{"title":"Tsagiglalal, She Who Watches:","authors":"J. Keyser","doi":"10.2307/J.CTVNDV90Q.36","DOIUrl":"https://doi.org/10.2307/J.CTVNDV90Q.36","url":null,"abstract":"","PeriodicalId":317929,"journal":{"name":"Narratives and Journeys in Rock Art: A Reader","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133306765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The power of a place in understanding southern San rock engravings","authors":"J. Deacon","doi":"10.1080/00438243.1988.9980061","DOIUrl":"https://doi.org/10.1080/00438243.1988.9980061","url":null,"abstract":"Abstract Two examples are given from the folklore of /Xam San informants, interviewed by Bleek and Lloyd in Cape Town in the 1870s, to suggest that the legendary and ritual significance of particular places in the landscape was enhanced by rock engravings. The nature of the power and of the ritual significance of a place may be discerned from the ethnography and from themes represented in the engravings.","PeriodicalId":317929,"journal":{"name":"Narratives and Journeys in Rock Art: A Reader","volume":"112 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1988-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115586046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Cultural Context of Hunter-Gatherer Rock Art","authors":"R. Layton","doi":"10.2307/2802440","DOIUrl":"https://doi.org/10.2307/2802440","url":null,"abstract":"Analyse du contexte culturel des peintures rupestres et des mythes qui leur sont associes chez les chasseurs-cueilleurs d'Australie et du Sud de l'Afrique (San). L'A. defend l'interpretation semiologique de l'art et du mythe contre les critiques de Sperber et de Dritainsteas et Traweak. Suivant la theorie de P. Ricoeur, il traite la creation picturale rupestre et la narration des mythes comme des textes a partir desquels peut etre reconstruite la structure de la culture du createur ou du narrateur.","PeriodicalId":317929,"journal":{"name":"Narratives and Journeys in Rock Art: A Reader","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1985-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115193453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}