{"title":"Sangfoni: Magisk realisme, leken læring og identitetsutforsking i barns audiovisuelle musikkultur","authors":"Kai Arne Hansen","doi":"10.18261/ISSN.1504-2960-2018-01-07","DOIUrl":"https://doi.org/10.18261/ISSN.1504-2960-2018-01-07","url":null,"abstract":"Dette er en Open Access artikkel opprinnelig publisert i Studia Musicologica Norvegica. Artikkelen kan finnes pa utgivers nettsider: idunn.no.","PeriodicalId":33004,"journal":{"name":"Studia Musicologica Norvegica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47933286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Between Tradition and Politics. Military Music in Occupied Norway (1940–45)","authors":"M. Custodis","doi":"10.18261/ISSN.1504-2960-2018-01-03","DOIUrl":"https://doi.org/10.18261/ISSN.1504-2960-2018-01-03","url":null,"abstract":"Within the vast field of research that still has to be done on Norway's music life during the years of the Nazi occupation, the area of music in military settings is an exception. Because of the sometimes contradictory motives of the different protagonists, this article shows strategies for music among NS and Hird musikkorps, the military resistance movement Milorg, and even inside SS prison camps. Based on extensive archival material, this article gives an overview of official Norwegian and German music units, the newly founded musikkorps for Hird, and military musicians who resisted intense pressure to join these units. It also discusses the importance of singing for resistance fighters and prisoners.","PeriodicalId":33004,"journal":{"name":"Studia Musicologica Norvegica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46938215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Norwegian Military Music and Edvard Grieg – an approach","authors":"Ina Rupprecht","doi":"10.18261/ISSN.1504-2960-2018-01-04","DOIUrl":"https://doi.org/10.18261/ISSN.1504-2960-2018-01-04","url":null,"abstract":"Since both Edvard Grieg’s 175th birthday and Norwegian military music’s 200th anniversary are celebrated in 2018, a first look at compositions by Grieg for military music was in order. As one of Norway’s most popular and beloved composers, his works made it into the different repertoires, despite not being known for military compositions; instead his popular pieces were adapted. Military music bands in Halden, Oslo, Kristiansand, Bergen, Trondheim and Harstad played arrangements of his compositions. Today the archive inventory catalogues at the Forsvarsmuseum in Oslo present a wide range of Grieg arrangements from different decades and Norwegian military music bands. Arrangements of Grieg’s Landkjending, Sigurd Jorsalfar, Olav Trygvason, the F-dur Sonate or Bergliot are natural parts of the Norwegian military music’s repertoire. Several conductors, as for example Ole Olsen and Oscar Borg, promoted Norwegian compositions as a way to strengthen Norwegian national identity. The questions the archive catalogues are to provide information about are, which bands played what, what are the similarities or differences, and perhaps even when were the compositions included into the respective repertoires, and whether they have a national agenda.","PeriodicalId":33004,"journal":{"name":"Studia Musicologica Norvegica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41489141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Edvard Griegs øvelser i harmonilære og kontrapunkt","authors":"Bjørnar Utne-Reitan","doi":"10.18261/ISSN.1504-2960-2018-01-05","DOIUrl":"https://doi.org/10.18261/ISSN.1504-2960-2018-01-05","url":null,"abstract":"This paper presents a closer look at Grieg’s music theory studies from his time as a student at the Leipzig conservatory. The exercises in harmony and counterpoint, together with Grieg’s self-biographical sketch “My first success”, is among the most important primary sources in the research on Grieg’s early years. The source material is central to still ongoing debates regarding Grieg’s student years, but a detailed study presenting the structure and contents of it has, until now, been missing in the literature. The data presented and discussed in this paper, including a complete counting and categorization of the exercises in Grieg’s workbooks, is based on results from a recently finished master’s thesis on Grieg’s theory studies.","PeriodicalId":33004,"journal":{"name":"Studia Musicologica Norvegica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49256127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}