La Tadeo DeArtePub Date : 2021-06-02DOI: 10.21789/24223158.1760
A. Dameri
{"title":"La storia degli edifici, la memoria dei luoghi. le architetture dei Gardella in Alessandria","authors":"A. Dameri","doi":"10.21789/24223158.1760","DOIUrl":"https://doi.org/10.21789/24223158.1760","url":null,"abstract":"Due architetti, padre e figlio, protagonisti della cultura architettonica italiana del Novecento. Un committente illuminato, proprietario del cappellificio che esporta in tutto il mondo un cappello che sta per entrare nel mito, il “Borsalino”. Una città, Alessandria, che, a inizio secolo, è ancora priva di una serie di servizi fondamentali e che vedrà, grazie ai finanziamenti della famiglia Borsalino, la costruzione di una serie di infrastrutture tra cui un sanatorio antitubercolare. La memoria collettiva costruisce intorno alla fabbrica e al sanatorio (studiati e apprezzati dalla critica architettonica) affetti e timori: molto si deve alla fabbrica, ricordata come motore economico per l’intera città. La decisione, negli anni Ottanta, di demolire quasi totalmente il cappellificio suscita negli abitanti una violenta reazione: si vedono privati del proprio passato e la demolizione della ciminiera, fortemente danneggiata e con gravi problemi strutturali, ma simbolo riconosciuto della città, sarà letta come un sopruso delle ragioni economiche sulle questioni più affettive","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43603440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2021-06-02DOI: 10.21789/24223158.1761
C. Guerri, William S. Huff
{"title":"Análisis lógico-semiótico de los usos del color","authors":"C. Guerri, William S. Huff","doi":"10.21789/24223158.1761","DOIUrl":"https://doi.org/10.21789/24223158.1761","url":null,"abstract":"Este artículo quiere mostrar cómo la semiótica peirceana –de base lógico-triádica– puede ser un aporte importante para zanjar un problema que históricamente no había sido resuelto. Fue necesario el Nonágono Semiótico –derivado de la conocida clasificación de los signos de Charles S. Peirce–, para poder describir sistemáticamente una práctica usual como el uso lógico del color que ya fuera planteado como algo necesario a ser definido por Johan Wolfgang von Goethe en el siglo XIX.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43203105","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2021-02-17DOI: 10.21789/24223158.1722
A. Álvarez
{"title":"Los lenguajes de los sentidos","authors":"A. Álvarez","doi":"10.21789/24223158.1722","DOIUrl":"https://doi.org/10.21789/24223158.1722","url":null,"abstract":"El 2020 se convirtió en el año de la conciencia sobre los conflictos globales: la crisis de salud pública, la emergencia climática y la inequidad social. Con la orden de quedarse en casa por la pandemia de Covid-19, la edición 07 se abrió camino. En ese contexto, los límites de los lenguajes verbales, visuales y visibles se han entretejido, debilitado y endurecido. Todo al mismo tiempo. Esta recopilación de investigaciones consolidadas y en curso retrata el año de su elaboración: convulso, reflexivo, de fronteras líquidas.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42798211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2020-03-25DOI: 10.21789/24223158.1415
Gabriel A. Mariño
{"title":"Semiótica de la propagabilidad: un enfoque sistemático de las imágenes virales a través de Internet","authors":"Gabriel A. Mariño","doi":"10.21789/24223158.1415","DOIUrl":"https://doi.org/10.21789/24223158.1415","url":null,"abstract":"The paper proposes a semiotic approach to Internet memes, a discursive domain that, although it represents a key and growing form of literacy, has so far been largely ignored by semiotics. Since the early 2000s, „Internet meme‟ has referred to a wide range of culturally shared pieces of media circulating over the Internet, such as catchphrases, funny captioned pictures, and so-called „viral‟ videos. Internet memes are „spreadable‟: they are effective, dismountable, customizable, and replicable. From a semiotic perspective, they are different kinds of texts that circulate thanks to a hypertextual dissemination; namely, througha process of transformation (samples, remixes) and imitation (remakes). Their syntax displays structures that mirror their creators‟ different operations of manipulation (bricolage) and that serve as a hook to users‟ agency, inviting them in turn to spread, modify or recreate the text. At the semantic level, despite the variety of themes and figures they carry, they all feature a striking element (punctum), usually a playful one (an incongruity, a „mistake‟), which serves as a hook to users‟ engagement.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42728410","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2020-03-25DOI: 10.21789/24223158.1416
Carlos Hilger
{"title":"Galeria Barolo: Ícono dantesco en Buenos Aires","authors":"Carlos Hilger","doi":"10.21789/24223158.1416","DOIUrl":"https://doi.org/10.21789/24223158.1416","url":null,"abstract":"Dante Alighieri le dice a Virgilio en su Divina Commedia que se siente purgando su pena en la Primera Terraza de la Montana del Purgatorio[1]. Arq. Palanti y Sr. Barolo llevaron adelante el «Monumento al Genio Latino» el Hemisferio Austral. Sonaron que el «Pasaje Barolo» fuese el sepulcro del dante... El Barolo oculta simbologias y sentidos. Es un «Templo bajo la Cruz del Sur», una maqueta ilustrada del cosmos, siguiendo la tradicion de las catedrales goticas. \u0000[1] Dante Alighieri La Divina Commedia (Ilustraciones de Gustavo Dore), Eugenio Camerini. Milan. 1867 \u0000Canto XIIITroppa e piu la paura ond'e sospesal'anima mia del tormento di sotto,che gia lo 'ncarco di la giu mi pesa.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41635407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2019-12-31DOI: 10.21789/24223158.1605
