Textile Leather Review最新文献_第9页

What is to Hand: The Fold as Landscape Within Textile Imagination 什么是手:纺织想象中的褶皱景观

Textile Leather Review Pub Date : 2022-10-11 DOI: 10.1080/14759756.2022.2122195

Andrea Thoma

{"title":"What is to Hand: The Fold as Landscape Within Textile Imagination","authors":"Andrea Thoma","doi":"10.1080/14759756.2022.2122195","DOIUrl":"https://doi.org/10.1080/14759756.2022.2122195","url":null,"abstract":"Abstract This article explores the fold and textile imagination within art by using as main case study the author’s project Imaginary Landscapes. This work consists of a series of photographs taken during the first COVID-19 lockdown in the UK in 2020 and was motivated by a longing for spaces and places at a time of confinement. It provided an opportunity to work with “material to hand”, pointing to Martin Heidegger and Barbara Bolt’s discussion of his theory regarding “handling.” The cloth as arranged or folded allows for light to enhance form whilst suggesting landscapes such as shorelines, mountains, forests, deserts or volcanoes. The discussion refers to Gilles Deleuze’s reading of Leibniz, Christine Buci-Gluckmann’s observations on the Baroque, and to various theoretical and artistic positions concerning the fold, drapery, and textile imagination within different visual contexts, including Giuliana Bruno’s observations on the fold in relation to the screen. Imaginary Landscapes is explored with particular attention to contemporary artists Christo and Jeanne Claude, Christian Boltanski and Angela de la Cruz. The argument concludes that the fold as visual and conceptual process allows us to engage in spatio-temporal relations where the appreciation of materiality through handling/folding informs ideas of movement within and across media.","PeriodicalId":32765,"journal":{"name":"Textile Leather Review","volume":"86 1","pages":"363 - 383"},"PeriodicalIF":0.0,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75393822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …

Textile Leather Review Pub Date : 2022-10-02 DOI: 10.1080/14759756.2021.1973295

María José Murillo

{"title":"A Return Through the Origins of Modernity … Pishi-pishimanta, awaspa, ñawpa kawsayniyta, saphiykunata, tarishani …","authors":"María José Murillo","doi":"10.1080/14759756.2021.1973295","DOIUrl":"https://doi.org/10.1080/14759756.2021.1973295","url":null,"abstract":"Abstract This paper intends to be shared as a personal testimony and hopes to be taken by the reader as a lived experience rather than mere academic research. Thus, although the text is based on historical evidence, the notion of “history” should not be understood as a linear succession of events but more as cyclical stories and times that are constantly Weaving themselves together into a present. Weaving, as a structuring activity generated by body-mind, space-time, human-nature relationships, has precisely structured natural, social, political, and cultural ecosystems of human life since the beginning of time. Weaving is, therefore, one of the primary expressive means that puts culture into practice. This essay aims to revive the paradoxical path—shaped by stories and processes of migration, colonization, and decolonization—that led to my reunion with Andean Weaving outside my country. Finding alive the voices that gave birth to the material language of my Indigenous ancestors through the textile medium provoked a revolution on my way of being, feeling, thinking, and making. Therefore, this work attempts to develop critical feel-thinking around the colonial system that calls itself “modern” and has perpetuated the dominant Western culture against the Indigenous. I welcome the reader to navigate throughout these lines with an open perception of the notions of modernity/tradition, art/craft, body/mind, past/present, reverting and expanding its binary condition imposed by colonial power structures.","PeriodicalId":32765,"journal":{"name":"Textile Leather Review","volume":"112 1","pages":"457 - 478"},"PeriodicalIF":0.0,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77138207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“An Index of Gentility”: Representations of Needlework in Dombey and Son “文雅的指数”:董贝父子公司针线活的表现

Textile Leather Review Pub Date : 2022-09-15 DOI: 10.1080/14759756.2022.2109367

Houliang Chen

引用次数: 0

The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making 大彩虹编织:通过基于地点的制作重新审视工匠实践

