Studies in Arabic Narratology最新文献

{"title":"Harb Al-Kalb Al-Thaniah (The Second Dog War) Demonstrations of Identity in Magic Realism","authors":"Shokooh alsadat Hosseini, Zahra Mahmodabadi","doi":"10.52547/san.2.1.127","DOIUrl":"https://doi.org/10.52547/san.2.1.127","url":null,"abstract":"Identity is the most challenging subject in the modern world due to the flood of technology in the second half of the twentieth century, coupled with other postmodernist phenomena which have impacted our lives. Ibrahim Nasrollah, the renowned Palestinian author, in a novel titled: Harb al-Kalb al-Thaniah (The Second Dog War) has addressed this challenge through literature. In this novel, he has depicted the future of human life through an imaginary world, using magical realism. The basic concept of the novel is “Simulation”. This phenomenon enters the world of the story and spreads among the people. Day by day the people become more and more like each other and step by step, the fraudulence, violence and conflict in society increase and begin to take over. Through magic realism and using the descriptive –analytical approach to the novel, this paper seeks to study this process as an individual action leads to great human disaster.","PeriodicalId":329472,"journal":{"name":"Studies in Arabic Narratology","volume":"202 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126142618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Narrative Discourse Analysis of “Hojarat” Surah: A Faircloughian Study","authors":"Ali Asvadi, Soudabeh Mozafari, M. Rostami","doi":"10.52547/san.2.1.30","DOIUrl":"https://doi.org/10.52547/san.2.1.30","url":null,"abstract":"Critical Discourse Analysis (CDA) is a significant sub-discipline of Discourse Analysis. This approach takes its lead from the philosophical ideas propounded by Michel Foucault, Sigmund Freud, and Karl Marx. Norman Fairclough, an eminent theorist of CDA, attempts to link linguistic features to social issues so that linguists find it necessary to engage with social problems. According to Fairclough, discourse analysis can be performed at three levels: description, explanation, and interpretation. In the holy Quran and Surahs like “Hojarat”, there are abundant conceptual signs which are used to modify social norms. The interpretation level in CDA deals with the relationship between dominant social discourse with different social discourses. Drawing on the description and explanation levels of CDA, this study attempt to develop a critical framework to analyze social discourses in “Hojarat” Surah. It is proposed that the narrative discourse at the education axis in “Hojarat” Surah is in line with social discourses which seek to define Islamic value system.","PeriodicalId":329472,"journal":{"name":"Studies in Arabic Narratology","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129646034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Stylistic approach and acculturation: A historical reading on explanations of Nahj Al Balagha","authors":"Nama Dahash Farhan","doi":"10.52547/san.2.1.96","DOIUrl":"https://doi.org/10.52547/san.2.1.96","url":null,"abstract":"The narration in Arabic literature has had numerous inquiries, investigations, and studies. This is due to the great diversity of arts, branches, and variety of representations, especially those arts that are included in analogical expressions and linguistic expressions, such as stories and tales that represent real social actions. That are transmitted in a representative constructive manner and theexpressional performance. The narration of proverbs is based on the exchange of ideas or is transferred in dialogue through their representation when the context unit has been matched on two similar occasions. Literary work reveals the essential personality of norm on one hand and the culture of the society in therefore, it was said on the other hand. Which, it is not reasonable that the (Nahj Al Balagha) appeared as a result of an individual invention without relying on social realities related to the individual or group a group of people. Moreover, it is unreasonable that a literary form such as Nahj Al Balagha, characterized by such social richness has existed and remained for centuries as itwas studied by writers, scholars, and researchers. with great differences among each other as they belong to different environments and different nationalities across a period of time without a significant relationship between the content of this literary form and the most important aspects of social life. To reveal the value of Nahj Al Balagha among the narratives of culture and the norms of society, this study will employ to the method of tackling the proverbs and linguistic expressions of Imam Ali that were conveyed through his experiments and familiarities from inherited societies to the society in which he lived. However, this study will be concerned ing on with two main points: The first issue is tackling the socio-cultural and the narratives of semiotic linguistic. whereas the second issue is tackling the mores, conventionalism, and traditional usage. It is worth mentioning that the research proceeded according to the historical method, with the inclusion of contextual and descriptive-analytical approaches. The significant results of this study concluded as are: 1-Each creative writer can stand on depend on the structure of the collective self collective to contemplate situations and events, and choose what he/she wants from the society says that radiate from the horizon of that creator for creative genius is at the forefront of persons each who try to form a collective self that exceeds the individual self. 