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Book Review: Lauren Bliss, The Maternal Imagination of Film and Film Theory. (Basingstoke: Palgrave Macmillan, 2020) 书评:劳伦·布利斯，《电影的母亲想象与电影理论》。(贝辛斯托克:Palgrave Macmillan, 2020)
Open Screens Pub Date : 2022-07-01 DOI: 10.16995/os.8022
Louise Fitzgerald
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引用次数: 0
The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto 基质屏幕相遇:金·朗吉诺托纪录片实践中主体间凝视的理论化
Open Screens Pub Date : 2022-06-25 DOI: 10.16995/os.8121
Jolene Alexandria Mairs Dyer
{"title":"The Matrixial Screen Encounter: theorising the inter-subjective gaze in the documentary practice of Kim Longinotto","authors":"Jolene Alexandria Mairs Dyer","doi":"10.16995/os.8121","DOIUrl":"https://doi.org/10.16995/os.8121","url":null,"abstract":"This article applies Ettinger’s (2001) notion of the matrixial to the documentary practice of Kim Longinotto.  It considers this in relation to what I term the matrixial screen encounter, a model that expands the individualistic framing of the unitary auteur and acts as a counter to the notion of the impartial observer within the context of observational documentary.  It applies this model to a scene from Longinotto and Mir-Hosseini’s 1998 documentary, Divorce Iranian Style and demonstrates how the matrixial screen encounter offers a way of mapping and considering the inter-connected, inter-subjective gazes, or layers of power within the scene, which are predominantly female and feminist.  It concludes that the matrixial screen encounter provides a way of re-thinking the unitary, authoritative gaze of the auteur and the supposed impartiality of the camera-as-observer – reinforced by the term observational documentary - where the screen itself becomes a ‘locus of mediation’ at which various matrixes, gazes or layers of power, meet.","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126706903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel 电影作为声音艺术:在纳丁·拉巴基的《焦糖》中通过超叙事的声音拥抱爱
Open Screens Pub Date : 2022-06-23 DOI: 10.16995/os.8013
Estrella Sendra
{"title":"Film as Sound Art: Embracing Love through Extra-diegetic Sound in Nadine Labaki’s Caramel","authors":"Estrella Sendra","doi":"10.16995/os.8013","DOIUrl":"https://doi.org/10.16995/os.8013","url":null,"abstract":"Teaching film often involves un-learning previously taught histories of cinema to find instead\u0000‘herstories’ (Dovey, 2018) and theirstories of cinema. This video essay constitutes an illustrative example of this practice, showing how Lebanese woman-led film Caramel (2007) is taught at SOAS, University of London to emphasise the crucial role of sound in narrative while rethinking the film canon and encouraging critical reflection on the gaze. By creatively compiling encounters between two characters in the film, the video essay shows two women gazing at each other in ways that evoke a romantic relationship, even if their contact stays in the hair salon. While there is barely any dialogue, the extra-diegetic music forges an intimate atmosphere. The decoding of these moments is shaped by the context of censorship in Lebanon, where explicit representations of same-sex relationships could be punished by law. In this video essay, I suggest that sound helps represent a queer gaze between the two characters, subverting both heteronormativity and patriarchal society, and in so doing, it also queers the audience’s gaze. Caramel thus serves as an excellent case study of the possibilities of sound in film, and of film as sound art.\u0000","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"393 8","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134323462","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Why bad things happen to bad people: investigating evil in the Italian giallo 为什么坏事会发生在坏人身上:调查意大利吉普赛中的邪恶
Open Screens Pub Date : 2022-06-14 DOI: 10.16995/os.8010
L. Bayman
{"title":"Why bad things happen to bad people: investigating evil in the Italian giallo","authors":"L. Bayman","doi":"10.16995/os.8010","DOIUrl":"https://doi.org/10.16995/os.8010","url":null,"abstract":"This essay explores the idea of evil through its relationship to ideas of justice and representations of suffering. It does so to consider the particularity of the giallo genre both in relation to the wider detective and horror genres of which it is a hybrid, and to the development of Italian cinema in the post-war decades. In its delirious depictions of a hellish modernity the giallo overturns faith both in Catholic tradition and in reason. By rejecting a moral standpoint the giallo represents a historic turning point in Italian popular culture. While maintaining the imagery and symbolic reference points of a Catholic sensibility, gialli discard all interest in moral improvement to indulge instead their one primary purpose, enjoyment.","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"128 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132801922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: James Downs, Anton Walbrook: A Life of Masks and Mirrors (Oxford: Peter Lang, 2020) 书评:詹姆斯·唐斯，安东·沃尔布鲁克:《面具与镜子的一生》(牛津:彼得·朗出版社，2020)
Open Screens Pub Date : 2022-06-07 DOI: 10.16995/os.9026
Andrew Moor
