{"title":"Doubly crowned: The Public and Private Image of Two Fourteenth-Century Hungarian Queens","authors":"Christopher Mielke","doi":"10.22618/tp.haa.20193.221.006","DOIUrl":"https://doi.org/10.22618/tp.haa.20193.221.006","url":null,"abstract":"Art as propaganda is traditionally thought to be used as a tool of monarchs in cementing their role. In addition to coins with the king’s face and seals featuring the king in majesty, the king’s face could also appear on public art such as statues, stained glass, and even frescoes. This essay seeks to understand four pieces of stonework visible to the medieval public which would have featured two fourteenth-century queens of Hungary: Elizabeth of Poland (d. 1380), wife of Charles I Robert, and Elizabeth of Bosnia (d. 1387), wife of Louis I ‘the Great’ (r.","PeriodicalId":331273,"journal":{"name":"AMBIGUOUS WOMEN IN MEDIEVAL ART","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129962042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Disease Woman: A Neutral Representation of Health?","authors":"S. Strådal","doi":"10.22618/tp.haa.20193.221.001","DOIUrl":"https://doi.org/10.22618/tp.haa.20193.221.001","url":null,"abstract":"This essay discusses the Disease Woman schema on folio 52v in Wellcome MS 290, a medical illustration often neglected in modern scholarship, and considers how it related to late medieval ideas about the gendered human body. The figure is positioned within its original manuscript context and compared to the other (male) bodies depicted, as well as discussed in relationship to other medical illustrations and contemporary scientific and theological theories. Through close study of formal features and intervisual analysis, this essay shows that the Disease Woman functioned not just to describe illness or ailments, but also to emphasise women’s inferior bodies and status.","PeriodicalId":331273,"journal":{"name":"AMBIGUOUS WOMEN IN MEDIEVAL ART","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130850126","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Saint Eugenia Outside-Inside-Outside Rome: An Iconographic Continuity?","authors":"Andrea-Bianka Znorovszky","doi":"10.22618/tp.haa.20193.221.005","DOIUrl":"https://doi.org/10.22618/tp.haa.20193.221.005","url":null,"abstract":"","PeriodicalId":331273,"journal":{"name":"AMBIGUOUS WOMEN IN MEDIEVAL ART","volume":"845 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121781233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"King Solomon’s Ambiguous Wife in the Queste del Saint Graal","authors":"A. Ropa","doi":"10.22618/tp.haa.20193.221.004","DOIUrl":"https://doi.org/10.22618/tp.haa.20193.221.004","url":null,"abstract":"Solomon’s wife is one of the most ambiguous female characters introduced in the anonymous French Queste del Saint Graal, an early-thirteenth-century Arthurian romance. She appears in an account that relates the prehistory of the Ship of Solomon and that is embedded in the Grail quest narrative. Subsequent versions of the narrative, such as Thomas Malory’s “Tale of the Sankgreal,” transform her into an “evil,” sinful wife. This paper explores the representation of Solomon’s wife in two late medieval illuminated manuscripts of the Lancelot-","PeriodicalId":331273,"journal":{"name":"AMBIGUOUS WOMEN IN MEDIEVAL ART","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132436572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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