Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain最新文献

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Epilogue: A New Arabian Nights 后记:新的天方夜谭
Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain Pub Date : 2019-09-01 DOI: 10.3366/edinburgh/9781474443647.003.0006
Melissa Dickson
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引用次数: 0
‘For a time their world made mine’: Childhood Encounters with the Arabian Nights “有一段时间,他们的世界变成了我的世界”:《天方夜谭》中的童年故事
Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain Pub Date : 2019-09-01 DOI: 10.3366/edinburgh/9781474443647.003.0002
Melissa Dickson
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引用次数: 0
Underground Palaces and Castles in the Air: The Realms and Ruins of the Arabian Nights 地下宫殿和空中楼阁:一千零一夜的王国和废墟
Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain Pub Date : 2019-09-01 DOI: 10.3366/edinburgh/9781474443647.003.0003
Melissa Dickson
{"title":"Underground Palaces and Castles in the Air: The Realms and Ruins of the Arabian Nights","authors":"Melissa Dickson","doi":"10.3366/edinburgh/9781474443647.003.0003","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474443647.003.0003","url":null,"abstract":"Chapter 2 explores the use of the Arabian Nights as a familiar cultural narrative through which the burgeoning practices of archaeology, geology, geography and ethnography might be communicated. In this period, the imaginary voyage and adventures of the Arabian Nights, known since childhood, profoundly interacted with actual voyages above and below the ground, providing a narrative template for approaching new experiences that was already familiar to British readers. At the same time, this narrative strategy infused those emergent sciences with an enduring form of magic, or magical thinking, in the adult world, which informed processes of thinking about the physical laws of nature, the elements that comprise the globe, and new technological developments of the period. The magical possibilities and treasures of the Arabian Nights held an irresistible fascination for Western readers, who did not want to relinquish fully to the emergent discipline of science the potential meanings and possibilities of Eastern exploration.","PeriodicalId":328313,"journal":{"name":"Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114959584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Magical Metropolis 神奇的大都市
Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain Pub Date : 2019-09-01 DOI: 10.3366/edinburgh/9781474443647.003.0004
Melissa Dickson
{"title":"The Magical Metropolis","authors":"Melissa Dickson","doi":"10.3366/edinburgh/9781474443647.003.0004","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474443647.003.0004","url":null,"abstract":"This chapter turns to the science of stagecraft, and to the endless recreations and adaptations of the wonders, magic, and treasures of the Arabian Nights that took place within the shows culture of nineteenth-century Britain. These authorless, ownerless tales presented ideal theatrical opportunities to display the rich landscapes, domestic interiors and dazzling treasures of the East within the public spaces of Britain. In so doing, they facilitated a kind of ‘virtual’ tourism, whereby audiences might participate in the adventurer’s narrative of discovery, infiltration, exploration, and safe return, without ever leaving England. At the same time, however, such performances fostered a self-reflective, inward movement, as an imaginative destination of childhood became a physical space that might be stepped into, examined and explored. Performances of the Arabian Nights had a disturbing capacity to evoke and to disrupt childhood memories, as they were reliant upon a substantial amount of labour and technical expertise in order to realise fully the workings of magic and the apparently spontaneous eruption of the supernatural on stage. As a vehicle for exploring the material and technological limits of nineteenth-century stagecraft, the wonder and enchantment of the Arabian Nights thus became inextricably intertwined with the wonder of machinery and technical ingenuity, as new techniques were developed for representing fantasy and manufacturing magic.","PeriodicalId":328313,"journal":{"name":"Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123889102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Magic and Machines at the Great Exhibition 魔术和机器在大展览
Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain Pub Date : 2019-09-01 DOI: 10.3366/edinburgh/9781474443647.003.0005
Melissa Dickson
{"title":"Magic and Machines at the Great Exhibition","authors":"Melissa Dickson","doi":"10.3366/edinburgh/9781474443647.003.0005","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474443647.003.0005","url":null,"abstract":"Chapter 4 turns to the accumulation of goods at the Great Exhibition of 1851, which was frequently understood as another theatrical manifestation of the Arabian Nights, within the ‘fairy-tale’ Crystal Palace in the heart of Britain. A new and innovative architectural form, the palace and its contents challenged the viewer’s vision, judgement, and sense of scale to such an extent that recourse was made to the language of magic in an effort to represent its unfamiliar effects. The palace and the objects it contained had apparently materialised like the stuff of dreams. Within this transformative space, the magnificence of Britain’s industrial resources became truly apparent only by way of comparison, by the jostling together of old and new, of fictional and material, and of machinery and magic. Here, an anxious meta-narrative emerged about the nature of modern production and consumption. Casting those products originating from India, China and elsewhere within a framework of magic and the Arabian Nights was, this chapter argues, a part of the rhetoric of British modernity, which made the comparison between nations and their wares more palatable by insisting that supposedly ‘inferior’ nations had employed the agency of magic. Such a narrative generated wonder both for the beautiful, often hand-crafted productions that had supposedly been wrought by magic, and of the advancements of British civilisation, which had apparently gained, through science, all the powers of Aladdin’s lamp.","PeriodicalId":328313,"journal":{"name":"Cultural Encounters with the Arabian Nights in Nineteenth-Century Britain","volume":"143 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116802292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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