The Arts of the Grid最新文献

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About the Participant Artists 参与艺术家简介
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-020
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引用次数: 0
6 Between Technological and Aesthetic Grids: Philosophical Challenges Posed by AI Artists 在技术和美学网格之间:人工智能艺术家提出的哲学挑战
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-009
Sagit Alkobi Fishman
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引用次数: 0
5 Globalizing Senegal’s Grid-Plan Legacies in Light of Islamic Studies, World History and Urban Studies 5 .伊斯兰研究、世界历史和城市研究背景下塞内加尔电网规划遗产的全球化
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-008
Liora Bigon, Eric Ross
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引用次数: 0
8 On Grids of Contemporary Art Production: A Convergence of Artistic, Computational, Craft and Performative Making 当代艺术生产的网格:艺术、计算、工艺和表演制作的融合
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-011
F. Bauer
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引用次数: 0
3 The Grid Specialized: Practical Town Planning, Artistic Features, and Natural Settings in Twentieth-Century Brazilian New Towns 网格专业化:20世纪巴西新城的实用城市规划、艺术特色和自然环境
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-006
Renato Leão Rego
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引用次数: 0
1 Introduction ‒ The Arts of the Grid: Interdisciplinary Insights on Gridded Modalities in Conversation with the Arts 1引言-网格的艺术:与艺术对话中的网格模式的跨学科见解
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-004
Liora Bigon, N. Shaked
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引用次数: 0
Foreword: On Grids and Networks 前言:论网格与网络
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-002
{"title":"Foreword: On Grids and Networks","authors":"","doi":"10.1515/9783110733228-002","DOIUrl":"https://doi.org/10.1515/9783110733228-002","url":null,"abstract":"The “grid” and the “network” have become pivotal notions in a wide variety of areas of research and creation. The present volume constitutes indisputable evidence of this trend. It is truly amazing that the same structural concepts are shared by such an abundance of fields as modern art, urban planning, the creator’s role in aesthetics, music, computer-aided design and production, acting, cinema art, verbal interaction, and virtual reality. This collection of essays will most probably challenge many researchers to fine-tune the grid aspects common to the varied multiplicity of fields, and will open new venues to promote them. It corresponds, though not directly or too strictly, with the international conference entitled “The Multidisciplinary Grid 2020” that took place in November 2020 at HIT – Holon Institute of Technology (an institution of which both the Editors and I are members). The conference, organized by the Department of Multidisciplinary Studies, was aimed at exploring the “grid” as a cross-disciplinary theme. It strove to explore a new horizon of relationships and fusion of the “grids”, and to foster a fruitful dialogue concerning gridded interpretations among researchers, practitioners, and artists.1 Although a distinction between the grid and the network may not be mandatory-and the present collection further blurs and softens the boundaries between them – it is still tempting to somewhat elaborate on potentially different emphases. These varied emphases, or focal points, may promote a better understanding of the foundations and the discovery of new potential directions, which might be of interest to experts in many diverse areas. The following remarks point to this path in conversation between exact sciences, applied science, fine arts, and humanities. As a mathematician, I admit to a slight and quite expected bias towards the first two of these areas. Mathematicians seem to have started dealing with these structures in the seventeenth century, specifically through ideas expressed by Gottfried Wilhelm Leibniz –a world-renowned mathematician, contemporary of Isaac Newton. Many consider Leonhard Euler’s 1736 paper, “The Seven Bridges of Königsberg” (which provided a systematic solution to a popular puzzle), to be the starting point of what is presently known as “Graph Theory.” In the formal, abstract-cum-precise language of mathematics, a graph is a set of objects referred to as “vertices”, together with a prescribed set of pairs from among these vertices, referred to as “edges.” Many would realize this notion as a set of points in a plane with lines connecting a number of pairs from among those points. A “graph” is therefore an abstract notion: more than what is actually considered in a graph are the aspects that are not of issue; essentially, it has nothing to do with graphics. The location of vertices is not significant, and so are the geometrical properties – straight or curved – of the edges connecting some of them;","PeriodicalId":319376,"journal":{"name":"The Arts of the Grid","volume":"245 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122925921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
4 Centrifugal or Processional: Divine and Mundane Power in Ancient Chinese Funeral Grids 4离心或列队:中国古代丧葬格栅中的神力与世俗力量
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-007
Shaoqian Zhang
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引用次数: 0
10 Depth as Grid: An Improvisational Actor’s Perspective 深度作为网格:一个即兴演员的视角
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-013
Yoël Tawil
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引用次数: 0
2 The Networked Artwork: The Grid as Dynamic Relational Form? 网络艺术:作为动态关系形式的网格?
The Arts of the Grid Pub Date : 2021-12-31 DOI: 10.1515/9783110733228-005
Leonie Bradbury
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引用次数: 0
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