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The Scottish Journal of Performance最新文献

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Dedication: It’s all allowed: inspired by Adrian 奉献:这都是允许的:灵感来自艾德里安
The Scottish Journal of Performance Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.02
L. Bissell
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引用次数: 0
You do not have to walk on your knees 你不必跪着走路
The Scottish Journal of Performance Pub Date : 2018-04-06 DOI: 10.14439/SJOP.2018.0501.15
Peter McMaster
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引用次数: 0
Negotiating care: an exploration of non-place within a deafblind performance project 协商护理：对聋哑表演项目中非位置的探索
The Scottish Journal of Performance Pub Date : 2018-04-06 DOI: 10.14439/SJOP.2018.0501.05
Will Stringer
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引用次数: 0
Between care and self-care: dramaturgies of mindfulness in the work of the vacuum cleaner 在照顾和自我照顾之间:真空吸尘器工作中的正念戏剧
The Scottish Journal of Performance Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.04
Stephen Greer
{"title":"Between care and self-care: dramaturgies of mindfulness in the work of the vacuum cleaner","authors":"Stephen Greer","doi":"10.14439/sjop.2018.0501.04","DOIUrl":"https://doi.org/10.14439/sjop.2018.0501.04","url":null,"abstract":"Since 2009, the performance work of ‘art and activist collective of one’ James Leadbitter—better known as the vacuum cleaner—has repeatedly engaged with issues surrounding mental illness, ‘madness’ and mental health discrimination. This paper explores the relationship of that work to the discourse of ‘mindfulness’, a form of cognitive therapy centred on cultivating a non-judgmental and present-focused attentiveness to one’s own mental state. While an increasing body of evidence suggests the potential health benefits of mindfulness, its broader application has been challenged for invoking forms of self-critique which elide the social factors that undermine well-being. \u0000 \u0000In response, this paper examines how Leadbitter’s staging of the relationships between care and self-care might challenge the imperatives of individuated responsibility that are characteristic of neoliberal discourses. Rather than reproducing existing social relations, Leadbitter’s dramaturgies of mindfulness suggest how an attentiveness to one’s own wellbeing may be extended outwards as a response to others in prefigurative encounters which allow us to imagine and rehearse alternatives.","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"5 1","pages":"25-47"},"PeriodicalIF":0.0,"publicationDate":"2018-04-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45686207","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Inside the hos(t)pital 医院内部
The Scottish Journal of Performance Pub Date : 2018-04-06 DOI: 10.14439/sjop.2018.0501.13
B. Harrison
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引用次数: 0
Listen to the others: the rehearsal process as a constant act of care 倾听他人:排练过程是一种持续的关怀
The Scottish Journal of Performance Pub Date : 2018-04-05 DOI: 10.14439/SJOP.2018.0501.06
Inês Bento-Coelho
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引用次数: 0
Book review: British theatre companies: From fringe to mainstream, edited by Graham Saunders and John Bull 书评:英国戏剧公司:从边缘到主流，格雷厄姆·桑德斯和约翰·布尔主编
The Scottish Journal of Performance Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.07
B. Watson
{"title":"Book review: British theatre companies: From fringe to mainstream, edited by Graham Saunders and John Bull","authors":"B. Watson","doi":"10.14439/SJOP.2017.0401.07","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.07","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"101-108"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42143050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial: Beyond topography: space and time in the creative imagination 社论：超越地形：创造性想象中的空间和时间
The Scottish Journal of Performance Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.01
Kirsty Kay, B. Redman
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引用次数: 0
The burning circle: (pre)history, performance and public engagement 燃烧的圈子：（前）历史、表演和公众参与
The Scottish Journal of Performance Pub Date : 2017-09-17 DOI: 10.14439/SJOP.2017.0401.03
Cara Berger, B. Robertson-Kirkland
{"title":"The burning circle: (pre)history, performance and public engagement","authors":"Cara Berger, B. Robertson-Kirkland","doi":"10.14439/SJOP.2017.0401.03","DOIUrl":"https://doi.org/10.14439/SJOP.2017.0401.03","url":null,"abstract":"n recent years, there has been a change of culture in the academic environment: researchers are now strongly encouraged to collaborate across disciplines and develop strategies to engage non-specialist publics with the processes and results of their work. Often, artistic researchers are brought in to provide the ‘window dressing’ that allows other research disciplines to more effectively communicate their ‘hard data’. However, in Burning the Circle, a project that emerged from a collaboration between researchers in Archaeology, History, Music and Theatre Studies, and industry partners Northlight Heritage and National Trust for Scotland, emphasis was given to how artistic activities, in this case performance, produce formally specific insights through their particular mediality and the modes of sensorial engagement they produce. In this article, we approach the event from our perspective as artist-scholars in performance-based disciplines to begin to consider how performance might play a more central and productive role in interdisciplinary public engagement events.","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"29-53"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49541703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Practitioner report: Play between worlds: Inchcolm Project 从业者报告:世界之间的游戏:Inchcolm项目
The Scottish Journal of Performance Pub Date : 2017-09-17 DOI: 10.14439/sjop.2017.0401.02
Mona Bozdog, D. Galloway
{"title":"Practitioner report: Play between worlds: Inchcolm Project","authors":"Mona Bozdog, D. Galloway","doi":"10.14439/sjop.2017.0401.02","DOIUrl":"https://doi.org/10.14439/sjop.2017.0401.02","url":null,"abstract":"","PeriodicalId":30915,"journal":{"name":"The Scottish Journal of Performance","volume":"4 1","pages":"9-28"},"PeriodicalIF":0.0,"publicationDate":"2017-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45611948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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