{"title":"Book Review: James Downs, Anton Walbrook: A Life of Masks and Mirrors (Oxford: Peter Lang, 2020)","authors":"Andrew Moor","doi":"10.16995/os.9026","DOIUrl":"https://doi.org/10.16995/os.9026","url":null,"abstract":"James Downs, AntonWalbrook: A Life of Masks and Mirrors (Oxford: Peter Lang, 2020), pp. 438,ISBN: 9781789977103 (soft cover), £50; ISBN 9781789977127(ebook ePub), £50; ISBN: 9781789977110 (eb PDF), £50; ISBN 9781789977134 (ebookMOBI), £50. ","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128166125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hardcore romance: fantasy and narrative structure in films with explicit sex 硬核浪漫:露骨性爱电影中的幻想和叙事结构
Open Screens Pub Date : 2022-06-01 DOI: 10.16995/os.8008
Oliver Kenny
{"title":"Hardcore romance: fantasy and narrative structure in films with explicit sex","authors":"Oliver Kenny","doi":"10.16995/os.8008","DOIUrl":"https://doi.org/10.16995/os.8008","url":null,"abstract":"This article considers how explicit yet non-pornographic films engage with sex, love and romance in terms of their conformity to conventional depictions of sex and normative pornographic imagery. It asks what structures or limits these films propose within which sex and love can flourish. How do these films depict desire and fantasy as parts of sexuality? It addresses in particular how fantasy is conceptualised in these films suggesting that those which conform most closely to conventional heterosexual pornography in their presentation of fantasy gain greater visibility and international success than those which examine fantasy in other often more complex ways. I argue that while the most successful explicit arthouse films unavowedly rely upon their connections to the sexual ideology of conventional heterosexual pornography, other films which are more open about their links to pornography are built upon more radical ideas about fantasy, sexuality and sexual politics.","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125986054","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Eve Golden, with Kim Kendall Campbell, The Brief, Madcap Life of Kay Kendall (Lexington: University Press of Kentucky, 2001) 书评:伊芙·戈尔登与金·肯德尔·坎贝尔合著，《凯·肯德尔的简短疯狂生活》(列克星敦:肯塔基大学出版社，2001)
Open Screens Pub Date : 2022-05-18 DOI: 10.16995/os.8989
N. Archer
{"title":"Book Review: Eve Golden, with Kim Kendall Campbell, The Brief, Madcap Life of Kay Kendall (Lexington: University Press of Kentucky, 2001)","authors":"N. Archer","doi":"10.16995/os.8989","DOIUrl":"https://doi.org/10.16995/os.8989","url":null,"abstract":"Eve Golden, with Kim Kendall Campbell, The Brief, Madcap Life of Kay Kendall (Lexington: University Press of Kentucky, 2001), pp. x-185, ISBN 978-0-8131-8073-1 (pb), £18.00","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"191 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124244288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: L.H. Stallings, The Afterlives of Kathleen Collins: A Black Woman Filmmaker’s Search for New Life (Bloomington: Indiana University Press, 2021) 书评:l·h·斯托林斯，《凯瑟琳·柯林斯的来生:一位黑人女电影人对新生活的探索》(布卢明顿:印第安纳大学出版社，2021年)
Open Screens Pub Date : 2022-05-18 DOI: 10.16995/os.8990
G. Ramanathan
{"title":"Book Review: L.H. Stallings, The Afterlives of Kathleen Collins: A Black Woman Filmmaker’s Search for New Life (Bloomington: Indiana University Press, 2021)","authors":"G. Ramanathan","doi":"10.16995/os.8990","DOIUrl":"https://doi.org/10.16995/os.8990","url":null,"abstract":"L.H. Stallings, The Afterlives of Kathleen Collins: A Black Woman Filmmaker’s Search for New Life (Bloomington: Indiana University Press, 2021), pp. x-212, ISBN 978-0-2530-5903-1 (pb), $25.00 ","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131220403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978) 《蓝光评论:闺蜜》[标准收藏，2020年](克劳迪娅·威尔，1978年)
Open Screens Pub Date : 2022-05-18 DOI: 10.16995/os.8987
Cathy Lomax
{"title":"Blu-Ray Review: Girlfriends [Criterion Collection, 2020] (Claudia Weill, 1978)","authors":"Cathy Lomax","doi":"10.16995/os.8987","DOIUrl":"https://doi.org/10.16995/os.8987","url":null,"abstract":"Girlfriends [Criterion Collection, 2020] (ClaudiaWeill, 1978), 88 Minutes, spine #1055, (Blu-ray)","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128649087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Anna Backman Rogers, Still Life: Notes on Barbara Loden’s Wanda (Santa Barbara CA: Punctum Press, 2021) 书评:安娜·巴克曼·罗杰斯，《静物:芭芭拉·洛登的万达笔记》(加州圣巴巴拉:点位出版社，2021年)
Open Screens Pub Date : 2022-05-12 DOI: 10.16995/os.8964
Alice Pember, N. Archer
{"title":"Book Review: Anna Backman Rogers, Still Life: Notes on Barbara Loden’s Wanda (Santa Barbara CA: Punctum Press, 2021)","authors":"Alice Pember, N. Archer","doi":"10.16995/os.8964","DOIUrl":"https://doi.org/10.16995/os.8964","url":null,"abstract":"Abstract: Anna Backman Rogers, Still Life:Notes on Barbara Loden’s Wanda (Santa Barbara CA: Punctum Press, 2021), pp.19-149, ISBN 978-1-953035-68-4 (pb), $20; ISBN978-1-953035-69-1 (eb PDF), free. ","PeriodicalId":320521,"journal":{"name":"Open Screens","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131184168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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