.003.0008","DOIUrl":"https://doi.org/10.1093/oso/9780192846211.003.0008","url":null,"abstract":"Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gender and genre expectations to construct the liminal city as a space of active self-making for women as writers, readers, and characters; the texts both highlight this space’s potential and foreshadow its end.","PeriodicalId":337764,"journal":{"name":"Urban Rehearsals and Novel Plots in the Early American City","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124947466","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0