被迫流浪

Betsy Klimasmith
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引用次数: 0

摘要

文雅不只是通过管道或印刷品传播。它还通过人们的流动身体传播,这些人沉浸在不熟悉的文化中,把他们对这些新文化的理解带到其他环境中,并重新适应它们。第五章,“被迫流浪”,聚焦于两部几乎被遗忘的小说,它们探索了城市内部和城市之间的女性运动:莎莉·赛沃德·巴瑞尔·基廷·伍德的《多瓦尔》(1800)和玛莎·里德的《莫妮玛》(1802)。通过自由和被迫的流动,这些小说的主人公穿越了许多发展中城市,包括波士顿、纽约和费城;居住在从宫殿到监狱的各种城市家庭和机构环境中;并呼吁关注城市贫困的复杂原因。他们还走出美国,来到欧洲、美洲和圣多明各,将女性定位为城市传播和转型的关键参与者。在此过程中,Dorval和Monima修正了性别和类型期望,将阈值城市构建为女性作为作家、读者和角色积极自我创造的空间;文本既强调了这个空间的潜力,又预示了它的终结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Obliged to Wander
Urbanity did not just travel through pipes or print. It also spread via the mobile bodies of people who immersed themselves in unfamiliar cultures, carried their versions of these new cultures to other settings, and adapted them anew. Chapter 5, “Obliged to Wander,” focuses on two largely forgotten novels that explore women’s movement within and among cites: Sally Sayward Barrell Keating Wood’s Dorval, or the Speculator (1800), and Martha Read’s Monima, or the Beggar Girl (1802). Through mobility both free and forced, these novels’ protagonists traverse numerous developing cities including Boston, New York, and Philadelphia; inhabit a variety of urban domestic and institutional settings ranging from palaces to prisons; and call attention to the complex causes of urban poverty. They also move outside of the US to Europe, the Americas, and San Domingo, positioning women as key participants in the dissemination and transformation of urbanity. In so doing, Dorval and Monima revise gender and genre expectations to construct the liminal city as a space of active self-making for women as writers, readers, and characters; the texts both highlight this space’s potential and foreshadow its end.
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