Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo最新文献

{"title":"Emotional Intelligence of a Pianist-Accompanist (on the Example of C. Franck's Violin Sonata Performed by Martha Argerich)","authors":"M. Obolenska","doi":"10.31866/2616-7581.5.2.2022.269639","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269639","url":null,"abstract":"The purpose of the research is to identify the regularities of emotional intelligence in the process of concert activity of a pianist-accompanist. Emotional intelligence is a powerful means of communication between a pianist-accompanist and a soloist. Understanding the mechanisms of such psychological activity and their implementation in the creative process is an essential condition for the professional literacy of the accompanist. The research methodology. The main tool in the research is the method of analytical observation, which is based on the comparison of stationary and variable data. The fixed data are a piece of music and a pianist e. g. violin sonata by C. Franck and M. Argerich. The variables are different soloists, musical instruments, years of performance, and the presence of the audience. The scientific novelty of the research. The article considers 15 performing versions of the sonata. The analysis of interpretations focuses on two semantic planes: general parameters of the work and strategic places in the sonata. The general parameters are the tempos of the sonata’s parts, the integrity of the work from the point of view of the thorough development, the distribution of roles in the ensemble, and the degree of contact between the accompanist and the soloist. The strategic points of the sonata include piano entrances and losses, culminations, leitmotifs (the degree of flexibility of the intonation in relation to the soloist’s presentation), and some pianistically and ensemble difficult places. Conclusions. The interpretations are classified by the degree of inclusion of the accompanist in the artistic process. Depending on the strictness of following the author’s text and the intensity of the soloist's individuality, 3 types are distinguished: classical (the lowest degree of inclusion of emotional intelligence), romantic (the average degree of activity), and expressionist (the highest activity of emotional intelligence).","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42214762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Chamber Choir \"Moravski\": History, Achievements, Present Day","authors":"O. Kravchuk","doi":"10.31866/2616-7581.5.2.2022.269684","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269684","url":null,"abstract":"The purpose of the research is to study the history of the chamber choir “Moravski” formation, creative, performing, and popularizing activities as a bright representative of modern Ukrainian amateur choral art. The research methodology is based on the use of empirical methods (chronological, descriptive, analytical), as well as methods of generalization and systematization, historical and cultural methods, which allowed to outline the history of the group's formation and creative and performing activities in the modern domestic choral art in chronology. The scientific novelty of the research lies in the fact that for the first time in the cultural and musical scientific space, the stages of chamber choir “Moravski” formation are studied, and creative and performing achievements are outlined through the prism of modern choral performance in Ukraine. Conclusions. The activity of the chamber choir “Moravski” is, first of all, the need of the young Ukrainian society in the development of national culture, and secondly, the popularization of national culture and national ideas through choral singing for the mass audience both in Ukraine and abroad. The revival of the amateur choral movement in Ukraine testifies to the need of the society for highly intellectual activity, where the choir has ceased to be a transmitter of political ideology and has regained the diversity of artistic activity. Therefore, the emergence and development of amateur art lead to an increase in the level of cultural awareness of the nation and the strengthening of intercultural, interethnic ties.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44283471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Improvement of Classical Music Sound Conditions by Simulating Changes in Concert Hall Acoustics","authors":"O. Voitovych","doi":"10.31866/2616-7581.5.2.2022.269643","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269643","url":null,"abstract":"The purpose of the research is to propose a method of acoustic research of concert halls to improve the classical music sound conditions with the help of innovative computer technologies. The research methodology is as follows: to improve the sound conditions of classical music, a computer simulation method is proposed, which involves the use of specialized software. The method of subjective evaluation through the criteria of the established sample is used to systematize the results of the study. The comparative method was used to analyze the sound of audio materials of the created spatial sound images of the orchestral music sample. The scientific novelty of the research is that it presents a methodology of acoustic research for the environment, in particular concert halls, which arose as a result of changes in the acoustic conditions of classical music. Conclusions. As a result of the experiment, the main goal was achieved – to improve the sound conditions of classical music. The result was achieved by modeling changes in the acoustics of the concert hall. The use of this methodology can be recommended during the research of existing and projected concert halls. In further studies, the use of diffusers with low absorption coefficients in the lower frequency band can be recommended. It should also be noted that interference with the interior of a historic building should be discreet, as this may cause dissatisfaction among the authorities controlling heritage preservation.