Semillero de Investigación Pazs.O.S
{"title":"Narrar el dolor, dignificar las víctimas y hacer memoría: Proyector editorial: Relatos, cuentos e ilustraciones","authors":"Semillero de Investigación Pazs.O.S","doi":"10.21789/24223158.1605","DOIUrl":"https://doi.org/10.21789/24223158.1605","url":null,"abstract":"Esta propuesta es el fruto de un proceso que se inicio en noviembre de 2018, con encuentros empaticos y acercamientos a la realidad de la comunidad. Desde un acto politico, etico, academico, investigativo, pero sobre todo humano y comprometido, el Semillero de Investigacion PAZS.O.S del Programa de Trabajo Social de la Universidad de La Salle ha acompanado, durante un ano y medio (2018 - I a 2019 - II), a familiares victimas de casos de desaparicion forzada en los municipios de Uribe, La Julia, Pinalito y el Paraiso en el departamento del Meta, territorios que hicieron parte de la “zona de distension” durante el periodo presidencial de Andres Pastrana (1998-2002). En dicho proceso, se despejo un territorio nacional para que un grupo al margen de la ley se asentara alli para concentrar a sus miembros con el proposito de establecer dialogos de paz con el Gobierno. Estos dialogos no llegaran a buen fin, sin embargo, las huellas de lo sucedido dejo graves secuelas en sus habitantes, una de ellas la desaparicion forzada de chicos y chicas, que en ese entonces tenian entre 12 y 17 anos, en su mayoria reclutados por las Fuerzas Armadas Revolucionarias de Colombia (FARC) o que, al salir de este territorio, fueron capturados por el Ejercito Nacional o los paramilitares.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48182735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2019-10-22DOI: 10.21789/24223158.1528
V. D. Almazán Tomás
{"title":"Barrio lejano (1998) de Jirō Taniguchi: memoria y manga","authors":"V. D. Almazán Tomás","doi":"10.21789/24223158.1528","DOIUrl":"https://doi.org/10.21789/24223158.1528","url":null,"abstract":"Jirō Taniguchi (1947-2017) was a Japanese mangacreator who drew particular praise in Europe. Taniguchi mixed Japanese mangaand Fraco-Belgian bandes dessineescomics. He worked different genresandcreated his personal poeticaland detailedstyle, as wecan see in A Distant Neighborthood.This manga, A Distant Neighborthood(Harukana machi ein Japanese and Barrio Lejanoin Spanish),is an semi-autobiographical history about JirōTaniguchi’s childhood. Hiroshi Nakahata, a middle-aged man, took the wrong train and travel to his birthplace at Kurayoshi (Tottori Prefecture). Nakahata is transported back in time and relive again his 14 years old. He is now a young student in 1963; buthe had all of his adult memories and knowledge. Inthe summer of 1963his father go awayand he want toknow the reasons.A Distant Neighborthoodis a lirical reflection of familiar memoriesand everyday stories","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42011835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2018-12-31DOI: 10.21789/24223158.1463
Julián Velásquez Osorio
{"title":"Imagen ilustrada en post tiempos","authors":"Julián Velásquez Osorio","doi":"10.21789/24223158.1463","DOIUrl":"https://doi.org/10.21789/24223158.1463","url":null,"abstract":"?Como hablar de imagenes? ?Como ver palabras? ?Como zigzaguear esta frontera a la que se acostumbra presentar como natural, como explicativa de la vida misma, y que a la vez —desde su inexistencia— provoca bestiales debates en los que de forma extranamente organica resultamos, unos y otros, siendo parte constitutiva de posturas historicamente pensadas para las graficas y para las letras de otras epocas, de otros espacios?","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68353213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
La Tadeo DeArtePub Date : 2018-12-31DOI: 10.21789/24223158.1419
Marcela Quijano Salas, Emilia Benito Roldán
{"title":"Nueva visión. El valor de la imagen.","authors":"Marcela Quijano Salas, Emilia Benito Roldán","doi":"10.21789/24223158.1419","DOIUrl":"https://doi.org/10.21789/24223158.1419","url":null,"abstract":"The analysis of an image reveals to us what it wants to show and also what it keeps inside. The base for this study is a particular moment of a collective’s history, the exhibition of the Ulm School of Design, carried out in 1958, which show to the world the new way to go ahead in a new vision. \u0000In the image, we discovered several overlapping planes that allow us to perceive the individuality and the whole message that will be transmitted. \u0000Sequences, fixed and mobile aspects, light and color. The image concept as a sum of moments that guides us to the implicit perception, to the footprint we recognize today in an image.","PeriodicalId":33170,"journal":{"name":"La Tadeo DeArte","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43352932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}