{"title":"2. The Cinema Of Defection: The Corporate Counterculture And Robert Altman’S Lion’S Gate","authors":"","doi":"10.7312/menn18370-004","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":332879,"journal":{"name":"Post-Fordist Cinema","volume":"8 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Post-Fordist Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7312/menn18370-004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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