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42775941","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"М. Lysenko's Christmas Kontakion “Today the Virgin Gives Birth to the Transcendent One”: Technical Characteristics, Performance Features","authors":"Mstyslav Yurchenko","doi":"10.31866/2616-7581.5.2.2022.269645","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269645","url":null,"abstract":"The purpose of the research is to introduce into scientific circulation one of the most significant spiritual and musical works of Mykola Lysenko, the Christmas kontakion “Today the Virgin Gives Birth to the Transcendent One”. The research methodology. The author of the research uses a structural-functional method to analyse the musical material, as well as a comparative-historical method to explain the original transformation of biblical texts by the composer, which fits into the general spiritually oriented methodological system. The scientific novelty of the research. The article offers a musicological and performing analysis of one of the composer's brightest spiritual works, the Christmas kontakion “Today the Virgin Gives Birth to the Transcendent One”, with the aim of introducing it into scientific circulation. Conclusions. The analysis of the structure of the work, musical and performing means has shown that M. Lysenko, in his work on the ancient church melody of the Christmas kontakion in the chant version of the Kyiv Pechersk Lavra, significantly changed the melody of the original. So much so that he completely rethought the content concept of church chanting. In the composer's version, the festive chant of the Nativity of Christ took on the meaning of a world event that changed the world order due to its significance. The church singing turned into a choral concert with vivid contrasting episodes in which the events of Christmas are conveyed as separate pictures, emphasising their significance for humanity and depicting the nativity characters in a pronounced and almost cinematic way. The composer used a wide range of musical means: original interpretation of the form (fugue elements), extensive use of textural contrasts (solo episodes, choral unisons), strong tonal movement (deviation to the third degree of kinship), expressive choral fingering.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46440575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Boris Hmyria as an Outstanding Interpreter of Heroic Characters in the Ukrainian Opera Repertoire","authors":"N. Krechko, Yaroslav Komarnitskyi","doi":"10.31866/2616-7581.5.2.2022.269687","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269687","url":null,"abstract":"The purpose of the study is to investigate the performing creativity of Borys Hmyria in the context of interpreting the artistic characters of Ukrainian opera repertoire. The research methodology is based on the following methods: analysis of B. Hmyria’s vocal and figurative sphere, which allowed us to explore the principles of interpretive approaches; synthesis, which contributes to the comprehension of the singer’s essential views on working with the artistic character. In the process of searching and analyzing the relevant literature, the music-theoretical and source studies methods were applied. To substantiate the conclusions, the comparative-analytical method was used, which together made it possible to study the process of the creative and performing activity in a certain dynamics and chronological sequence. The scientific novelty of the research is to study the individual artistic interpretation of the Ukrainian opera repertoire in the context of understanding the meaning of national self-identification through the search for a historically and psychologically true image of the national hero, combining human traits close to the listener and philosophical generalization. Conclusions. The study of professional experience, immersion methods in the artistic character, and the use of expressive performing elements of such an outstanding master as B. Hmyria are important means of preserving national performing traditions and improving the professional skills of young singers. B. Hmyrya’s views on the search for the inner meaning of the character demonstrate an intellectual and analytical approach and true professional depth. The heroic characters of the Ukrainian Cossacks were especially close to the singer because he drew inspiration while working on them from the national history, culture, and traditions, which the master plunged with great interest and sincerity. It was important for B. Hmyria that the viewer who came to the theater saw on the stage a close to him, humane and at the same time heroic and epic character, which thanks to art rises to a high level of philosophical generalization.