2-The mores, customs, and tradition were represented in the stylistic approach of the proverbial expressions. W which are inventions of the pre-Islamic Arab society; this D ow nl oa de d fr om s an .k hu .a c. ir at 3 :2 2 + 04 30 o n W ed ne sd ay A ug us t 2 5t h 20 21 [ D O I: 10 .5 25 47 /s an .2 .1 .9 6 ]","PeriodicalId":329472,"journal":{"name":"Studies in Arabic Narratology","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121114953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“The menifestations of post–colonial discourse in the contemporary Omani novel: A reading in the novel Dafater Al–Tufan by Samiha Khreis as a model.","authors":"ziba bahari nooran, A. Hosseini, H. Sedghi","doi":"10.52547/san.2.1.74","DOIUrl":"https://doi.org/10.52547/san.2.1.74","url":null,"abstract":"post–colonialism is the term that historians have used in the post–world war ll era to show the era that followed most of the world’s independence from modern western colonialism. Post-colonial discourse is one of the fruits of post–colonial theory invented by Edward Said and is one of the contemporary literary approaches that relate to its mission to theorist and colonial issues. In this article, we aim to discuss one of the famous contemporary Arab Omani novels written in this regard, which are the Dafater Al-tufan of Samiha Khreis , based on Edward Said’s theory to explore post–colonial features in it we concluded that the author refers accurately and technically to the post–colonial problem in Arab society through the tongue of different things and inanities and is equally concerned with all the post– colonial features presented in its narrative effect, and it has not favored one over another post–colonial components have been used in public affairs familiar to Arab life and refer to them artfally. Then Khreis reflects in the Dafter Al-tufan some characteristics against colonialism, such as the confrontation against the domination of the West, the center, the margin, nationality, freedom, independence and the lowly with special skill.","PeriodicalId":329472,"journal":{"name":"Studies in Arabic Narratology","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125679818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Narrative Techniques in Warraq Al-Hob: A Genettian Study","authors":"Zohreh Naemi, A. Hosseini, Miss Miss. Yosra Tarafrava","doi":"10.29252/san.1.1.211","DOIUrl":"https://doi.org/10.29252/san.1.1.211","url":null,"abstract":"Narratology, which helps to study structural elements of literary texts, is an important aspect of literary theory, and has generated much criticism in the field of contemporary literature. Gérard Genette is one of the pioneers of narratology and has identified five central categories that make up the narrative elements of story: system, continuity, narrative frequency, shape and tone. The aim of this study is to take advantage of Genette’s narrative categories to analyze narrative techniques in Warraq Al-Hob novel written by the contemporary Syrian author, Khalil Sweileh. The search achieves the following findings: first person point of view is used in this novel and the narrator is the main character; there is a gap between the time of the narration and the time when events occur; and the narrator narrates the events after the event. To put it differently, the story is narrated in non-chronological order, which indicates that the novel contains a paradox. Also the Genettian system, continuity and narrative frequency are used. There are two narrative methods and techniques in terms of size and continuity in the novel: (1) there is a positive acceleration that usually takes a short volume of the novel to tell about a long event and (2) there is the negative acceleration of the narration, in which the events are mentioned in more detail. We also note that the writer uses dialogue and description of elements to slow down the speed of the narration. In addition, we observe the use of various narrative identified by Genette. The author informs the recipient of events what happens in his novel step by step. In addition, we observe that Sweileh began his novel in an introductory way, but the end of the story readers come to know that the novel is an introduction to a novice writer who wants to write a love story. This is a narrative technique developed by Sweileh in order to confuse the mind of the reader. Then it seems that Khalil Sweileh was able to come to terms with what he learned and that he mentions different titles in his account to the audience. We can point out that the repeated description of an event is one of the salient features in the narrative structure of D ow nl oa de d fr om s an .k hu .a c. ir at 1 7: 09 IR S T o n F rid ay O ct ob er 2 3r d 20 20 212 ةيبرعلا ةينادرسلا يف تاسارد the novel, which exemplifies the technique of recurrence or narrative frequency. The narrator tells the story of events that happened several times in a similar way, and his narration is amazing every time. The author integrates a number of literary texts into his narration. The relationship between the identity of the author and the date of reading and the time associated with the author is referred to when \"The History of Reading\" is mentioned in which the writer imaginatively lives with Jorge Luis de Borges. Warraq Al Hob is one of the most prominent works of Khalil Sweileh Roulieh. In fact, this novel is a story about writing a story. It is about writer ","PeriodicalId":329472,"journal":{"name":"Studies in Arabic Narratology","volume":"6 20","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141227727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}