New Sound最新文献_第6页

Transposition of the myth of Pan's flute in Satirova svirala [La flûte de Pan] by Petar Konjović: Fantasy and ballad aspects 佩塔尔·康约维茨《潘的笛》中潘的笛子神话的转位:幻想和歌谣方面

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2157019t

Marija Tomic

引用次数: 1

A new sound and anticipation of unimaginable reality: Sequenza III by Luciano Berio 一种新的声音和对难以想象的现实的期待:卢西亚诺·贝里奥的《Sequenza III》

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2158053r

Valentina Radoman

引用次数: 0

Reflecting upon freedom in two electroacoustic works by Elżbieta Sikora 在Elżbieta Sikora的两部电声作品中反思自由

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2157111m

Dominika Micał

引用次数: 0

Melita Milin: Ljubica Marić: Composing as an act of creation, Institute of Musicology SASA, Belgrade, 2018 Melita Milin:《Ljubica mariki:作曲作为一种创作行为》，SASA音乐学院，贝尔格莱德，2018

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2055239m

M. Marinković

引用次数: 0

From Kerman to Merzbow: Notes on the metamorphoses of music analysis at the turn of the millennium 从克尔曼到默兹博:千年之交音乐分析的蜕变笔记

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2055023k

Jiří Kubíček

{"title":"From Kerman to Merzbow: Notes on the metamorphoses of music analysis at the turn of the millennium","authors":"Jiří Kubíček","doi":"10.5937/newso2055023k","DOIUrl":"https://doi.org/10.5937/newso2055023k","url":null,"abstract":"This paper aims to delineate changes in the approach to music analysis over the last decades of the nineteenth century and to examine different possibilities in analysing works which have a characteristic that virtually excludes the use of traditional methods. The starting point is Joseph Kerman's criticism of music analysis, formulated in the 1980s, which - together with successive discussions - reflects a tendency towards abandoning the excessively academic and formalizing approach to analysis, moving from an attempt at an objective analysis of a work towards an interpretation that also focuses on the listener. Since the mid-twentieth century, electroacoustic music has been one of the areas where the use of traditional analysis was inconvenient. Since electroacoustic music began to lose its exclusive, academic character in the 1990s in relation with the development of computer technologies, the question of its interpretation and finding suitable listener strategies has kept coming to the fore. This paper shows the possibilities of approach to this music in relation to its specificities. The last part of the paper focuses on a specific example from one fringe genre: noise music, specifically the subgenre japanoise. In its peak period in the 1990s, this sound production was probably the furthest away from what is usually associated with the term music. Based on an analysis of a selected composition, the inadequacy of the traditional approach and certain alternatives to grasping such music will be demonstrated. The very end of the paper features some current results which relate to, or result from, the study's conclusions.","PeriodicalId":315139,"journal":{"name":"New Sound","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123293879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The sound is my personal diary: Conversation with Svetlana Savić 这是我的个人日记:与斯维特拉娜·萨维维奇的对话

New Sound Pub Date : 1900-01-01 DOI: 10.5937/newso2056001s

Ksenija Stevanović

引用次数: 0