Textile Leather Review Pub Date : 2022-09-15 DOI: 10.1080/14759756.2022.2102731

Rowan Bailey, N. Walton

{"title":"The Big Rainbow Knit: Revisiting Craftivist Practices through Place-Based Making","authors":"Rowan Bailey, N. Walton","doi":"10.1080/14759756.2022.2102731","DOIUrl":"https://doi.org/10.1080/14759756.2022.2102731","url":null,"abstract":"The Big Rainbow Knit is a project informed and influenced by craftivist practices and culminated in the yarn bombing of Huddersfield train station by local, national and international communities of knitters in June 2021. As a landmark project within the WOVEN in Kirklees bi-annual festival, it became an important force for social cohesion in a Covid-19 context. This article introduces The Big Rainbow Knit as a specific case study within the wider context of Kirklees Council’s approach to place-based making. 1 As a textile festival WOVEN in Kirklees is made with, by and for local communities. We firstly address place-based making approaches in the contexts of craftivism and community practice with the aim of secondly, considering how The Big Rainbow Knit is a manifestation of co-creative participation in the spirit of social cohesion. Thirdly, we consider how the concept of the “glocal” is a means through which to reflect on the links between online and offline platforms. We argue that the hybrid between near and far in a “glocal” milieu allows for a range of voices (active knitters, audiences as recipients of yarn bombing activities and community group engagements with The Big Rainbow Knit) to become more visible as key agents in a place-based process. Collectively, these voices, gathered through a range of feedback mechanisms, have helped to change perceptions and attitudes toward knitting in a local authority context and to offer new insights into the ways in which the making-agency of knit can acquire value through place-based cultural development. [ FROM AUTHOR] Copyright of Textile: The Journal of Cloth & Culture is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full . (Copyright applies to all s.)","PeriodicalId":32765,"journal":{"name":"Textile Leather Review","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90617299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Authenticity and Place-Based Knitwear: Fair Isle and Aran Knitting in Shetland and the West of Ireland 真实性和基于地点的针织品:设得兰群岛和爱尔兰西部的费尔岛和阿兰编织

Textile Leather Review Pub Date : 2022-09-15 DOI: 10.1080/14759756.2022.2109896

Siún Carden

引用次数: 1

Stab It, Strangle It1: Media Representations of Knitters, and Subversions of the Stereotype to Reflect Inclusion and Diversity 刺它，掐它:编织者的媒体表现，以及对反映包容性和多样性的刻板印象的颠覆

Textile Leather Review Pub Date : 2022-09-06 DOI: 10.1080/14759756.2022.2085988

F. Robins

引用次数: 0

Ties That Bind or Exclude? Knitting and Craft Groups as Contested Spaces of Inclusion and Exclusion 束缚还是排斥?编织和工艺团体作为包容和排斥的竞争空间

Textile Leather Review Pub Date : 2022-08-19 DOI: 10.1080/14759756.2022.2102725

Sharon McDonough, A. Foley, Helen Weadon, Rachel Taylor

引用次数: 0

Exhibition Review 展回顾

Textile Leather Review Pub Date : 2022-08-19 DOI: 10.1080/14759756.2022.2102734

R. Harman

引用次数: 0

Fashion, Gender and Agency in Latin American and Spanish Literature 拉丁美洲和西班牙文学中的时尚、性别和代理

Textile Leather Review Pub Date : 2022-08-14 DOI: 10.1080/14759756.2022.2094132

S. Fu

引用次数: 0

Thread Bearing Witness at the Somerset Rural Life Museum, Glastonbury 在格拉斯顿伯里的萨默塞特乡村生活博物馆的螺纹见证

Textile Leather Review Pub Date : 2022-08-12 DOI: 10.1080/14759756.2022.2088012

Mary La Trobe-Bateman

引用次数: 0