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42650714","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Hugo Wolf’s Embodiment of Johann Wolfgang Goethe’s Humanistic Views in the Vocal Collection Goethe-Lieder","authors":"Sviatoslav Vynnyk","doi":"10.31866/2616-7581.5.2.2022.269665","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269665","url":null,"abstract":"The purpose of the research is to study the basic principles of G. Wolf’s embodiment of J. W. Goethe’s humanistic views in the songs from the vocal collection Goethe-Lieder written for baritone voice – three songs of the Harpist and the monologue “Prometheus”. The research methodology consists in the analysis of musical and expressive means and their symbolism, with the help of which Hugo Wolf created the images and characters of J. W. Goethe’s heroes. The scientific novelty of the research. For the first time in Ukrainian musicology, the characteristic musical and expressive features of H. Wolf’s vocal works from the collection Goethe-Lieder for baritone voice, with the help of which the composer embodied the humanistic ideas of J. W. Goethe, are investigated. Conclusions. Through the depiction of the inner world of his heroes, the poet illuminates important moral and humanistic themes. In the Goethe-Lieder collection, the composer implements the humanistic ideas of J. W. Goethe with the help of means of musical expressiveness. He embodies his main worldview ideas in the poetic images of the suffering Harpist and the rebellious Prometheus. Every image created by Goethe gets a new meaning from Wolf. For him, the main source of the embodiment of musical thought is the poetic word. For the composer, the persuasiveness of vocal writing lies in the original melody. Harmony, texture, dynamics, and agogics, which he gives a certain meaning, acquire special importance in the creation of musical and poetic images. As a result, these tools acquire a symbolic meaning for revealing the created images. Developing the traditions of his predecessors (R. Schumann, F. Liszt, R. Wagner) with musical and expressive means, the composer strengthens the poetic word and gives it a deeper interpretation.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46971440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Status and Types of Quotations in a Musical Text","authors":"B. Siuta","doi":"10.31866/2616-7581.5.2.2022.269640","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269640","url":null,"abstract":"The purpose of the research is to reveal the issues that highlight the status of the quotation in the musical text, as well as the problems of identification, recognition and readability of quotations of different types; to investigate the perception of the quoted material as another, alien in the flow of the author’s speech, which is the essence of the quotation. Identification of a quotation, problems of its readability and recognizability, the semantics contained in the quotation, including in the text the meanings of “others”, and “other texts” and building an intertextual strategy in the process of perceiving the text with the implementation of fragments of other texts have not been sufficiently and incompletely studied, and the results of these studies have not been properly systematized. The research methodology. Some methods are involved for the optimal solution of the tasks, among which the main ones are the source, systematic, comparative and terminological. The scientific novelty of the research. For the first time in Ukrainian musicology, the text-creating potential of quotations in a musical work is characterized, their status is determined, and the main types of quotations in music are described. Conclusions. The quotation in music is an effective means of diversifying the text of the work, enriching the meanings used, and adjusting the meanings formed. Taking into account the provisions of modern receptive poetics, we state that the quotation should be considered the textual material that is perceived by the listener as different from the main material of speech, alien in style, type of transmitted meanings or semantics, as a carrier of a different functional and stylistic code. The issues of readability of the quotation and its identification are important. Therefore, the appropriate and accurately readable form of quotation is put forward to the forefront in the perception of musical works with quotations.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48270095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Update of Linear and Non-linear Notation Systems in Modern Choral Performance","authors":"E. Arefieva","doi":"10.31866/2616-7581.5.2.2022.269680","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269680","url":null,"abstract":"The purpose of the research is to carry out a comparative analysis of the nonlinearity concepts in architecture and music; to determine the prospects for the transformation of nonlinear notation systems in postmodern music using the technique of genetic algorithm. The relevance of the problem of explicating the concepts of nonlinear discourse in music, particularly in the system of choral performance, based on the analysis of the correlation of pre-linear and post-linear notation systems is emphasized. The research methodology is determined by comparative and systematic approaches, which allow for a comparative analysis of notation systems and verbal discourse. The scientific novelty of the research. The naive ontologism, which characterizes the models of genetic algorithms in the context of the new natural philosophy of creativity, changes the paradigm of artistic information descriptions. In music, the