{"title":"Menschwerden: Inszenierungen des heterogenen in Klaus Michael Grübers Bakchen","authors":"Helga Finter","doi":"10.14361/9783839409992-004","DOIUrl":"https://doi.org/10.14361/9783839409992-004","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127038023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Erschütterungen zwischen Körper und Bild. intermediale Strategien der Big Art Group","authors":"J. Roselt","doi":"10.14361/9783839409992-012","DOIUrl":"https://doi.org/10.14361/9783839409992-012","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131848348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tragödie, Fragment und Theater","authors":"P. Primavesi","doi":"10.14361/9783839409992-009","DOIUrl":"https://doi.org/10.14361/9783839409992-009","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121954541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Positionen, ex-Positionen – Ellipsen einer inszenierenden Photographie. Eine Fallstudie anhand von Picture for Women (Jeff Wall, 1979)","authors":"Andy Blättler","doi":"10.14361/9783839409992-013","DOIUrl":"https://doi.org/10.14361/9783839409992-013","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125550439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Fragmentary Muse and the Poetics of Refraction in Sappho, Sophocles, Offenbach","authors":"G. Nagy","doi":"10.14361/9783839409992-006","DOIUrl":"https://doi.org/10.14361/9783839409992-006","url":null,"abstract":"The idea of a fragmentary Muse comes from a fragmentary opera, The Tales of Hoffmann (Les Contes d’Hoffmann), by Jacques Offenbach. Such a Muse, I argue, embodies a complex metaphor that I sum up in one word, refraction. This metaphor, which recurs several times in that opera, derives from the idea that light ‘breaks’ through a prism or lens. That is, light refracts or ‘breaks’ just as things break. This idea combines with another idea, that sound refracts or ‘breaks’ as well. When I speak of a refraction of sound, I am aware that there is no such thing in terms of physics. But there is such a thing, as we will see, in terms of a poetic metaphor that extends from the physics of sight to the metaphysics of sound. The optical effect of ‘breaking’ light and the imagined acoustical effect of ‘breaking’ sound combine to form the complex metaphor I call refraction. In the music of Offenbach’s opera, this metaphor is used to express the sensation of experiencing a disintegration of identity, a shattering of the self. That is what I mean when I speak of a poetics of refraction. Besides the opera of Offenbach, such a poetics is found also in two fragments of ancient Greek poetry. One fragment is from a song by Sappho, while the other is from a song embedded within a drama by Sophocles. Though there is no reason to think that Offenbach knew about either of the two ancient Greek fragments I just mentioned, I find his poetics of refraction “good to think with” as I contemplate the corresponding poetics of Sappho and Sophocles.","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127039299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Lügen tränen nicht? Ausdruck, Konvention und Körper in der Wooster-Group-Produktion To You the Birdie! (Phèdre)","authors":"Nikolaus Müller-Schöll","doi":"10.14361/9783839409992-011","DOIUrl":"https://doi.org/10.14361/9783839409992-011","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132932235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Übersetzungen.Nietzsche’s Greatest Hits","authors":"Arno Böhler, S. Granzer","doi":"10.14361/9783839409992-016","DOIUrl":"https://doi.org/10.14361/9783839409992-016","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129762407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Diskurs und Fragment: für ein Theater der Auseinandersetzung","authors":"G. Siegmund","doi":"10.14361/9783839409992-001","DOIUrl":"https://doi.org/10.14361/9783839409992-001","url":null,"abstract":"","PeriodicalId":311190,"journal":{"name":"Theater des Fragments","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2009-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134149218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}