{"title":"European Galleries, 1850-1900, Philadelphia Museum of Art, Philadelphia","authors":"Cordula Grewe","doi":"10.29411/ncaw.2022.21.3.10","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.10","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42677894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Salem, the Prince of Tombouctou: A North African Model in Nineteenth-Century Paris","authors":"S. Waller","doi":"10.29411/ncaw.2022.21.3.5","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.5","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47219648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sculptors Against the State: Anarchism and the Anglo-European Avant-Garde by Mark Antliff","authors":"Caterina Y. Pierre","doi":"10.29411/ncaw.2022.21.3.24","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.24","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46774387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Private Lives: Home and Family in the Art of the Nabis, Paris, 1889–1900","authors":"E. W. Lee","doi":"10.29411/ncaw.2022.21.3.27","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.27","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46833508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Winslow Homer and His Cullercoats Paintings: An American Artist in England’s North East by David Tatham","authors":"Christiana Payne","doi":"10.29411/ncaw.2022.21.3.23","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.23","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45484862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"At Once “Ancient” and “Modern”: The Art-Journal’s Illustrated Catalogues and the Notion of Adaptation in Nineteenth-Century Historicism","authors":"Lieske Huits","doi":"10.29411/ncaw.2022.21.3.2","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.2","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70010555","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rodin in the United States: Confronting the Modern","authors":"Jonathan P. Ribner","doi":"10.29411/ncaw.2022.21.3.29","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.29","url":null,"abstract":"flows of matter and energy around us—between intuition and analysis, randomness and order, the quotidian and the cosmic. The large-format, abstract paintings of Tomm El-Saieh (b. 1984, Port-au-Prince; lives and works in Miami) teem with dense and dynamic marks that evoke ornament, language, and architecture. By variously layering and erasing his linework and using vibrant color to optically push or pull his pictures, El-Saieh creates rhythmic, all-over compositions from which larger forms appear to emerge—testing both the limits of perception and expectations about abstraction. more divergent Haitian artistic Free.","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46684148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anthon van Rappard, Three Brushmakers and a Bookkeeper in the Institute for the Blind in Utrecht, 1891","authors":"Petra ten-Doesschate Chu","doi":"10.29411/ncaw.2022.21.3.6","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.6","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43568140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Farewell to Russian Art: On Resistance, Complicity, and Decolonization in a Time of War","authors":"Allison Leigh","doi":"10.29411/ncaw.2022.21.3.7","DOIUrl":"https://doi.org/10.29411/ncaw.2022.21.3.7","url":null,"abstract":"","PeriodicalId":32895,"journal":{"name":"NineteenthCentury Art Worldwide","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47730306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}