phenomenon of natural reproduction was marked by an appeal to the primary nature – voice, sound, and monodies. After all, such a naive ontological description is unproductive. Conclusions. The newest reality of form creation is being formed, making it possible to understand the categories of decomposition, deconstruction, the pathos of destruction and, simultaneously, the search for harmony. There are peculiar metaphors and allegories, which only emphasize the chaosogenic nature of the formation, indicating that this process is unconscious, and fits into a sufficiently structured continuum of biopopulations. All this can be noted as an analogue of natural and cultural realities and determine their “consonance”. Modern choral performance, unfortunately, is not focused on the multidimensionality of the word and its logistic deep cultural meaning. It is necessary to get out of the situation of the disorder of individual interpretations, where the spirit of the individual does not become a personality, a cathedral personality, in particular the performing, choral, and group professionalism, which has passed a huge school of monasticism, and cultural history.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48964660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ukrainian Discography of the Soviet Enslavement Period: Main Trends","authors":"A. Bondarenko","doi":"10.31866/2616-7581.5.2.2022.269682","DOIUrl":"https://doi.org/10.31866/2616-7581.5.2.2022.269682","url":null,"abstract":"The purpose of the research is to analyze the available array of information about gramophone records with works by Ukrainian composers issued in the USSR, to identify their genre diversity, the range of personalities and to assess the scale of ideological influence of the Soviet nomenclature. The research methodology is based on statistical analysis of data using Excel program. The scientific novelty of the research. Statistical analysis of the total discography of Ukrainian music is applied for the first time. Conclusions. At the outlined stage of research, an array of gramophone records of Ukrainian authors published from 1926 to 1980, which covers about 126 releases, is available for statistical analysis The analysis shows that the discographies of M. Lysenko, I. Shamo and A. Kos-Anatolskyi have the largest number of releases among Ukrainian authors. The most frequently released works were in the song and choral genres – about 2/3 of the entire assortment, the rest are operas and pieces from operas, chamber-instrumental, symphonic, ensemble works, works for bandura choir and bandura ensembles. Soviet-communist themes constitute up to 10% of the entire range of gramophone records, with the largest share in the choral genre (about 30%). It is shown that the overwhelming majority of composers who lived during the Soviet enslavement had more than 15 released recordings of works only if at least one of them was of Soviet-communist themes. The vast majority of composers whose works were released on records are men, and the authors of recorded works of Soviet themes are exclusively men.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46077007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Repertoire Palette of Foreign Folk Choir Groups","authors":"O. Skoptsova, Nataliia Pertsova","doi":"10.31866/2616-7581.5.1.2022.258154","DOIUrl":"https://doi.org/10.31866/2616-7581.5.1.2022.258154","url":null,"abstract":"The purpose of the research is to study the specifics of the repertoire palette of foreign folk choirs. Achieving the goal involves determining not only the features of the current repertoire preferences of leading groups but also the prospects that may open up in view of the transformation of listeners' preferences and the demands of today’s audience. The research methodology, while determining the specifics of the repertoire of foreign folk choirs, involves the use of the method of synthesis, which outlines the range of works to which choirmasters turn. The method of analysis is used to study the specifics of the interpretation of folk sources by choirs. The scientific novelty of the research is the selection of foreign folk choirs that operate in Scotland, Britain, France, USA; defining their repertoire palette. Conclusions. The vocal style of the performers and the repertoire are of dominant importance in the formation of the creative face of the ensemble. The study of folk choirs that operate abroad, shows a significant spread of such compositions. Folk choirs were formed in Scotland, Great Britain, France and the USA. Their repertoire consists of folk songs (Celtic, Scottish, Gaelic) and original works, which testifies to the universality and diversity of groups. Some choirs use folk and academic vocal style, where the choice of one or another is determined by the repertoire. Attempts to fully reproduce the folklore layer of musical culture can be traced in the preservation of folk vocal style, type of voting, the fricative basis in the arrangements and so on. Promoting Ukrainian folklore as part of the repertoire of foreign folk choirs is seen as a promising direction. This will contribute to its dissemination, which is important for the preservation of the cultural heritage of the Ukrainian people.","PeriodicalId":33441,"journal":{"name":"Visnik Kiyivs''kogo natsional''nogo universitetu kul''turi i mistetstv Seriia Muzichne mistetstvo","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41516498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}