Revista Alicantina de Estudios Ingleses最新文献

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Dramatic Representation of Trench Space as an ‘Experiential Ruin’ in R.C. Sherriff’s Journey’s End and Sean O’Casey’s The Silver Tassie R.C.Sherriff的《旅程的尽头》和Sean O’Casey的《银色塔西》中对堑壕空间作为“体验性废墟”的戏剧性再现
IF 0.4
Revista Alicantina de Estudios Ingleses Pub Date : 2018-12-15 DOI: 10.14198/RAEI.2018.31.05
Jonathan Patterson
{"title":"Dramatic Representation of Trench Space as an ‘Experiential Ruin’ in R.C. Sherriff’s Journey’s End and Sean O’Casey’s The Silver Tassie","authors":"Jonathan Patterson","doi":"10.14198/RAEI.2018.31.05","DOIUrl":"https://doi.org/10.14198/RAEI.2018.31.05","url":null,"abstract":"Physical forms of ruin and psychological forms of ruination is an area within spatial theory that will enhance literary studies, especially literature of the First World War. The literary representation of the trench as a ruined space is a predominant feature of literature that emerges from the Great War. Among the different genres, it is drama that is ideally poised to offer a critique of the way both physical and psychological ruin can be depicted on the stage. Both R.C. Sherriff’s Journey’s End and Sean O’Casey’s The Silver Tassie consciously depict trench space as a site of embodied trauma for soldiers who experienced trench warfare and, consequently, trench space functions as an ‘experiential ruin.’ This ‘embodied exchange’ emphasizes the relationship between the battlefield (or cite of trauma) and the actual war-related trauma itself. Both Sherriff and O’Casey have created plays that show the decaying landscape and decaying psyche as inseparable victims to the devastation of the First World War.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2018-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42253163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Sons of Two Empires”: The Idea of Nationhood in Anzac and Turkish Poems of the Gallipoli Campaign “两个帝国的儿子”:澳新军团与加里波利战役土耳其诗歌中的国家观念
IF 0.4
Revista Alicantina de Estudios Ingleses Pub Date : 2018-12-15 DOI: 10.14198/RAEI.2018.31.06
Burçin Çakir, Berkan Ulu
{"title":"“Sons of Two Empires”: The Idea of Nationhood in Anzac and Turkish Poems of the Gallipoli Campaign","authors":"Burçin Çakir, Berkan Ulu","doi":"10.14198/RAEI.2018.31.06","DOIUrl":"https://doi.org/10.14198/RAEI.2018.31.06","url":null,"abstract":"An unexpected failure of the Allied forces and a monumental victory for the Turks, the Gallipoli Campaign (1915) is thought to be the first notable experience for Australians and New Zealanders on their way to identify themselves as nations free from the British Empire. For the war-weary Turks, too, the victory in Gallipoli was the beginning of their transformation from a wreck of an empire to a modern republic. Despite the existence of a substantial body of research on the military, political, and historical aspects of the campaign, studies on the literature of Gallipoli are very few and often deal with canonised poets such as Rupert Brooke or national concerns through a single perspective. Aiming to bring to light underappreciated poets from Gallipoli, this paper is a comparative study of less known poems in English and Turkish from Gallipoli. While doing this, the study traces the signs of the nation-building processes of Australia, New Zealand, and Turkey with emphasis on national identity. To this end, the paper examines a number of Gallipoli poems in English and Turkish that were composed by combatant or non-combatant poets by using close reading analysis in search of shifts in discourse and tone. The study also underlines how poets from the two sides identified themselves and the ways the campaign is reflected in these poems. At length, the study shows that Gallipoli poems display similar attitudes towards the idea of belonging to an empire although they differ in the way warfare is perceived. With emphasis on less known poems and as one of the very few comparative studies of the poetry of the Gallipoli Campaign, this paper will contribute to the current research into the legacy and literature of the First World War.","PeriodicalId":33428,"journal":{"name":"Revista Alicantina de Estudios Ingleses","volume":null,"pages":null},"PeriodicalIF":0.4,"publicationDate":"2018-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41732037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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