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Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.front
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引用次数: 0
Specifics of Compositional Structuring in the Traditional Instrumental Ensemble Music of Hutsuls 胡苏尔族传统器乐合奏中的作曲结构特点
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.179
Victoria Macijewska
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引用次数: 0
Eastern Lithuanian Drone Fiddling 立陶宛东部的无人机演奏
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.95
Gaila Kirdienė
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引用次数: 0
Every village had bagpipes … and then the accordions arrived. The Influence of Multipart Instruments on Textural Transformations of Serbian Traditional Instrumental Music 每个村庄都有风笛，然后手风琴就来了。多声部乐器对塞尔维亚传统器乐肌理变换的影响
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.29
D. Mihajlović
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引用次数: 0
The Structure of Brass Ensembles in Lithuania: Tradition or Pragmatism? 立陶宛铜管乐团的结构:传统还是实用主义?
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.269
R. Žarskienė
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引用次数: 0
Creative Teamwork among Musicians as an Introduction to Multipart Playing. Examples from Central-Eastern Europe 音乐家之间的创造性团队合作:多声部演奏的入门。中欧和东欧的例子
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.157
P. Dahlig
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引用次数: 0
The Bagpipes in the Mount Pollino Area (Southern Italy) 意大利南部波里诺山地区的风笛
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.71
N. Scaldaferri
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引用次数: 0
The Survival and Transformation of Solo Multipart Instruments and Instrumental Ensemble Music in Pannonia 潘诺尼亚地区独奏多声部乐器和器乐合奏音乐的生存与转变
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.57
A. Végh, Zsombor Horváth
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引用次数: 0
Jiří Hartl (1781 – 1849), a Teacher from Northern Bohemia: Jiří哈特尔(1781 - 1849)，北波西米亚教师;
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.249
Z. Vejvoda
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引用次数: 0
Instrumental Folk Music in Tyrol since the 19th Century 19世纪以来蒂罗尔的器乐民乐
Playing Multipart Music Pub Date : 2021-12-06 DOI: 10.7767/9783205214106.213
Thomas Nußbaumer
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引用次数: 0
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