《分娩中的女人:圣马丁德图尔教堂的十二世纪纳瓦拉浮雕》,Artáiz

Dilshat Harman
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摘要

在Artáiz(西班牙纳瓦拉,12世纪)圣马丁德图尔教堂正面的其他浮雕中,有一幅有趣的浮雕描绘了一位正在分娩的妇女。分娩在中世纪艺术中是一个引人入胜的主题,因为它可以描绘出中世纪和当代对性和性别的不同态度。分娩是如何描绘的?为什么要描绘它呢?本文将在中世纪早期文化和最近罗马边缘艺术研究的背景下分析分娩浮雕的意义和范围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Woman in Labour: A Twelfth-Century Navarrese Relief from the Church of San Martin de Tours, Artáiz
Among other corbels on the façade of the Church of San Martin de Tours in Artáiz (Navarra Spain, twelfth century), an interesting relief depicts a woman while giving birth. Childbirth in medieval art is a fascinating subject, as it can portray the differences between medieval and contemporary attitudes regarding sex and gender. How is childbirth depicted? Why is it depicted at all? This essay will analyze the meaning and scope of the childbirth relief within the context of early Medieval culture and recent research in Romanesque marginal art.
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