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Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-009
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引用次数: 0
Frontmatter
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-fm
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引用次数: 0
4. The Ethos Of Incorporation: BBS And The Law Of Unnatural Persons 4. 法人精神:BBS与非自然人法
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-006
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引用次数: 0
3. Television Totalities: Zanuck- Brown And The Privately Held Company 3.电视总体性:扎努克-布朗和私人控股公司
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-005
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引用次数: 0
Afterword: Auteurs, Amateurs, Animators 后记:导演，业余爱好者，动画师
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-007
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引用次数: 0
1. Post (Henry And John) Fordism: Kirk Douglas And Guerrilla Economy 1. 后(亨利和约翰)福特主义:柯克·道格拉斯和游击经济
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-003
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引用次数: 0
2. The Cinema Of Defection: The Corporate Counterculture And Robert Altman’S Lion’S Gate 2. 叛逃电影:企业反主流文化与罗伯特·奥特曼的《狮子之门》
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-004
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引用次数: 1
Acknowledgments 致谢
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-001
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引用次数: 0
Introduction: The Business of Auteur Theory 导论:导演理论的业务
Post-Fordist Cinema Pub Date : 2019-12-31 DOI: 10.7312/menn18370-002
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引用次数: 0
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